Wines for Self-Isolation in challenging times…

This is day 14 of the 14-day self-quarantine period in Vancouver, British Columbia following our return here earlier in the month.     We now continue with the self-isolation and social distancing practices in place here in British Columbia and elsewhere in Canada.

Other people we know are in various stages of their mandatory self–quarantine following their return to Canada from travels overseas and it’s interesting how we are all dealing with this time on our hands.

The pursuits are across the spectrum from creative activities like painting, playing piano or other instruments, sewing/needlework, gardening, baking, which seems very popular!, and exercising; to stimulating the little grey cells with language learning, reading, studying, writing; plus catching up on all those projects and chores we have put off for as long as possible; and to communicating with family, friends, colleagues past and present, members of groups and clubs.   This adds up to lots of communicating and especially face-to-face talking going on via various media, which is wonderful and comforting.

Perhaps this ‘reaching out to others’ may well be the biggest communication trend as we support friends, family, neighbours and strangers stay safe and healthy.

So where does wine fit into this equation?

For wine-lovers, having a glass of wine in hand when connecting with people over the airwaves to say hello and exchange news is a great way to salute and toast each other.

Imagine my delight last week when my quarterly supply of wine from Meyer Family Vineyards, Okanagan Falls in the Okanagan Valley, British Columbia was delivered as part of my wine club membership.   After carefully sanitizing the box, removing the wine bottles and wiping them down, they were safely stored away (and the box sorted for recycling).   In addition, Meyer Family Vineyards gave us a gift of two Riedel Pinot Noir glasses in gratitude for our 3-year wine club membership.  (Meyer Family Vineyards are now offering various delivery/curbside pick up options identified on their website)

Perfect gift, perfect timing!

For a Zoom call with friends, I opened a bottle of Meyer 2018 Pinot Noir Okanagan Valley and enjoyed a glass in my new Pinot Noir Riedel while chatting with friends.

Small pleasures in difficult times help lift our heart and spirits!

Spare a thought for wine makers and vineyard owners around the world. Many of them are small family owned businesses and will acutely feel the economic uncertainty of the current situation.   Most of them are also adapting to getting the wine to the consumer even if the consumer can’t get to them.

An example of this came into my email today from Chateau Lestevenie, a small family owned vineyard in the community of Gageac et Rouillac in the Dordogne in SW France. Sue and Humphrey Temperley, who I have written about before, identify the delivery arrangements they are able to make under the current lock down business rules for both their clients in France and also in the UK.   All the details are on their website.

We can help our favourite wineries, wherever we live, get through these challenging times by checking out their wine delivery options and purchasing on-line where we can.

People are amazing at demonstrating their resilience and adaptability in times of crisis.   I have great respect for First Responders, medical staff, and people working in many sectors and industries to help find solutions and to those people supporting the vulnerable among our communities.   A big thank you!

In closing, here’s an encouraging last comment from Sue and Humphrey at Chateau Lestevenie:

We wish all our customers the very best at this stressful time.  It is hard being separated from family and friends. Despite all the human trauma, of course; the vines are in bud, the birds are nesting and the hares are dashing about. It does give hope. “

Stay safe and healthy…and reach out!

elizabethsvines

References:    Meyer Family Vineyards    www.mfvwines.com

Chateau Lestevenie   http://www.chateau-lestevenie.com

 

Bergerac Wine Region, SW France: Lessons in Wine Tourism

Caro Feely walks through the Marche de Noel in Saussignac with her usual friendly and confident air.

We smile and greet each other.  I congratulate Caro on her recent important win in the world of wine tourism.   Chateau Feely, of which she is Co-Proprietor with her husband Sean, is one of the 9 Gold Trophy winners in the first French National Wine Tourism Awards: Trophées de l’Oenotourisme.  Chateau Feely won Gold for the Category: Education and Valorization/Recognition and Valuing the Environment.

This trophy award is significant as it puts the achievements of Caro and Sean at Chateau Feely on the national scene.   With their January 2020 inclusion in the Forbes Travel Magazine list of 5 best places to learn about wine, they are now on the international map.    This is tremendous recognition for their hard work and commitment.

In addition to the sale of their organic and now biodynamic wines, Chateau Feely situated in the village of Saussignac, part of the Bergerac Wine Region, offers the visitor a broad repertoire of activities and events.   Wine and Spirit Education Trust wine courses, the organic/biodynamic learning and education trail through the vineyard, ecologically built holiday accommodation are available.   Wine tours and events such as wine harvesting days, the wine club and recently added yoga lessons taught by Caro, a qualified yoga teacher, round out the vacation experiences.   There are also Caro’s three books providing a personal and entertaining insight into their experiences at Chateau Feely over the years.

I ask Caro if I can take her photo and write about what Chateau Feely has achieved in my blog.   She is happy with both suggestions.

I’ve known Caro since about 2007.   When we first met Caro and Sean, with their two young daughters, they were starting to make their way in the wine world in this beautiful part of SW France with their wine farm on the edge of the small village of Saussignac, about 20 mins from Bergerac.

Sean focuses on the farming side of the enterprise and Caro, with her background in marketing in the world of technology, moved the business forward in terms of visibility.   Her leadership skills of focus, strategic thinking, perseverance, entrepreneurship and commitment to action have all contributed to where they are today.

Saussignac, this small village of about 420 residents, resting in the shadow of the 17th Century Chateau with 12th Century and earlier roots, is very much a part of the local wine community, having its own Saussignac Appellation for a late harvest delicious wine made by various wine makers in the area.

The village of Saussignac plays a leading role in wine tourism in the area and highlights the importance of community engagement and collaboration.   Led by a dynamic group of local people, the village hosts weekly wine tastings on Monday evenings in July and August presented by a different wine chateau each week. The Confrérie du Raison d’Or de Sigoulès organizes weekly walks in the surrounding countryside during July and August.   The village supports periodic Art Shows, theatre and music productions.   A new restaurant in the village, Le 1500, with its welcoming courtyard, offers delicious and interesting meals.   Le 1500 and Chateau Le Tap, an organic winery adjoining Chateau Feely offer excellent accommodation.

The Bergerac Wine Region has seen a steady growth in organic and biodynamic wineries, certified or following organic farming principles.   I have written about several of them in the past: Chateau Le Tap, Chateau Lestevenie, Chateau Court les Muts, Chateau Monestier La Tour, Chateau Grinou, Chateau Hauts de Caillevel, Chateau Moulin Caresse, Chateau Les Plaguettes, Chateau Tour des Gendres, Vignobles des Verdots and Chateau Feely.

So what does wine tourism mean?   In France, it is interpreted to encompass the countryside, heritage, history, culture, wine of course and all the people involved. It’s a broad perspective.

The objective of the Trophées de l’Oenotourisme is to shed light on initiatives taken by these winning wine chateaux and their proprietors, who like everyone in the wine industry, work hard every day to put in place strong and attractive wine tourism offerings to suit the changing demands of clients and to encourage others through these examples.

The opportunity to share wine tourism ideas is particularly important as the market for wine changes due to various issues including a gradual change in consumption, the effects of climate change on the grape varieties grown in wine growing areas and the positive focus on quality not quantity.  It’s a sector under pressure and the sands of the wine industry are shifting.

This first national award scheme of Trophées de l’Oenotourisme for wine tourism is a collaborative initiative of the French wine and lifestyle magazine, Terre de Vins and Atout France, France’s national tourism development agency.

The list of the 9 Gold Trophy winners is noted at the end of this article.   I have looked at the websites of each of the winning chateaux and found that exercise interesting and informative.  In addition to these 9 chateaux, there are many others throughout France pushing the envelope on wine tourism.

When considering how people choose to spend their discretionary money, it is interesting to look at the world of retail.   It appears people are buying fewer ‘things’ and spending their money on experiences.   This seems to be a trend in vacation planning.   As Caro says: “Our clients are looking for more, that extra something, when they go on vacation, and we provide that through our educational and environmental approach”.

We live in an age of increasing stress with the many diverse demands place on individuals and families.   Mental health is a significant workplace safety and wellness consideration for individuals and organizations.   A vacation in the countryside where one can have enjoyable experiences learning about nature, the environment, benefit from exercise, fresh air, good fresh food and excellent wine sounds like a healing proposition.

What are the lessons one can take away from observing what is happening in the world of wine tourism?   These include:

  • Keeping up to date on trends, particularly about the evolution of the mature wine market.
  •  Learning new skills and expanding knowledge of relevant topics
  • Using technology effectively to communicate with potential visitors
  •  Investing time, energy and money (sourcing development funds where possible) to remain current
  •  Adaptability. **
  • Collaboration and networking
  • Community engagement

To benefit from this awards initiative, one way of looking at these Wine Tourism Trophies and their 9 categories is to see them as case studies of success and adaptability.   In this way, they offer value to students and observers of wine tourism. One new idea can have far reaching results.  In an era of change in the wine industry, these learning opportunities take on greater significance.

Congratulations, Caro!

References:

Here’s the list of the 9 Gold Trophy winners:

Les lauréats des premiers Trophées de l’Œnotourisme:

Catégorie Architecture & paysages –Château de Pennautier (11610 Pennautier), 
Catégorie Art & culture – Maison Ackerman (49400 Saumur), 
 Catégorie Initiatives créatives & originalités – Château Vénus (33720 Illats)
, Catégorie Œnotourisme d’affaires & événements privés – Champagne Pannier (02400 Château-Thierry)
, Catégorie Pédagogie & valorisation de l’environnement – Château Feely (24240 Saussignac)
, Catégorie Restauration dans le Vignoble –Château Guiraud (32210 Sauternes)
, Catégorie Séjour à la propriété – Château de Mercuès (46000 Cahors)
, Catégorie Valorisation des appellations & institutions – Cité du Champagne Collet (51160 Aÿ-Champagne)
, Catégorie Le vignoble en famille – La Chablisienne (89800 Chablis). I googled the chateau names to look at the websites.

