Category Archives: Art History

Let me introduce you to Miriam McConnon, Visual Artist, Paphos, Cyprus

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Let me introduce you to Miriam McConnon, an Irish visual artist based in Paphos, Cyprus.

Miriam McConnon in her studio in Paphos, Cyprus

 

Inspired and Inspiring is how I would describe the narrative art that Miriam produces:  narrative in the sense that each painting tells a particular story in a unique way.

Earlier this year, I went with a friend who is also familiar with Miriam’s work, to meet Miriam in person in her studio in the old town of Paphos.   As chatty and charming in person as she is on Zoom, we enjoy a coffee with her and talk about her art.   I take the photos shown here  during our visit and they are reproduced with Miriam’s permission.

Miriam McConnon in her studio in Paphos

Miriam tells us about her most recent exhibition called: “ Refugee Armour “, in which she paints the stories of individual young male refugees by incorporating images of items they brought with them to Cyprus from their home country, transformed into a painted coat, like a protective coat of armour.  The pattern of each ‘coat of armour’ is specific to each young man’s journey to safety following war.    The notion of Armour is a powerful metaphor.

Not only is Miriam an imaginative artist but she’s also a knowledgeable art history educator.   I benefit from the weekly on-line art history talks that she conducted for two years through the worst of the COVID seclusion.  It was a delight to meet up on line each week with a group of people from different countries who were interested in art history and have the opportunity, with Miriam’s guidance, to explore different artists and art periods.  So I feel I got to know something of Miriam through the medium of Zoom.

Miriam continues to teach but now teaches painting in person in her studio in Paphos.   She balances her lessons with dedicated time to produce her own work as she has an active exhibition program.

An earlier theme that Miriam pursued was painting domestic landscapes.   In the photograph of Miriam above, two paintings of a domestic nature are visible.   One, the series of coats, and the other, a favourite of mine, is her tea-cup painting.   She also rendered this image of multiple tea cups in a large scale drawing.   Tea cups foster such an image of home and comfort.  Each cup is decorated differently to represent a different person and that person’s life.   It’s brilliant!

I have one of her paintings that we bought many years ago of Irish postage stamps.  We bought this before we knew anything about Miriam’s work but the stamp painting resonated with our Irish connections.   The painting is based on a stamp collection of her Mother’s.   It seems so natural of Miriam to bring family history into her paintings in such a reflective way.

Talking about family, Miriam is strongly connected to her family and roots in Ireland where she visits regularly.   She is represented in Dublin by the Olivier Cornet Gallery,  where her work is exhibited.  

In 2022,  in conjunction with the Olivier Corning Gallery, she created a particularly imaginative and compassionate installation called ‘Lost Lace’  in Iveagh Gardens, Dublin.   This installation consisted of 10,000 white roses made by Miriam from white handkerchiefs and arranged by her in the gardens in beautiful lace patterns to symbolize individually a life lost in Ireland and Northern Ireland due to the Coronavirus Pandemic.  This was a collaborative project between Miriam and the poet Jessica Traynor with the participation of the families who lost loved ones to Covid 19.  This unique and imaginative installation demonstrates Miriam’s artistic practice and her creative thought process leading up to the finished installation.    

In Cyprus, Miriam is represented by the Diatopos Gallery in Nicosia.

Her works are in numerous public and private collections internationally.   Her painting, Aaron’s Armour,  is in the collection of the Irish Department of Foreign Affairs at the Irish Embassy in Cyprus.   

It’s only in researching Miriam’s extensive artistic background that I fully appreciate the great depth and breadth of the skills and expertise that she brings to communicating to the public social issues and social change through her talented drawing and painting.   I recommend reviewing Miriam’s website to know more about her extensive background.  Isn’t this often the case, that we rarely fully appreciate someone’s skills, knowledge and experience even if we think we know something about them!

Given that I typically write about wine and food,  I ask Miriam which are her favourite Cypriot wineries!   Back comes the quick answer:  Zambartas,  Tsangarides, and Makkas.   She prefers white wine.  I’ve visited and written about Zambartas and Tsangarides wineries and their wines and those earlier posts are added at the end.  However, I am unfamiliar with Makkas;  so a new winery to explore!