 

Chateau Feely                                              www.chateaufeely.com

Chateau Le Tap                                           www.chateauletap.fr

Chateau Lestevenie                                               www.chateau-lestevenie.com

Chateau Courts les Muts                           www.court-les-muts.com

Chateau Monestier La Tour                      www.chateaumonestierlatour.com

Chateau Moulin Caresse                          www.moulincaresse.com

Chateau Hauts de Caillevel                      www.chateauleshautsdecaillevel.com

Chateau Tour des Gendres                      www.chateautourdesgendres.com

Vignobles des Verdots                               www.verdots.com

Le 1500                     https://www.le1500.rocks     (restaurant and accommodation)

Terre de Vins   www.terredevins.com

Atout France     www.atout-france.fr

Forbes Travel Magazine                             stories.forbestravelguide.com

Enjoying Nature, Wine and Walking: holiday ideas in the Bergerac Wine area, SW France

Much is written these days about the benefits of spending time in Nature.   As an example, this year the Duchess of Cambridge’s Nature Garden will be a highlight of the Royal Horticultural Society Chelsea Flower Show in London (May 21-25, 2019). http://www.rhs.org.uk

What better way to spend time in Nature than to have a wine-tasting and walking holiday in the French countryside, in the Dordogne Valley near the small town of Bergerac?   For time-out from the hurley-burley of city and work life, it would be difficult to find a better refuge for rejuvenating personal and family time.

Within a defined radius around the communities of Saussignac, Monestier, Sigoules and Pomport, all within an easy drive of Bergerac Airport, there are many wineries where a visitor can happily indulge all three interests of Nature, Wine and Walking, or Randonnées as the French call walks in the countryside.

Holidays in the French countryside often involve staying in self-catering Gites often attached to wineries.      I’ve written in my blog about most of the wineries I am going to mention and will highlight the relevant blog posts.   All the wineries offer wine tastings.   In cases where I know the wineries offer accommodation I am mentioning this but not making any recommendations.

Walking maps are available in the villages, usually in the Mairies (Mayor’s office) or on a notice board in public areas.     Another resource is Walking in the Dordogne: Over 30 walks in Southwest France by Janette Norton, available on Amazon.

The Confrerie du Raisin D’Or, an association which supports wine tourism in the area, organizes walks every Monday and Thursday in July and August. These walks always finish with a Vin d’honneur – wine tasting of local wines.   At this time of writing, the Confrérie’s Randonnées program hasn’t yet been finalized for 2019 but will be available on their website: www.confrerieduraisindor.com

Also available from March through November are jazz evenings offered in different wineries.   The next concert will be held April 12 and in June, the jazz evening will be in Pomport. Check out the 2019 Jazz en Chais program:  http://www.jazzpourpre.com

SAUSSIGNAC    (4 km from Monestier and 12 km from Pomport and 12 km from Sigoules,  19.6 km from Bergerac Airport)

Chateau Feely and Chateau Le Tap are adjoining wineries in this village.   Both are organic wineries and both offer Gite accommodation.

Chateau Feely and associated business French Wine Adventures offers wine courses, walks and talks in the vineyard.     Chateau Feely has been listed in the Top 100 wine estates in France, once for education and valorization of ecological practices and a second time for accommodation. Caro and Sean Feely have been pioneers in the area.   www.facebook.com/chateaufeely

Chateau Le Tap wine information and Gite accommodation offered by Olivier and Mireille Roche is available on their website.    Most recently, I mentioned Chateau Le Tap in the December 2018 post, Soirée Vigneronne.     www.chateauletap.fr

Chateau Court Les Muts is also in Saussignac and offers wine tastings.    We have been to a jazz evening offered in their winery in previous years.     See elizabethsvines archive: December 2017 “Bred in the Bone: Vigneron of the Year 2018, Chateau Court Les Mûts.   Jeweller Annabelle Degroote offers her creative and hand made jewellery on site.   The creative pieces are made from vine tendrils, pearls and stones.   www.court-les-muts.com

Local accommodation is also available at Le 1500, a Chambre d’Hôtes (B&B) and Café offering tapas, lunch and dinner located in the centre of Saussignac village opposite Chateau Saussignac.  Contact Mike or Lee:   saussignac@yahoo.com

MONESTIER

Three wine chateaux and a restaurant come to mind with respect to Monestier.

Chateau Monestier La Tour, which I wrote about in January 2019 with their herbarium and biodynamic agricultural practices.  See my last blog post: “Philosopher, watchmaker, winemaker: Chateau Monestier La Tour, Monestier”.   I recommend phoning to book an appointment for a visit.   www.chateaumonestierlatour.com

Chateau Lestevenie, which I have mentioned several times in various blog posts, most recently in the December 2018, Soirée Vigneronne post.   Chateau Lestevenie offer fun pop up dinners in the vineyard during the summer months.   Sue and Humphrey Temperley can show you the variety of beautiful orchids growing on their property.       It’s important to phone and book ahead for the popular (and delicious) pop up dinners.

www.chateau-lestevenie.com

Chateau Grinou – one of the early adopters of organic wine making practices in the area is located between Chateau Lestevenie and Chateau Monestier La Tour.   I have not yet visited the winery but have met the co-proprietor Gabriel Cuisset and sampled their 2018 wine at the December 2018, Soirée Vigneronne.     www.chateaugrinou.com

We have enjoyed many lunches at the Relais de Monestier restaurant, located in the centre of Monestier very near to the Chateau Monestier La Tour.     Le Relais de Monestier is on Facebook.

POMPORT

We have visited two wineries in this community, which is between Saussignac and Monbazillac.

Chateau Ladesvignes.       I wrote about this winery in 2013, which seems a long time ago now!     Apart from delicious white wines at this winery, the views from here over the Dordogne Valley looking towards Bergerac town are spectacular.     www.ladesvignes.com

Another nearby location to experience this amazing view is the restaurant near Monbazillac: La Tour des Vents, one star Michelin restaurant and adjoining brasserie. We have enjoyed several meals here over the years.   Important to reserve in advance.   www.tourdesvents.com

Chateau Les Hauts de Cailleval:  see elizabethsvines archive, December 2017 “Living the Dream, Chateau les Hauts de Caillevel.     I have good memories of sitting by a wood burning stove on a cold December day, drinking hot coffee and listening to the proprietor tell his story about wine making.   www.leshautsdecaillevel.com

SIGOULES

In the nearby village of Sigoules, the annual wine fair (Foire aux Vins de Sigoules) has been held here on the third weekend in July for over 40 years.   It’s organized together with the annual gathering of the Confrerie du Raisin D’Or, which attracts many Confreries from all over France.   The confrerie members officially parade through the village on the Saturday morning in their charming and creative costumes symbolizing the gastronomique culture they represent.     It’s a colourful and happy occasion held in the market square, near the Code-Bar and bistro frequented by many locals.   Le Code Bar, Sigoules is on Facebook.

There’s much more that can be written about the pleasures of this area: its proximity to the city of Bordeaux, the great wine areas of the Medoc and St. Emilion, the nearby route of the Santiago de Compostela pilgrimage, the historic sites of the 14th/ 15th Century 100 years war.    There are the many food markets to tempt the visitor with local delicacies and kayaking on the Dordogne River to burn off calories.    The list goes on and on.

My focus here is about the opportunity for tranquility, for relaxing in nature, enjoying excellent local wine presented to the visitors by the wine-makers themselves in most situations and for walking among the vineyards and lanes of this peaceful, rural area; and, without doubt, rejoicing in the experience and having fun.

Philosopher, watchmaker, winemaker: Château Monestier La Tour, Monestier, Bergerac Wine Region, France

In the first few moments of visiting Chateau Monestier La Tour, in Monestier, SW France near the town of Bergerac, I discover that the motto chosen by the proprietor, Karl-Friedrich Scheufele, is a quotation from Auguste Rodin (1840 – 1917), the eminent 20th French sculptor.

Rodin said that: “However you use time, time will respect that”.   The exact quotation is: “Ce que l’on fait avec le temps, le temps le respecte”.     In other words, the decision of how to spend time is up to us; time itself is neutral.

I remember seeing Rodin’s great sculpture: “The Thinker”: the seated man with elbow on knee, fist on his chin, deep in thought.   Rodin is still famous for this sculpture, which is often used to represent philosophy.

This quotation and the remembered image sets the tone for the visit.

We can probably all remember our parents saying things like: “Don’t you have anything better to do with your time!” or words to that effect, while we, as teenagers, lollygagged around!

At Chateau Monestier La Tour, one of the ways in which time is figuratively measured is by the illustration of the sundial, or Cadran, over the entrance to the winery office and chai, showing the subdivision of time and the changing of the seasons. This illustrates another aspect of time; the time and patience required for goals and aspirations to manifest once set in motion.    These symbols reflect the career expertise of Karl-Friedrich Scheufele as a watchmaker and Co-President of Chopard, famous Swiss watchmakers.

A way in which time is literally measured at Chateau Monestier La Tour is in the development and execution of short and long-term plans.   A long-term strategic plan relates to the winery restructuring program to be completed by 2025.  This has included the redevelopment of the vat room and barrel cellar, all ‘state-of-the-art’ and designed for quality results, effectiveness and the convenience of the winery employees.

In the shorter term, the quest has been for Chateau Monestier to become certified as an organic farm.   This, after several years’ effort and hard work regenerating the land, the vines, the farming processes and transitioning to an organic framework, has been achieved in 2018 from Ecocert.

When the Scheufele family became owners of Chateau Monestier in 2012 they made the decision to improve the existing domaine and its winemaking and pursue biodynamic viticulture. These improvements included grubbing up some of the plots and replanting vines.

One key initiative has been the planting of a specific garden with herbs to nourish and support the soil and vines.   The herbarium contains drying and storage facilities for the plants as well as to make the tissanes or teas with which to treat the soil and vines.

Stéphane Derenoncourt, consultant and his team, who have biodynamic viticulture expertise, oversee the vineyards and wine making at Chateau Monestier La Tour.  They use this expertise for making the tissanes from the different herbs, which require different temperatures to release their oils.

It’s this focus on using herbs to treat plants and soil as part of the biodynamic agricultural practices at Chateau Monestier La Tour that fascinates me.   The opportunity to see where the plants are dried and the description of their uses is of particular interest. By way of example, I have described below three commonly known plants from the nine listed in the herbarium,  the description of their uses, as well as the description of biodynamic compost.

Dandelion, known as Pissenlit in French (a very descriptive reference to its diuretic qualities) is used to support the vines in resisting diseases by strengthening the cellular structure of the plants.

Nettle, known as Ortie in French, (yes, those nettles that sting aggressively if you brush by them) full of nitrogen and iron is used to stimulate plant growth.   Nettles are used to prevent mildew.

Comfrey, known as Consoude in French, full of potassium and iron is used as an insect repellent.

Biodynamic Compost.  Use of quality compost to fertilize the soil is key to biodynamic agriculture. Composting works with manure from organic farms and is used usually with six specific mineral elements supplied by plants.

As a side bar comment, all this sounds reminiscent of the work of Nicholas Culpeper, (1616 – 1654), botanist, herbalist, physician and astrologer.   He was the best-known astrological botanist of his time, pairing plants and diseases with planetary influences.     I was brought up with the idea of acknowledging the power of plants and a copy of “Culpeper” was readily available in our home for reference.

I feel on familiar ground here.

Back to winemaking and the impact of these practices on the wine produced within this regime. These practices are regarded as homeopathy for plants, preventative not curative and the impact takes time so that the wine produced shifts over time as the biodynamic practices create beneficial change.

Five wines are produced using 6 grape varieties in the various blends. Two levels of red blends of Cabernet Franc and Merlot; white wine blend of Sauvignon and Sémillon, a rosé which is a blend of Cabernet Sauvignon and Merlot, and the special late harvest wine particular to the area, Saussignac AOC which is a blend of Sémillon, Muscadel and Sauvignon. As a fan of red wines, their grand vin, Chateau Monestier La Tour, Côtes de Bergerac AOC, a blend of Cabernet Franc, Merlot, particularly catches my attention.   I immediately appreciate the fine quality of this wine, which is full bodied but not heavy with good structure and with the Cabernet Franc will age well.

I have visited Chateau Monestier La Tour twice now and each time I am conscious of the timeless nature of the place. It feels very grounded. Each time, I have felt a sense of calm and peacefulness here.   I feel this especially in the barrel cellar room, where I can almost feel the wines breathing and in the herbarium with the subtle fragrances of the herbs. The warm welcome from the Administrator at the Chateau is very much appreciated.   I will be returning to look at the herb garden in bloom and thinking about what ideas I can use in our garden!

Chateau Monestier La Tour and the Scheufele family are making a significant values-driven investment in money and time in this small village in the Dordogne.

“A rising tide lifts all boats”.

 

References:   Chateau Monestier La Tour   http://www.chateaumonestierlatour.com     Contact details are on the website to arrange a visit.

Stéphane Derenoncourt Consultant     http://www.dereroncourtconsultants.com

Nicholas Culpeper:   www. famousscientists.org    Copies of his book are available on Amazon

History and Hospitality: wine and food stories told in silver. Part 2.

Looking at these beautiful silver condiment labels, I wonder about their history.    “What is their history?”;   ” Who used them and where?  “Tell me more…”

These sauce labels are part of a wine and sauce label collection managed by the Hampshire Cultural Trust in collaboration with the Allen Gallery in Alton in Hampshire  and were viewed  in October.  I wrote the story of the Bronte wine Label in my last post.

Silver labels for sauces, herbs and spices such as those illustrated for Tarragon, Oude, Cherokee, Cayenne, Anchovy  were made by silversmiths in the 18th and 19th centuries in England to be used to identify the contents of glass condiment bottles on the dining tables of the growing middle class in Britain.

Of those shown, the Tarragon label was made in1798, the Cherokee label made in 1780 and the Oude label made in 1841.   We know this because the hallmarks on each label identify the date in recognized and regulated letter code.

 

Apart from the craftsmanship demonstrated in the making of these single pieces of silver, these sauce, herb and spice labels represent different approaches to cuisine in this period of history and the diversity that came from their origins.

Herbs such as Tarragon, one of the four herbs named as “fine herbes” (parsley, chervil, tarragon and chives) was home grown and was, and is, used in classical French cuisine. Spices were more exotic and imported from many areas of the world and brought different culinary inspiration.    Both approaches to cuisine represent the march of history, global exploration and the corresponding impact on cuisine.

The history goes back a long way, including ancient times.   More recently Marco Polo, the great Venetian 13th century explorer mentions spices in his travel memoirs.     He wrote about sesame oil in Afghanistan, he described plantings of pepper, nutmegs, cloves in Java and cinnamon, pepper and ginger on the coastal area of India.

When Christopher Columbus set out on his second voyage in 1493, he revisited the West Indes and Americas, still hoping to go on to China, and brought back red pepper spices and allspice.

All the sea-faring exploration, military actions and colonization around the world over many centuries affected food tastes and cooking styles when people returned to their home countries with their new found food and flavour experiences..

The availability and access to spices in particular was often a function of economic wealth.   For example, the price of pepper served as a barometer for European business well being in general.

As is always the case, language reflects culture and how people live.  The phrase “peppercorn rent’, an expression used today to indicate a nominal amount, reflects the fact that pepper was used as a currency to pay taxes, tolls and rent. Similarly, in 1393, a German price list identified that a pound weight of nutmeg was worth seven fat oxen!

Researching sauce names reveals some interesting information!   I found Cherokee recipes from the southern United States referring to chicken recipes with chilies.   Béarnaise Sauce, the famous tarragon flavoured derivative sauce of Hollandaise, was referenced in 1836 culinary materials.

Oude was more difficult to track down. I did find a reference to a Crosse and Blackwell’s Oude Sauce used in a sausage pudding recipe from the 1800s.   Crosse and Blackwell, a British company making sauces since 1706, no longer make this sauce although they continue to make other condiment products.

Oude sauce has also been referred to as King of Oude sauce.    For example, an 1861 list of supplies included Crosse and Blackwell sauces: Essence of Anchovies, and King of Oude sauce, as well as Lee and Perrin’s Worcestershire Sauce, Mushroom Catsup etc.

Looking further into the Oude reference, my research indicates that the Oudh State (also known as Kingdom of Oudh, or Awadh State) was a princely state in the Awadh region of North India until 1858. Oudh, the now obsolete but once official English-language name of the state, also written historically as Oude, derived from the name of Ayodhya.

Joining the dots, I assume then that Oude Sauce would be spicy in a Northern Indian cuisine style, possibly with spices such as chilies, cumin, turmeric, garlic, ginger, coriander.

Sauce recipes, then as now, are typically not divulged..   While the ingredients for the generic Worcestershire sauce are known and include such items as barley malt vinegar, molasses, anchovies, tamarind extract, garlic, spices, which may include cloves, soy, lemons, the precise recipe for Lee and Perrin’s Worcestershire Sauce from 1835 is still a closely guarded secret after more than 200 years.   Tabasco Sauce, another well-loved spicy condiment, has been made in Louisiana in the United States since 1868 by the same family business.  The spice business and extraction of flavours from herbs and spices has been commercially active since the 18th century in line with the illustrated sauce labels.

McCormick is another maker of condiments in the United States that has been in this business since 1889.   The company has established a McCormick Science Institute (MSI).   “The MSI research program sponsors research which is focussed on advancing the scientific study of the health enhancing properties of culinary herbs and spices in areas which are considered to have the potential to impact public health.  MSI released a research paper in March 2018 identifying how herbs and spices increase the liking and preference for vegetables among rural high school students.”  Marco Polo and other early explorers would be pleased!

Thinking about the silver sauce labels on the condiment bottles on the 18th and 19th century dining tables, I wonder about the wine selection in those days to accompany foods using these sauces, especially the spicy ones.

No doubt the advice would be similar to that offered today.   For example, with a curry dish, I might consider a chilled white wine such as pinot gris or perhaps a gewürztraminer:  among rosé wines, I might consider a lightly chilled wine, but not too floral, a Côte de Province appellation comes to mind.   Among red wine choices, considering a lighter red wine and staying away from too tannic a wine would be a good idea to complement the spicy notes of the food.   Côte du rhône, Gigondas come to mind or perhaps an Alsace Pinot Noir.   I could apply these considerations to wines from other parts of the world in making a choice of wine to accompany a spicy food dish.

Viewing these 18th and 19th century silver sauce labels opened up a Pandora’s box of questions for me,  as the unknown name of Oude particularly caught my eye.  So much history and information evoked by a small, beautiful example of silver craftsmanship from over 200 years ago.

References:  websites for:  McCormick and the McCormick Science Institute, Hampshire Cultural Trust/Allen Gallery,  British Library.  Christopher-Columbus.eu, Lee and Perrin, Crosse and Blackwell, Tabasco.

History and Hospitality: wine and food stories told in silver. Part 1

 

I love a good story, especially one that involves wine!  Who would have thought I would stumble across a story that involves not only wine but Sicily and the British naval hero, Vice Admiral Horatio Nelson when visiting the Allen Gallery in Alton, Hampshire a couple of weeks ago.

It all began as I looked at a silver wine label marked “Bronte”…

This label is part of a wine and sauce label collection managed by Hampshire Cultural Trust in collaboration with the Allen Gallery.

Silver and enamel wine and sauce labels were used in the 18th and 19th centuries by the growing middle class in England when wine was decanted from barrels into glass decanters and the identity of the wine was described by a silver label.    Condiments or sauces for food were also served in glass jars or bottles and similarly labelled.

So what is the connection between this Bronte silver wine label, Sicily and Vice Admiral Horatio Nelson?