The art world is a tough and competitive environment.  I raise a glass of Tsangarides Xynisteri white wine to Miriam and wish her continued success as she digs deep with her inspired painted narratives.

Happy Easter!
Elizabethsvines

References:    Miriam McConnon  www.miriammcconnonart.com

Olivier Cornet Gallery, Dublin     Www.oliviercornetgallery.com

Diatopos Gallery, Nicosia.          Www.diatopos.com

Cyprus Wines: Zambartas Wineries, Agios Amvrosios, Limassol. The stars have aligned…!

Cyprus wines: Tsangarides Winery and a portrait of happiness

Celebrations of Easter and mosaic artisan skills!

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In a brief digression from my usual wine related writing, I would like to wish my readers a Happy Easter, a time to celebrate renewal, wherever you may live.

In line with celebrations, this is a good time to celebrate the wonderful mosaic art of our friend Sharen Taylor, whose studio is in Paphos, Cyprus, where I visited Sharen.  Apart from her professional background as a conservationist and the work she has done with respect to archeological projects in the area, Sharen is a talented mosaic artist who is passionate about introducing others, including children,  to this form of art and culture through her customized workshops and her commissioned work.

Sharen Taylor, Mosaic Artist.
Childrens’ Community Project : Architectural Mosaic Map; Sharen Taylor Mosaics.

By participating in Sharen’s workshops, Its possible to can get a personal appreciation of the skills used by the Greek and Roman artisans who, over a thousand years ago, created the exquisite mosaics in the buildings and excavations at the Paphos Archeological Park.   I found my amateur mosaic making experience a walk in history, with admiration for the incredibly subtle work of those past artisans.

Wishing you a happy and peaceful Easter time,

My hand painted Easter hat!

elizabethsvines

References

Sharen Taylor:  sharentaylormosaics on Facebook.

 

 

 

 

Beautiful enamel wine labels link wine history with the present and future: Happy New Year!

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These beautiful late 18th Century enamel labels for Cyprus wine illustrate that the wine industry has a long and elegant history.

Late 18th Century enamel labels for Cyprus wines, courtesy of Dr. R Wells

The four enamel labels most likely are for Commandaria wine, which is a Cyprus sweet dessert wine, sometimes fortified but always with a high alcohol level.    The label marked Malvoisie de Chipre refers to ancient grape varieties, known as malvoisie, used for dessert wines.    Commandaria wine dates back to approximately 800 BC and was popular during the time of the Crusades in the 11th and 12th centuries and subsequently exported widely within Europe.  

I wrote about Commandaria wine in a 2013 blog and described it as follows:

‘As a fortified wine, Commandaria travelled well and was exported throughout Europe.    It was popular in England, for example, not only in the 13th century but later and was a favourite of the Tudor Kings including King Henry V111.

Commandaria is made only in a defined region of 14 wine producing villages in the Troodos foothills about 20 miles north of Limassol. The wine production for Commandaria has remained true to traditional methods.   The production is small and it maintains its ranking among the world’s classic wines.  In 1993, the European Union registered     Commandaria as a protected name and geographic origin.

Commandaria is regarded as an eastern mediterranean equivalent of its western mediterranean cousins, Port and Sherry.   We found it had both similar and different characteristics and was more refreshing and lighter with higher acidity. ‘

For a fuller description of this fortified wine please look at my earlier blog post:

https://elizabethsvines.com/2013/02/04/cyprus-wine-maki…century-part-two/ ‎

The various spellings of Cyprus on the four enamels in the photograph suggest a robust export of Cyprus wines in the late 18th and 19th centuries.   Chypre is the french spelling for Cyprus and this label is early French in origin and the Chipre and Malvoisie de Chipre are early English.  The Cyprus label is more recent.   