The latter part of the 17th century and early 18th century was the time of the Napoleonic Wars (1793 – 1815) between Britain and France and involving many other nations in Europe.   It was a time of major land and sea battles, which are still commemorated.

The Napoleonic Wars ended with the great victory of Wellington at the battle of Waterloo in 1815.   The Napoleonic Wars include the mighty naval battles of the Nile (Aboukir Bay) and Trafalgar under the leadership of Admiral Nelson.     It is the history of Nelson that relates to our Bronte wine label.

As part of the naval battles in the Mediterranean, Nelson protected Naples from the French. At the time, Naples was incorporated into the Kingdom of the Two Sicilies of which Ferdinand 1st was King.     In 1799, King Ferdinand rewarded Nelson’s services to his kingdom by granting him a title of Sicilian nobility, the Duke of Bronte together with an estate in Bronte, an agricultural area in the shadow of the volcanic Mount Etna.

A famous wine from Sicily is Marsala, a fortified wine similar to sherry which became popular in Britain in the 18th century.     This popularity was partly due to the trading activities of the 18th Century importer John Woodhouse and the British Royal Navy, which became a big consumer of Marsala wine.   Vice Admiral Lord Nelson used Marsala as the official wine ration for sailors under his command.   A manuscript exists, dated March 19, 1800, and carrying the signature of the importer John Woodhouse and the Duke of Bronte, Nelson’s Sicilian title, stipulating the supply of 500 barrels, each with a capacity of the equivalent of 500 litres for the fleet stationed in Malta.

After Nelson’s victories, especially at Trafalgar and his death there, Nelson was held in great esteem by the British people for saving Britain from possible invasion. Many landmarks were created in his name, including Nelson’s Column and Trafalgar Square in London.

The British people were keen to taste the wine that had so fortified Nelson and his sailors’ spirits in battle and this added to its popularity.

Back to the wine label marked “Bronte”.     This fine piece of craftsmanship was made in London by the silver makers Reilly and Storer in 1830.  It was just fifteen years after the end of the Napoleonic Wars.    The label would have been used on a decanter of Marsala wine, possibly produced on the Bronte estate in Sicily or elsewhere on the Island but called Bronte in recognition of Nelson’s Sicilian title.

The Bronte estate remained in Nelson’s line of descendants, now called Nelson-Hood until 1981 when the last remaining lots of land were sold to the Municipality of Bronte.    There remains a Nelson Museum in the town of Bronte, which is now known for its pistachio nut harvests and the delicacies made from them..

Marsala wine is grown in the region DOC Marsala in Sicily and produced from three white wine varieties.     It is a fortified wine usually containing around 17 % ALC – alcohol by volume.   The ‘in perpetuum’ process used to make the fortified wine is similar to the solera process used for Sherry produced in Jerez, Spain, in which old wines are blended with new wines and the barrels never emptied. Marsala wines are classified on an eight-point scale according to their colour, sweetness and duration of their ageing.      Usually served as an aperitif, Marsala can also be served with a cheese course.     It is often used in cooking and this is how I remember it being used by my Mother.  Dry Marsala is used in savoury cooking. One of the most popular savoury Marsala recipes is chicken Marsala.   Sweet Marsala is used in the preparation of delicious desserts such as tiramisu and zabaglione.

Every story has an ending.   Our story about the Bronte wine label ends with our visit later that same day to Jane Austen’s house in Chawton, about two miles from Alton.

For most of Jane Austen’s ( 1775 – 1817 ) life, Britain was at war with many countries including America, France, Spain, and others, including the Napoleonic Wars.    Many of her books include characters with a naval or army background.   While jokingly hoping to see Elizabeth Bennett and Mr. Darcy of Pride and Prejudice fame walk through the garden in Chawton, we did in all seriousness read the stories of Jane Austen’s brothers,  who both rose to a high rank in the Royal Navy and were contemporaries and admirers of Admiral Nelson.

 

A fitting end to our visit was to see on display in Jane Austen’s house, the Herculaneum Funerary Dish in memory of Admiral Lord Nelson, Duke of Bronte, immortalized for me in that silver Bronte wine label.

 

References:

British National Archives   http://www.nationalarchives.gov.uk

Various websites about Bronte, Italy and the Castello Nelson Museum

Hampshire Cultural Trust and Allen Gallery. http://www.hampshireculturaltrust.org.uk/allen-Gallery

Wine Label Circle   http://www.winelabelcircle.org

A case of Serendipity: Victoria International Wine Festival

Completely by chance, we are in Victoria, British Columbia at the time of their annual international wine festival.   This has to be a case of serendipity.

After seeing an advertising banner stretched above a main road into the city,  we decide at the last minute to book tickets.  On another sunny Autumn Victoria afternoon, we head off to explore the wine festival; the first time we have attended this event.     Our first impression is amazement at the large number of people there.   In a city known to attract retirees, it’s fantastic to see so many young people exploring and enjoying the adventures of wine.   It’s clearly party time!

The choice of available wines is extensive although we are surprised not to see more Vancouver Island wines.   We decide to focus on red wines, mainly Canadian with a couple of exceptions – it is an International Wine Festival after all!

Stand out wines for us at the festival are mainly Bordeaux style blends (typically Cabernet Sauvignon, Merlot, Cabernet Franc, Petit Verdot, Malbec in varying quantities and styles, sometimes referred to as Meritage) and include:  Gold Hill 2015 Meritage (winner of the Lt. Governor Award of Excellence),  Mission Hill Quatrain (for special occasions price-wise), Osoyoos Larose Le Grand Vin and Sunrock Vineyards Cabernet Sauvignon.

On the International side, we enjoy an italian Sangiovese, La Mora Morellino di Scansano and particularly enjoyed the spanish rioja, Baron de Ley series, especially Baron de Ley Rioja Maturana, both good valu

What really caught my eye are innovative artisan wine products made in the Okanagan Valley from the wine crush.  Grape seeds and grape skins are dehydrated, ground and added to such products as cheese and sea salt, which are infused with the rich flavours from the wine grapes.  We tasted The Winecrush Gamay Goat Cheese, and the Malbec and Herb Sea Salt:  both are delicious. The Gamay Goat Cheese has been nominated for a Canadian cheese award.   I can imagine serving the Malbec and Herb Sea Salt with quails eggs, as one example.   It’s exciting to see new concepts and value added wine products being made by BC entrepreneurs.

We also discovered a new bistro to try on another visit to the Island:  Artisan Bistro in Broadmead Village, which is on the outskirts of Victoria.

We are big fans of Vancouver Island and the capital city, Victoria with its colourful gardens, cheerful water taxis ferrying people around the harbour communities and interesting local history well described and highlighted throughout the city.   Our chance visit to the Victoria International Wine Festival was an added bonus.

References  :   Winecrush    www.winecrush.ca

Artisan Bistro.  www.artisanbistro.ca

 

 

Cherry Clafoutis Celebration: Vive La France 🇫🇷

The French people had lots to celebrate over the past weekend:  the victory of the French national football team, commonly known as Les Bleus, in the FIFA finals as well as their traditional July 14 Bastille Day holiday.    Invited to celebrate over dinner with friends, I couldn’t resist making the quintessential French dessert of Cherry Clafoutis.

Surprised to not find a recipe in my library of cookbooks I turned to the internet and found one I liked by SimplyRecipes.  Here’s their recipe:

Ingredients

2 cups of fresh sweet cherries, pitted

2 tablespoons of blanched slivered almonds

3 eggs

3/4 cup of sugar

1 tablespoon of brown sugar

1/2 cup of an all-purpose flour

1/8 teaspoon of salt

1 cup of milk

3/4 teaspoon of almond extract and 1 1/2 teaspoons of vanilla extract

Powdered sugar for dusting

Method:

  1.  Butter and flour baking dish, scatter with cherries and slivered almonds. Preheat oven to 350’ F
  2. Make batter with eggs, sugar, salt and flour
  3. Add the milk, almond extract and vanilla extract
  4. Pour batter into the baking dish over the cherries and slivered almonds
  5. Bake at 350’ F for 35-45 minutes or until lightly browned
  6. Remove from oven and cool
  7. Dust with powdered sugar to serve.

I tweaked the recipe a little by reducing the amount of sugar, adding the almonds to the food processor and puréeing them with the batter ingredients, and using half cream and half milk.    I used an apple corer to remove the cherry pits, which left much of the cherry intact and looking good.    The  result was a creamy and not too sweet baked cherry custard and the verdict was overwhelmingly positive: delicious in fact!

This is the season for cherries.   British Columbia cherries are so sweet and full of flavour at this time of year that a Cherry Clafoutis is a great way to enjoy them cooked.

The question is:  what wine would I select to serve with this?  In keeping with the celebration,  my inclination would be a French wine, either a sparkling rosé or a light Beaujolais, fruity and lively.

I made two Cherry Clafoutis with one in the freezer, ready to be enjoyed at a later date.    When I serve that one  I will decide on which of these wine choices to serve.   Other wine suggestions are welcome!

Bon Appétit

 

Reference

For full recipe details check out the Cherry Clafoutis Recipe at http://www.simplyrecipes.com

 

 

 

Xynisteri: Cyprus white wine for sunny days

Xynisteri, an indigenous grape in Cyprus makes one of my all time favourite white wines for the summer.    Refreshing, with lemon/lime, grapefruit and apple notes and balanced on the acidic side with flavours of tropical stone fruits; think mango and also apricots and peaches.  On the nose, there are floral and fruity tones.

It’s a great sipping wine for the patio, yet also perfect in food pairings such as fish, white meat and even salads with fruit.

I have my favourite four producers: their wines are similar yet with nuanced, discernable differences.

Here is the line-up of these four producers including the name of their Xynisteri wine,

Vouni Panayia Winery, Alina Xynisteri.   I  have written about Vouni Panayia before.  They were awarded Decanter Platinum Award as best value Cypriot White wine for their Alina Xynisteri 2016.

Vasilikon winery, Xynisteri

Tsangarides Winery, Xynisteri  – I have written about Tsangarides Winery previously as well.

Kolios Winery, Persephone Xynisteri

I should add that there are other producers of Xynisteri wines who I am not yet familiar with.

Xynisteri is a robust grape variety that grows well at high altitudes.  Xynisteri is the main white grape variety grown in Cyprus.  It is one of the two indigenous grape varieties used in the production of Commandaria, the amber-coloured sweet Cypriot dessert wine.    Commandaria’s heritage dates back to 800 BC and has the distinction of being the world’s oldest named wine still in production.  Xynisteri is also used for the production of the local spirit,  Zivania.

If you are in Cyprus as a visitor, or resident, I suggest you look for these Xynisteri wines on restaurant wine lists and try them all over time and see which you prefer.

This seems like a perfect occupation when enjoying sunny days in Cyprus.

 

References:   Vouni Panayia Winery  www.vounipanayiawinery.com

Vasilikon Winery,   http://www.vasilikon.com

Tsangarides Winery, Xnyisteri.   http://www.tsangarideswinery.com

Kolios Winery, Persephone.    www.kolioswinery.com

 

The Art of Springtime Inspiration: Dinton Folly English Sparkling Wine

 

Whenever I am in London and have a few hours to spare, I do the things I love the most here: walking and looking at art. I am always uplifted and inspired by these experiences.

Yesterday, I walked in Green Park and captured this daffodil laden view of Buckingham Palace.

Daffodils are one of my favourite flowers.  Partly because they are cheerful, yellow harbingers of spring and partly because they bring back my childhood memories of playing in a spring garden at dusk, inhaling their lovely scent.  Seeing them in full bloom in Green Park surfaced all these connections.

For my art fix, I came across a magical small exhibition of mainly pastels with some oils by the Impressionist artist, Degas (18 34- 1917) at the National Gallery.  This collection on loan from Glasgow in Scotland, features Degas’s well-known subjects of ballerinas, racehorses and women attending to their toilette.   If only one could draw or paint movement as he did!

I have also been inspired recently hearing about a new vineyard in Buckinghamshire:  Dinton Wines, which was started in 2013.

Dinton Folly, an English sparkling wine, is the brainchild of retired countryman Laurie Kimber, who planted 15 acres with the classic varieties of Pinot Noir, Chardonnay and Pinot Meunier on a south-facing slope with chalky soil and temperate climate.  The neighbours of Mr. Kimber, and his family including his children, grandchildren and even great grandchildren harvest the grapes.    The first harvest was ready in 2016.

Dinton Folly is so named because of its proximity to the ruins of a nearby castle and also refers to the idea of taking on such a challenging project later in life.     Dinton Wines is an inspiring testament to the fact that it’s never too late to start making wine!

Dinton in Buckinghamshire is close to the Chiltern Hills, a famous place for hiking in the English countryside with picturesque villages and friendly pubs!

Grape picking neighbours of Mr Kimber introduced me to this wine recently. I was delighted by the refreshing, dry, balanced, sparkling wine with its appealing lower range alcohol level of 11.5% ALC.

Perfect to enjoy on an English spring day:  Inspirational!

References

Dinton Wines       dintonwines.com

National Gallery:   Nationalgallery.org.uk

Maps courtesy of Dinton Wines and local tourist information.

 

Dragons, Pirates and Wine: Château Quintus, Saint Emilion, France

I’ve seen a dragon in Saint Emilion.

Yes, really. I’m not kidding.

It’s about 3.30 p.m. on a sunny, warm autumn afternoon in November. We walk uphill into a bosky, oak wood with sunlight filtering through the leaves. The ground is covered in acorns that crunch noisily under our feet in this quiet space.

There before us with wings spread wide is the Quintus Dragon

All two tons of bronze on a stone plinth.

“Why is there a dragon here?” we ask our host, François Capdemourlin, the Estate Manager at Château Quintus.

He tell us that, in mythology, dragons protect treasure or special places.   The proprietors of Chateau Quintus in Saint Emilion consider that their 28 hectares of wine growing slopes are special. Hence the protective presence of the dragon, he says.

Commissioned by Prince Robert of Luxembourg, President and CEO, Domaine Clarence Dillon and created by Mark Coreth, a world renowned British sculptor, who specializes in large scale, dynamic animal and wildlife sculptures, the Quintus Dragon is spectacular.

The view from this wine property is also spectacular.   On a clear day such as we enjoy, its possible to see not only famous Saint Emilion chateaux, such as Chateau Angelus before us across the vineyards but also the areas of Pomerol and Fronsac, great wine areas in the distance.

Chateau Quintus is owned by Domaine Clarence Dillon, which owns Chateau Haut Brion and Chateau La Mission Haut Brion in Pessac Leognan in the Bordeaux Wine Region.   I wrote about Chateau Haut Brion in January: see the Whisper of History.

Chateau Quintus represents a relatively new venture for Domaine Clarence Dillon as it  extends into creating the more merlot-centric wines of the Right Bank of the Bordeaux wine area through the acquisition of two existing but separate wine properties.  Merlot, as the predominant variety in Saint Emilion wines, is the grape variety that gives softer tannins to wines.

As we talk about Merlot based wines, we smile as we reminisce about the 2004 film ‘Sideways’ featuring proponents of Merlot and Pinot Noir and wonder how many people remember that film now.

Back at Château Quintus there is an aura of calm efficiency about the property. This is a working vineyard: no wine tourist shop or public tasting area in sight.   This is the norm in the Bordeaux wine area with only a few exceptions.   Visits are by appointment only.   Wine tourism centres for this area are located in the UNESCO heritage town of Saint Emilion.

We tour the new winemaking area in the renovated chai or vat room and then drive to the Chateau business centre in a different area of the property, where there is a small tasting room.   Behind the tasting area, we can look through the glass partition to the wine barrel ageing room where the wine is quietly and patiently ageing.

It’s in this tasting room that our host tells us the story about pirates!

Images of Pirates of the Caribbean and swashbuckling figures come to mind and I can’t wait to hear the tale.

This is what happened. On a diving expedition in the Indian Ocean, off the Island of Mayotte, some years ago, divers found a cache of treasure on the seabed.   In this cache, covered with the debris of years on the ocean bed, was a 19th century wine bottle, still intact. On the neck of the bottle was the raised seal of Chateau Haut Brion engraved on the glass, still visible after all these years. Inspired by this historic find, the wine bottles of Chateau Quintus are especially made in the same 19th century style, in this instance with the raised engraved seal of Chateau Quintus.

I’ve mentioned dragons and pirates, now its time to mention the wine!

Chateau Quintus focuses on red wines and these wines are part of the Saint Emilion appellation.   As mentioned, the grape variety grown is Merlot together with Cabernet Franc.    In terms of wine production, the vintage has been controlled by Chateau Quintus since 2011.

Out of interest, white wines made in the Saint Emilion wine region are characterized as Bordeaux Blanc.

We taste a Chateau Quintus 2014 and their second wine, Le Dragon de Quintus 2014.     2014 was a challenging year with a hot Indian summer in the area that saved the vintage after difficult summer conditions.

The Chateau Quintus 2014 is made from 69% Merlot and 31% Cabernet Franc.   This is a smooth wine with red fruit and spicy notes.   It is a wine to age and enjoy over the next decade or so.

Le Dragon de Quintus 2014 is made from 77% Merlot and 23% Cabernet Franc and is a wine with soft tannins and plum notes to fully enjoy now.

It is interesting to hear the Estate Manager talk about vineyard management and the wine making process used at Chateau Quintus as it benefits from the expertise of the teams at Chateau Haut Brion and Chateau La Mission Haut Brion, all part of the Domaine Clarence Dillon organization.

Several examples of this collaboration are discussed:

One example is that the vineyard workers have been specifically trained in the way that Domaine Clarence Dillon prefers to prune the vines.

Another is that Chateau Quintus benefits from the on site cooperage or barrel making service resident at Chateau Haut Brion.

Yet another example is that the staff from the three different chateaux gets together for the wine blending process to determine the percentages of varieties in the year’s vintage.  Team members share their expertise to arrive at the optimum blend. Once the blending has been determined the wine is put in oak barrels for ageing over approximately two years.

I am always interested to know about initiatives that develop talent and skill within an organization and enjoy hearing these examples given by François Capdemourlin, who is clearly enjoying his exciting role managing this integrated wine estate.    Chateau Quintus is a new name in the Saint Emilion wine world, finding its way and supported by the investment of resources from the Domaine Clarence Dillon.  Watch this space, as the pundits say.

We’ve enjoyed an interesting and informative visit to Chateau Quintus and its time to thank the Estate Manager for his time, find our car and drive off towards road D33..

D33 is the main road on the way from Bergerac to Libourne and the city of Bordeaux.   Up high on the right hand side sits the town of Saint Emilion with its vineyards spread over  the hillsides.   We frequently drive that road.

Now I know where the Quintus Dragon lives, in that bosky wood on the hill high above the road. I know where to look when driving by.

Next time, I will raise my hand in a silent salute.

References.

Château Quintus.   http://www.chateau-quintus.com

Mark Coreth:  Check his Facebook page.  There are several websites and galleries including Sladmore Gallery in London and Messums Wiltshire that refer to his work.

The whisper of history: Château Haut-Brion,Pessac-Leognan, Bordeaux,France

It’s mid November, on a cool yet hazy, sunny day when we navigate our way through Pessac on the outskirts of the city of Bordeaux to find the entrance gates of Chateau Haut-Brion.   We have a 3.00 p.m. appointment for a visit to the wine estate.

The whisper of history murmurs to us as we enter the Chateau Haut-Brion driveway. Saying nothing, we listen to the echoes of nearly five centuries since wine has been made at Chateau Haut-Brion. Wine has been produced on this land for centuries before that.   Before finding our way to the parking area, we stop and take photos of gnarled vines in their closely planted rows.