2020 will surely be remembered as an extraordinarily difficult year for wine makers.  From my conversations with several over the years, including members of Confrèries, I realize that they are used to overcoming a variety of challenges including weather, soil and pest conditions as well as market changes.   This year they have again demonstrated their ability to tackle a new challenge with innovation and creativity.

These exquisite and historic Cyprus enamel labels, shown courtesy of Dr. Richard Wells, help to remind us of the longevity and resilience of the wine making industry and the pleasure it brings to so many people: past, present and future.

I wish all wine makers and their families everywhere a successful year in 2021.

Happy New Year!

elizabethsvines

 

Reference:   http://www.drrwells.com   Enamel Wine Labels:  refer to Dr Well’s blog for a full description of enamel labels.

Cyprus mosaics – the cultural tradition continues…

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“ To carry on the cultural heritage of mosaic making in modern materials”, is the vision of Sharen Taylor, mosaic artist in Paphos, Cyprus.

Sharen Taylor’s Mosaic Workshop

Mosaics, particularly antique mosaics, always fascinate me.

Here are some reasons:

  • The sense of wonder I feel when I look at antique mosaics made in Roman times;  around the 2nd Century AD or about 1,800 years ago, and that they have survived,
  • The artistry in the designs, whether geometric, non figurative or figurative – which still appeal to the modern viewer and are influential in today’s decorative styles,
  • The craftsmanship in making polychromatic illustrations from tiny cubes – 1 cm each side – of natural stone (called tesserae); usually limestone or marble of different colours which remain as vibrant today as the day the stones were laid.   In particular, the skill in applying the stones to the mosaic design in such a way as to provide perspective, texture, and nuance of colour, size and scale,
  • The size of either floor or wall mosaics, which provide the opportunity to tell a story in stone; reflecting contemporary interests in nature, flora and fauna, spectacle, myths, gods and goddesses,
  • The way in which mosaics inform us about the lifestyle, the social and economic standing of the people who lived so long ago  in houses and communities decorated in such beautiful ways; where beauty was a value they appreciated.

In other words, antique mosaics are masterpieces of the ancient world.

In today’s world, Sharen Taylor is inspired to help people appreciate the mosaic art form and also create mosaics with modern materials.   While this is her focus, her creative approach is grounded in the depth and breadth of her knowledge and experience of art history and archeological conservation that she brings to her modern expression of an ancient art.

Illustrations of Mosaics made by Sharen
Sharen Taylor with her mosaics
Sharen making us coffee in her studio
Sharen Taylor in her studio demonstrating how to cut tesserae

Sharen graduated from Exeter University with a BA in Fine Arts with a specialty in sculpture.   An interest in antiquities and conservation work led her to a job with the British Museum in London.   While working there, she was sponsored for a Diploma in Archeological Conservation at the Institute of Archeology, London University.

Coming to Cyprus in 1987, she worked on the excavation work at Lemba, near Paphos.   She conducted the conservation work on the cult bowl and figurines found at Kissonerga, which are on permanent display at the Archeological Museum in Nicosia.   During a recent visit to that museum, I took this photograph, thinking how fortunate I am to know the person who did the conservation work on these important artifacts dating back over 4,000 years.

The Lemba cult bowl and figurines on which Sharen conducted conservation work. On display at the Cyprus Archaeological Museum, Nicosia

Following this exciting work, Sharen stayed on in Cyprus and worked for the Department of Antiquities as a consultant, including with the Leventis Museum, focusing on metal work and mediaeval pottery.   She also worked for various foreign missions coming to Cyprus on archeological expeditions.   Through this work, Sharen joined the Getty Conservation Institute as a Consultant and Coordinator for Site Conservation training, which focused on conservation on site; important for the integrity of archeological expeditions.   Because of Cyprus’s location at the centre of the Eastern Mediterranean with major archeological finds throughout this geographic area, site conservation training was centred in Cyprus.

Sharen’s professional interest shifted to mosaics when she was asked to conduct a historical survey of the wine harvest mosaic in the atrium of the House of Dionysius at the Nea Pafos Archeological Site, a World Heritage Site, adjacent to the Paphos old Port.  She analyzed each stone in that mosaic! In this photo, she shows her detailed mapping and analysis of those mosaics.