The whisper of history tell us that:

In 1533, Jean de Pontac, by purchasing an existing noble house in Haut Brion united it with the vine growing land, leading to the birth of the Chateau Haut-Brion.

In 1660 – 1661, the cellar records of King Charles the Second of England, who was known to be a bon-viveur extraordinaire, note 169 bottles of “ Vin de Hubriono” (sic) are held for guests at the royal table.

In 1663, Samuel Pepys, the famous English diarist, wrote that he had drunk at the Royal Oak Tavern in London: “…I drank a sort of French wine called Ho-Bryan (sic) which had an especially good taste that I had never encountered before. “

In the 17th century, writers were commenting on the nature of the soil in the area of “white sand with gravel” and the particulars of the terroir.

In 1787, the American Ambassador to the French Court, Thomas Jefferson, later the third President of the United States, visited Chateau Haut-Brion.   A wine connoisseur, he also commented on the nature of the gravelly terroir.   In his writings, he identified four great wine houses of the area including Chateau Haut-Brion. In this, he anticipated the identification of Chateau Haut-Brion, Chateau Lafite, Chateau LaTour and Chateau Margaux in the official classification system of 1855, as Premiers Grands Crus wines of the Gironde. Chateau Mouton-Rothschild was reclassified to Premier Grand Cru in 1973 and added to the prestigious list.

Chateau Haut-Brion changed hands several times during the centuries.   There is an apocryphal story about one of the owners in the Pontac family in the 17th Century.     It is said that he lived to over 100 years, an age almost unheard of at that time.   This gentleman attributed his longevity to his daily glass of Chateau Haut-Brion!

The present owners since 1935 are the Dillon family. The current head of the Domaine Dillon is Prince Robert of Luxembourg, who is a great grandson of Clarence Dillon, the New York financier and purchaser of the property. Since the purchase, the family has invested significantly in the property through a program of continuous renovation, innovation and improvement both to the historic chateau building and to the winery facilities.

On this particular November afternoon, after ringing the intercom bell at the visitor entrance, our guide, who was informative about the estate and interested in our visit, joins us.   Following an introduction to the past and present owners through the medium of their portraits, we are given a detailed look at the topography of the vineyard and its proximity to the neighbouring estate, also owned by the Dillon family, which is Chateau La Mission Haut-Brion; a story for another time.

During our visit, the wine making process is explained to us. At Haut-Brion, our guide explains, traditional approaches are employed while at the same time using modern and efficient equipment with a program of regular reinvestment and improvement. For any aspiring wine maker, an opportunity to work at Haut Brion would seem a great privilege.   My impression is that wine making at a wine estate with such a historical context would be more a vocation than an occupation.

One of the things that I appreciate at Chateau Haut-Brion is that it has its own cooperage service or barrel maker on site.   Supporting and fostering these artisanal skills such as barrel making in the wine industry is important for their continuation.   This on-site barrel-making workshop is “the fruit of a partnership between Haut-Brion and Séguin Moreau” and has been in place since 1991.

All wine starts with the soil in the vineyards, the selection and management of the vines and the choice of particular varieties for individual parcels of land.     The high standard of care of these vineyards to produce grand cru wines has been consistent over the centuries.

The conclusion of most wine tours is to taste the wines produced on the property and our afternoon at Haut-Brion is no different.   We are guided to the 18th century Orangerie, which was renovated in 2001 and is used as the tasting room.

We are offered the 2011 vintage wines, which our guide tells us, are just being opened now.   Haut-Brion records indicate that 2011 was a very good year for their wine.   It was the driest year registered since 1949. With enough rain in the summer to allow the vines to work their magic, the harvest took place from August 31 to September 27.   All this data and more are recorded by Chateau Haut-Brion and available for review.

The typical blend of grape varieties in the red wine at Haut-Brion is Cabernet Sauvignon 45%, Cabernet Franc 15% and Merlot 40%.   These wines are created for laying down and building a cellar for future enjoyment.   The Haut-Brion recommended life of the 2011 vintage is from 2020 to 2035.   In 2017, we are tasting this wine in its teenage years; in the process of ageing and developing its full expression of the terroir and all the wine making expertise that has gone into its production.

Standing in the Orangerie, tasting these magnificent wines and looking out at the garden and the old Chateau itself, has to be a memorable wine moment.   So much so that when I look back, I remember hearing the whisper of history and at the same time, tasting the richness of the red wine, the deep black fruit, the chocolate aromas with developing smoked tones and that sensation of enjoying a beautifully crafted wine.

A December 2017 article in the British weekly magazine, Spectator, written by their wine writer, Bruce Anderson, summed up this sentiment well when he wrote about “wines of a lifetime.”   Coincidentally, in that article he also refers to a Chateau Haut-Brion wine, in that case a 1959 vintage that he enjoyed with a friend.

In preparing to leave, we thank our guide for our visit.

For me, the visit to Chateau Haut-Brion will be up there in my list of chateaux visits of a lifetime.

References:

Chateau Haut Brion:   http://www.haut-brion.com

Note: A point of appellation detail: Chateau Haut-Brion retains its 1855 Premier Grand Cru classification although it is not in the Medoc area.   It is in the Pessac Leognan appellation, which was previously part of the Graves appellation. (See the attached map of Bordeaux and the Neighbouring Regions.)

Spectator magazine: http://www.spectator.co.uk

2017 Reflections in the Glass

 

It’s that time when people attempt to make sense of the passage of time over the past year.   We think about what’s been achieved, or perhaps not achieved or let slip and what to focus on in the following year.

Spending time each year in both Canada and Europe, I attempt to share information in a supportive way about wine from areas where I have some familiarity.   In this way, wine can open doors to culture, art, geography, history, people and understanding.   Having the opportunity to lead a tasting of Canadian wine in London is one example of this.

One of the major experiences shared this year by the areas I am familiar with has been the challenging effect of climate change: wildfires in Western Canada and hailstorms and diminished rainfall in parts of France.    Addressing nature’s unpredictability through science, intellect, creativity, and imagination will be a major challenge for the wine industry going forward.

At the same time, I see the continual quest for improving wine quality.   This is a topic of great interest to me that I discuss with an oenologue friend in France, who shares his knowledge and helps me increase my understanding of the subtleties of wine making.

This common search for insight, whether on a global level or personally in the glass, is one of the ongoing pleasures and challenges of deepening my learning about wine and winemaking.

A big thank you to the wine makers and many others who have generously given their time during the year to discuss wine making in its many guises  with me and a big thank you to you, the reader, for joining me on the learning journey.

Best wishes for 2018 from,

elizabethsvines

Reflections on 2017:

 

Bred-in-the-Bone: Vigneron of the Year 2018, Château Court les Mûts, Bergerac Wine Region, SW France

The Sadoux family, father and son, both called Pierre, are leaders in the wine region of Bergerac.

I’m not just saying that.

They have been elected Vigneron of the Year 2018 in the Guide Hachette, the French guidebook for wines and champagnes.   It’s not the first time they’ve been recognized in this way.

Five generations have been in the wine business including a grandfather/great grandfather who was a ‘tonnelier’, that is a barrel maker or cooper, a key artisanal occupation in the wine industry.

I think of this family background as expertise that is bred-in-the-bone: formal oenology education enhanced by family mentoring.   Similar to an excellent apprenticeship program, it’s probably the best way to learn and achieve mastery in a chosen field.

It’s this mastery that I hear when I listen to both Pierre Sadoux, father and son, describe wine–making approaches at Château Court les Mûts in Razac de Saussignac, Dordogne, SW France.

On a sunny December day with autumn sunshine playing on the vine leaves that are multi-coloured from soft faded green to gold and scarlet, we head off to Château Court les Mûts to meet with Pierre Sadoux fils/son for a tasting of their suite of wines.

We’ve been enjoying their wines for several years now.   I find it interesting to revisit the winery and have a refresher on their range of wines as well as learn more from Pierre about their approach to wine making.

It’s the skill in blending different varieties that is one key to the traditional AOC wines made in the Bergerac Wine Region, as it is in the Bordeaux Wine Region to the west of the area.   Single varietal wines are not produced here.   The blending of the different varieties and the decision making that goes into that process to create a wine is one of the key differentiating factors in wines from different chateaux in the same region.     The wine subtleties arise from the different percentages of individual wine varieties used by different wine makers to make a particular wine type.

It’s a bit like several people making The Best Chocolate Cake but each person changing the mix of ingredients with the result that the individual cakes taste different yet still calling each one The Best Chocolate Cake.

The Sadoux family make a range of seven wine categories: Bergerac Dry White, Bergerac Rose, Bergerac Rouge, Côtes de Bergerac Red, Côtes de Bergerac Moelleux (semi sweet) and Saussignac, a late harvest wine.

We taste our way through the range starting with the dry white and finishing with the Saussignac late harvest.

It’s in the discussion with Pierre of each wine we taste that his wine mastery comes to the fore.   His detailed knowledge of each parcel of land; its history, soil structure including the varying depths of clay and limestone, and suitability for specific grape varieties is expressed with an intensity and concentration that commands attention.   As he is talking, I can see he is seeing each parcel of vines in his mind’s eye, as he tastes the different wines and talks about the different elements that went into creating the particular wine.  I know where the Malbec parcel is that he talks about and walk past it frequently.

Pierre describes the fluctuations in the grape harvest timing and quantities due to weather patterns, topography, rainfall, and all the interventions of nature, which are only some of the challenges facing a wine maker.   He gives one example of the unpredictability of the weather as the April hailstorm damage that could affect one area of a particular parcel of vines but not the whole area.   The hailstorm was devastating for some vine growers throughout the region and because of its time in the growing season, its effect will be felt over several years..

Wine production including the blending of the various varieties permitted under the AOC regulations for the Bergerac Wine Region is a major topic of discussion.