Sharen explains the historical analysis she conducted of the Roman wine harvest mosaics at the House of Dionysius, Paphos Archeological Park.

Sharen presented her findings at a conference of the International Committee for the Conservation of Mosaics in Arles, France in 1999.

She started her mosaic workshop in 2000 and moved to the beautiful, light and airy new building in the Hani Ibrahim Khan Centre near the Municipal Market in Paphos in 2018.   As soon as we entered to workshop to meet with Sharen, I could feel the good energy there.  She focuses on commissions for organizations and private individuals and also teaches children and adults mosaic making, which is how I first became aware of her work.

Coincidentally, in 2013, I wrote about the wine harvest mosaics in a series of 5 posts about Cyprus in which I made the connection between my interest in wine expressed through my wine blog and the wine harvest mosaics!   ( See: Cyprus Wine Making – the ancient world meets the 21st Century: Part One)

Cyprus wine making – the ancient world meets the 21st century – part one

Earlier in this post, I outlined the main reasons that ancient mosaics fascinate me.

A visit to the Nea Pafos Archeological Site illustrates all these aspects.   Each time I visit Cyprus, I take time to enjoy these mosaics, both those in the open air and those in the various excavated houses, including the House of Dionysius, where the wine harvest mosaics pave the atrium.

Nea Pafos Archeological Site, Paphos

Imagine welcoming guests to your house if you were the prosperous citizen of Paphos living in this Roman villa.     Your guests would admire these and other mosaic illustrations as they walked across the floor.

Sometimes, I wish I could be a time traveller to quietly observe these scenes!

Any visitor to the Nea Pafos Archeological Site is privileged to be able to see these world heritage mosaics in situ.

Prior to the 1960’s, geometric and non-figurative mosaics were frequently considered of little importance.     Generally, there has been ongoing deterioration and loss of mosaics.   There was a view that there are so many antique mosaics in the Mediterranean region where mosaics are numerous that conservation wasn’t important.

Now there is recognition that cultural heritage is increasingly threatened by rapidly changing physical and geopolitical currents around the world and this emphasizes the need to protect antique sites.

Under the authority of the Department of Antiquities, Republic of Cyprus, systematic excavations started at Neo Pafos in 1962.   In 1980, it was inscribed on the World Heritage List of UNESCO.  Nea Pafos continues as a centre of excavation and research by many foreign archeological missions from universities and schools.

As mentioned previously, Sharen presented her paper on the Paphos wine harvest mosaics at The International Committee for the Conservation of Mosaics (ICCM) Conference in 1999, entitled: Mosaics, Conserve to Display.     The ICCM, founded in Rome in 1977, is a voluntary organization registered in Cyprus as a legal entity.   Their role and objectives are, “promoting the broader evolution in the philosophy and practice of heritage conservation in the field of mosaics”.       It is an organization that brings together conservators, archeologists, art historians and architects.       I am grateful to Sharen for making me aware of this organization and its work.

Experiencing antique mosaics connects us to the ancient past at various levels: physical, emotional and at the level of beliefs and values through the stories they tell and the designs they illustrate.

Sharen Taylor, through her knowledge, experience and creativity pays that cultural heritage forward by teaching children to appreciate and create mosaics.     The Hani Ibrahim Khan colourful and imaginative wall mosaic created by children with aged 7 – 11 is a great illustration of this.

Past, present and future:  the cultural tradition of mosaics continues…

Mosaic made by children aged 7-11 years for the opening of the new Centre in Paphos.

References:

Sharen Taylor Mosaics, 15 To Hani Ibraham Khan, 40 Konstantinou Kanari Paphos

Accessible Website via Facebook  Google Sharen Taylor Mosaics.

Department of Antiquities, Republic of Cyprus www.mcw.gov.cy see this site for lots of relevant information including the Neo Paphos Archeological Park

International Committee for Conservation of Mosaics (ICCM)

http://www.iccm-mosaics.org

Getty Conservation Institute   http://www.getty.edu