We take our time tasting the range of wines.   I enjoy the crispness of the 2016 Bergerac Sec white wine with 40% Sauvignon Gris, 40% Sauvignon Blanc and 20% Semillon. Good with fish; I also like it as an aperitif wine.   The 2015 Cuvée Annabelle with 30% Semillon, 25% Muscadelle as well as Sauvignon Blanc and Sauvignon Gris is more of a gastronomique wine suitable with a range of dishes.

In the red wines, anyone who enjoys the Malbec in South American wines will enjoy the Côtes de Bergerac red wine with 40% Merlot, 35% Malbec and 25% Cabernet Sauvignon.   Dedicated Malbec fans will really appreciate L’Oracle 2014 which is blended with 60% Malbec, 20% Merlot and 20% Cabernet Sauvignon.   This rich wine with depth and resonance of black fruits, pepper, chocolate and toast will give pleasure for several years.   Pierre tells us he believes his 2014 reds will age particularly well as they have more structure than the 2015 year, which has been heralded as a great year.

As we prepare to leave Château Court les Mûts, I remember to ask Pierre about his spouse Annabelle and the jewelry she makes from specially treated vine stalks decorated with pearls, crystals and various stones. He tells me she will be exhibiting her jewelry at the upcoming Saussignac Christmas Fair.    I have bought several pieces of her unique jewelry already and always receive positive comments when I wear them so a visit to the Marché Noël will be in order.   Annabelle sells her work through different craft fairs across France.

For me, this wine tasting and visit to Château Court les Mûts is about more fully recognizing the breadth and depth of knowledge and understanding of soil, land, terroir, as well as the vine growing and wine making processes that a successful wine maker must have.   That’s not factoring in the marketing know-how that is also required and essential in an increasingly competitive global industry.    It’s a formidable mix of knowledge, skills, temperament and in this case, legacy.

It’s not unusual to find multi-generational wine making families in the Bergerac Wine Region as in any agricultural area.

The expression bred-in-the-bone may be known to some as the title of a book by the late Canadian author Robertson Davies: What’s Bred in the Bone. That’s how I first became aware of it. It is an expression quite widely used by authors and means, “firmly instilled or established as if by heredity. “   It is traced back to a 15th century phrase: “what’s bred in the bone will come out in the flesh”.

References

Château Court les Mûts     http://www.court-les-muts.com

Les Bijoux Caprice de Vigne – Annabelle de Groote. Phone + 06 11 60 66 71

Guide Hachette      www.hachette-vins.com

Anyone for Rain Dancing in SW France Vineyards?

The vine leaves in SW France look beautiful at this time of year.   Most days when I walk beside the vineyards, I photograph the vines and marvel at the changing nuanced colours of the leaves; gold, scarlet, bronze, green, and by extension at the changing colours of the landscape.

I never tire of looking at the view; the winding road disappearing into the distance, the tall, ghostly coloured water tower on the hilltop and the sprinkling of farmhouses. The straight lines of vines marching up and down the undulating landscape which fascinate and remind me of David Hockney’s colourful paintings of the Yorkshire dales.

There is even a friendly cat of no fixed address that parades each day in front of the local cemetery.  I call him the Cemetery Cat.

At the same time as we enjoy the autumn sunshine highlighting the local beauty and warming us as we walk about, the local newspaper, Sud Ouest, is raising the alarm bells about the effects of climate change in the area, in particular the reduced rainfall.

Each day on the back page of the paper, there is a table showing the minimum and maximum temperatures in southwest France on the same day over the long term: 15, 30 and 50 years. The figures indicate that it appears that it is the minimum temperatures that have been affected;  in other words the weather does not get as cold now as it did 50 years ago in this area.   The newspaper also provides local 2017 climate statistics showing sunshine days are up and rainfall levels are down.  2017 is described as a dry and sunny year. The weather forecast for the next 15 days also indicates less rain than “usual” for this time of year.

The Sud Ouest local newspaper for Bergerac and Sarlat areas has a headline on Monday, November 13, 2017 that reads: Va-t-il falloir faire la danse de la pluie?     In other words, “Will we have to do the rain dance?”

Perhaps.

Certainly, some vine growers, aware of climate warming, are becoming concerned about the reduced level of precipitation at key moments in the vine production of grapes.   In July this year, for example, there was 50% of the usual rainfall for the month.

The newspaper references individuals in the winemaking community who are saying its necessary to start the discussion and debate about vine irrigation in France, where it is essentially prohibited due to the multiple authorizations necessary to irrigate vines and with few exceptions for specific reasons, e.g. newly planted vines.

Currently, when there is lack of water, the stressed vines search for water in the ground below by sending down deep roots.

Vine irrigation is a sensitive topic.   Some wine makers are concerned that irrigation will negatively affect or reduce the bountiful impact of vineyard ‘terroir “and lower the quality of the wines.  Many believe that marginally stressing the vines helps to produce superior fruit.     Some consider that France should allow vine irrigation as elsewhere in the world, where vine irrigation is well established. Others are concerned that irrigation will lead to increased production and affect the wine market and prices.       Additionally, irrigation in periods of reduced precipitation will place demands on water management in the area, another  consideration.

There is no question that the topic of vine irrigation in France will be on the table for discussion and debate going forward.   This is an important discussion to follow in the wine world.

In the bigger picture, the reduced level of precipitation and increased temperatures affect more than the vineyards and wine making.

So, what to do?

Back to the newspaper’s question about rain dancing.   Getting out the rain dancing shoes may be a good idea.   It’s certainly one approach. However, I interpret the suggestion of rain dancing as code for the fact there is no easy answer to these questions.   What’s interesting is that the local paper has taken the initiative to present a two-page article about the reduced rainfall this year.   It has specifically commented on the impact on the wine industry, which is a major economic driver for the area.

Beneath the beauty of the area and the elegance of the wines are challenging issues to be addressed.     Fortunately, there are imaginative, informed and creative wine makers in the area considering these issues and over time undoubtedly driving change in winemaking practices to accommodate environmental impacts.

Rain dancing?   Perhaps, but to a new or different melody.

References

Sud Ouest Newspaper, November 13, 2017 Bergerac and Sarlat edition.

Canadian wine tasting in London, UK: “Amazing!”

“My inbox is full of compliments about the amazing evening of Canadian wines;  the participants loved the event”:  so comments the organizer of a Canadian Wine Tasting event in London in October.

For those who know Canadian wines, this response is not surprising but nevertheless it’s good to hear.

A couple of months ago, I was asked to advise on wines for a Canadian wine tasting at a private function in London. I am happy to support Canadian wine export efforts in even a minor way and so I was delighted to help and have the opportunity to lead this wine tasting event.

First of all, I established my criteria for recommending wines for the tasting:

1,  The wines had to represent Canada as a whole, not just British Columbia or Ontario but coast to coast, which meant including Atlantic Canada.

2.   The wines had to be available in the UK.  No point in presenting wines that couldn’t be accessed locally.

3.    To the extent possible, I wanted to be familiar with the individual wines and wineries.

Meeting these criteria was interesting in itself.    Figuring out which wineries were represented in the UK and by whom took some digging.   Given the peculiarities of interprovincial trade within Canada, identifying suitable wine choices from Atlantic Canada and Ontario involved some risk taking as I didn’t taste my wine recommendations from these two areas in advance.   I relied upon my network to suggest appropriate  Nova Scotia and Ontario wines.   I kept hearing about Benjamin Bridge sparkling wines from Nova Scotia and I knew that Peller Estates in the Niagara Peninsular consistently win awards for their Riesling Ice wine.

Here are the five Canadian wines I recommended and which we tasted together with the name of the UK organization where they can be purchased

We tasted them in the following order:

Nova Scotia

Benjamin Bridge Brut Sparkling Wine 2011.  Gaspereau Valley, Nova Scotia,   Handcrafted from 100% Chardonnay.   With maritime freshness and soft bubbles, this ‘methode classique’ sparkling wine set the tone for excellence. Regarded by many as the best Sparkling wine in Canada.    benjaminbridge.com.  Available from Friarwood com.

British Columbia

Meyer Family Vineyard Chardonnay 2013   Apples, plums, pears, and other flavours roll into yellow fruit, smoky spices and mineral elements.  Recognized as #2 small winery in Canada in 2017.    We enjoy both the Chardonnay and Pinot Noir made by this Okanagan Falls winery and are members of their wine club.  I have got to know JAK Meyer, proprietor over the past few years. mfvwines.com  Available from Davy.co.uk and also from Marks and Spenser.

Clos du Soleil Signature 2012.   Certified organic winery produces their flagship red wine from their vineyards in the Similkameen Valley and in Osoyoos, Okanagan Valley.  Old world elegance and new world edge is how they describe their style.    Hand harvested, gently fermented and aged for 18 months in French oak barrels.   We visited Clos du Soleil a few years ago and met the founder, Spenser Massie.   We admire their wine making values and the grandeur of the location.   clos du Soleil.ca.  Available from Cellier.co.uk

Burrowing Owl Estate Winery Meritage 2012.    This is their Bordeaux style red wine with layers of complexity.  Red and black fruit, sweet spices and chocolate.  We have been visiting Burrowing Owl Winery for many years and also enjoy the hospitality at their on site guest house.   We enjoy the wines, the ambience of the place, and support their efforts for the preservation of the burrowing owl species and conservation of the habitat of this endangered underground nesting bird.  Located in Oliver, Okanagan Valley.  burrowingowlwine.ca.   Available from Drayman.co.uk.   On a weekend in Shropshire, West Midlands we also discovered Burrowing Owl wine in the historic town of Shrewsbury  at Tanners Wine Merchants.  tanners-wines.co.uk

 

Ontario

Peller Estates Winery, Ice Wine Riesling 2013.  Picked at the coldest moment on a winter’s night, each frozen grape creates just one drop of Ice Wine.  Smooth, luxurious, honeyed, captivating.  Our hosts provided a generous selection of crackers and cheeses, including blue cheese which enabled me to demonstrate the magical pairing of Ice Wine and blue cheese, and made the point better than any description.  Located at Niagara-on-the-Lake.   peller.com.   Available from Majestic.co.uk.

There are many excellent Canadian wine choices and these wines that I have selected may tempt the wine enthusiast to further exploration.    I also suggest checking out the listed websites for further insights into dynamic Canadian approaches to wine tourism.

It has been a pleasure and privilege to introduce these excellent Canadian wines to a group of wine enthusiasts in London.  The wines speak for themselves and we had fun tasting and chatting about them.   One of the participants was from Nova Scotia and described the beauty of the Gaspereau Valley where Benjamin Bridge is situated.

This is the 60th posting on my blog.  It feels like a milestone to me and somehow appropriate to be writing about Canadian wines because Canada is where I live.

Not bad, eh!

_________

With Thanks:

To Davy Wine Merchants for their assistance in the final sourcing of the wines.

To the Canadian Trade Commission for supplying information about Canadian wine regions for wine tasting participants..

Award winning wines – Decanter World Wine Awards 2017

A large package arrives from Decanter Magazine. 

It’s the ledger of winners of the Decanter World Wine Awards 2017.

In equal measure, I feel interested to see the results and dismayed at the size of the package: 306 pages of dense information.     How to make sense of the results without spending hours and hours reading the ledger word for word?

Going back to basics makes the most sense.  I ask myself: what are the key messages from the wine awards?

Here are my three take-aways from the report

1.

The value placed by Decanter magazine on the consumer benefits of identifying and promoting wine quality,

and,

spotlighting lesser known wines and/or wine regions.

2.

Recognizing the expansion of the wine industry into many more countries and wine regions than I would generally consider.       Literally A to Z  from Albania to Veneto.   I count 68 countries and wine regions in total.  (Countries and wine regions are counted separately, for example: New Zealand is 1 entry and there are 6 French wine regions noted).

Who would have thought a few years ago about wines from new and exciting regions, or “lesser known areas” as Decanter discreetly states, entering these global competitive processes?

This point is exemplified in the list of countries represented in the description of Platinum Best in Show wines.  In the Decanter World Wine Awards, Platinum Best in Show is the highest accolade possible.   All Platinum Best in Category winners from around the world are pitted against each other to win the Platinum Best in Show.   There are 34 wines in this category which triumphed over 17,229 entrants to the competitive process.   Some of the countries these wines are from are:  Moravia (Czech Replublic), Canada, England, Uraguay, Austria, Portugal, Corsica, Luxembourg as well as the usual suspects France, Italy, Australia, South Africa, Spain, Germany, Argentina, Chile, New Zealand.

3.

Acknowledging the rich diversity of grape varieties and wine styles around the globe together with the complexity of wine production with issues of sustainability and environmental considerations in an ever changing world.

In this context, the wine industry is an increasingly crowded market place with all that it implies in terms of running a business and succeeding; the risk and reward considerations are daunting.

As I continue reviewing the report, I recognize many wines in the ledger of winners.   One I am particularly delighted to see is the Best Value Cypriot White;  Vouni Panayia, Alina  Xynisteri, from the Paphos region, Cyprus that I wrote about in my most recent post after our visit there in the early Spring this year.

At the end of the day, over dinner, we discuss the report and in general the challenges of making wine and running a Winery.   Clearly, the imperative is to make the highest quality wine possible and this is all good news for the consumer.

Our choice of wine to accompany dinner is new to us:   Painted Rock Estate  Winery from the Okanagan Valley, British Columbia.   We enjoy one of their acclaimed reds,  a  Merlot:  dark fruit flavours with a touch of spice and chocolate that lingered well on the palate and paired well with a small tenderloin steak with sautéed mushrooms in a red wine and mustard sauce.

The 306 pages of the DWWA 2017 report don’t look so intimidating now and I certainly appreciate the opportunity to discover more about the diversity of award winning wines, wine makers and wine making trends. For me, the real value in this competitive process is the increasing emphasis on and encouragement for high quality wines.

Reference:

The Decanter World Wine Awards 2017 competitive process together with all tasting notes and related information can be found at http://www.Decanter.com/dwwa

September 2017

Inspired by Chelsea Flower Show, sustained by champagne

I am inspired by the magnificent displays of flowers and plants at the Chelsea Flower Show this year in London and sustained by a memorable glass of Louis Roederer Brut champagne.

Not just roses catch my eye but hostas, dahlias, alliums and succulent plants all attract attention.   Thoughts turn to where I can squeeze in another plant in my garden;  what about that Restless Sea hosta?

We spend three plus hours at Chelsea, looking at the model gardens, enquiring about various plants in the Pavillion and admiring the garden sculptures in stone and wood.   Such creativity and talent on display.

We are impressed by the Royal Bank of Canada model garden, inspired by the Boreal forests of northern Canada.   RBC wins a gold again this year.

On a hot afternoon, a visit of several hours is the best way to enjoy Chelsea Flower Show in my view.   In previous years, I have attended for the whole day and my feet have not appreciated my efforts.

In the last half hour before closing, we find our way to the champagne tents where both Louis Roederer and Billecart Salmon champagne are on offer.  I enjoy both and have visited each of these champagne houses in France.  In 2014,   I wrote a series about champagne and associated visits, which are listed in my archives. Here are a couple of photos from the 2014 elizabethsvines archives:

Today, we choose the Louis Roederer Brut.   The classic, dry, biscuity, refreshing flavour with subtle bubbles is just what we need to celebrate another Chelsea visit.   I even forgot to take a photo…

 

 

Wine and Architecture: La Cité du Vin, Bordeaux, SW France: a place for play and culture

I am looking at this exciting modern architecture on the banks of the Garonne river in Bordeaux and my imagination runs away with me.

La Cité du Vin

La Cité du Vin, Bordeaux

I can’t help thinking that this building reminds me of the Mother Goose children’s story of the Old Woman Who Lived in a Shoe, albeit a golden shoe when the sun shines upon it.   As in the nursery rhyme, there are even people in the “Shoe” as the building is a hive of activity of visitors engaging with the various exhibits about wine.

In all seriousness, it’s a building with a sense of liquidity, that reflects the curves in the river as the Garonne and then the Dordogne rivers join together as the Gironde estuary and empty into the Atlantic.  This waterway has been the key transportation link for centuries between the Bordeaux wines and their thirsty markets abroad, in particular the United Kingdom with its love of claret.

Architects Anouk Legendre and Nicholas Desmazières from XTU Architects in Paris have created this elegant building to showcase the international wine culture which celebrates and explores the place of wine in culture from the time of the Egyptians to the modern day.     It is said that not only does the colour of the building change daily and hourly with the weather but also with the changing light of the seasons, in the same way that the leaves on a vine change colour to mirror the seasons.

The mission of La Cité du Vin is to promote and share the cultural, universal and living heritage that is wine with the broadest possible audience.

It’s an ambitious focus but achievable in this beautiful and elegant city of Bordeaux whose very name is synonymous with great wine.   Building upon the City’s legacy of greatness, this modern conceptual building reflects the future orientation of the City and its wine industry.

La Cité du Vin is the initiative of the Fondation Pour La Culture et Les Civilisations du Vin.  It is heralded as a place of play and exploration – no wonder I recognize the playfulness of a children’s nursery rhyme.    All the senses are engaged as a friend and I explore the exhibits on display.

The founding principles of La Cité du Vin are:  passing on knowledge interactively,  experiencing things at your own pace, learning according to your own wishes.   These principles are demonstrated in the accessible way the information is presented.

Progress and technology are demonstrated in the Hi-Tech/Hi-Touch systems used to animate and personalize displays about wine districts around the world.   I am delighted to see film footage of the Okanagan Valley In British Columbia as the film illustrates wine areas around the world.

There are many interesting and fun opportunities to learn about wine, wine aromas, wine history, wine in the arts,  history – even Thomas Jefferson is present in the name of the Auditorium –  and,  of course, to enjoy wine tastings, wine and food pairings and even cooking classes. I look forward to experiencing these latter offerings on a future visit.

Cité du Vin

Thomas Jefferson Auditorium

One of the many great things about visiting Bordeaux is that it is very easy and inexpensive to get around using the modern, clean and efficient, Canadian, tram system. Getting to La Cité du Vin is no exception as there is a special tram station just outside the entrance.   In addition, the higher speed TGV train service has started between Paris and Bordeaux, making the journey in just over two hours.

At the end of our tour, which took several hours as there are so many interesting things to see and play with, we headed up to the tasting bar, Latitude 20, which has a spectacular ceiling made of wine bottles.  While tasting wine from distant countries, visitors can look out over the city rooftops.

Wine tasting room, Belvedere, Cité du Vin

Spectacular Latitude 20 tasting room with views over Bordeaux

La Cité opened on June 1, 2016 and excited interest and articles around the world.   Writers haven’t been quite sure how to describe this endeavour.  It’s been called variously: a wine theme park for adults, a museum, a cultural facility, an exhibition park, a museum-theme park hybrid, the Guggenheim to Wine, a cultural centre of wine, a world-beating wine museum, an over-the-top mega project, a playground for wine lovers.

La Cité du Vin is young and offers many opportunities for learning, for fun and entertainment.   In a way, it is refreshing that it defies precise definition and labelling.   For me, for now,  it will just be La Cité du Vin.

La Cité du Vin - experiencing the scale and colours

La Cité du Vin – experiencing the scale and colours

La Cité du Vin has an ambitious agenda of showing wine in the context of history, social customs, geography, geology, food and agriculture, oenology and the arts.    In this way, La Cité emphasizes all the reasons I am interested in wine as it opens the door to these subjects.

To quote La Cité du Vin text:  “…whether mythical, sacred, religious or magical, experience the culture of wine as a formidable epic which has shaped mankind and the way we live, which as been a source of inspiration in both past and present”.

Exactly.

——————

References

La Cité du Vin, Bordeaux    http://www.laciteduvin

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