The Art of Springtime Inspiration: Dinton Folly English Sparkling Wine

 

Whenever I am in London and have a few hours to spare, I do the things I love the most here: walking and looking at art. I am always uplifted and inspired by these experiences.

Yesterday, I walked in Green Park and captured this daffodil laden view of Buckingham Palace.

Daffodils are one of my favourite flowers.  Partly because they are cheerful, yellow harbingers of spring and partly because they bring back my childhood memories of playing in a spring garden at dusk, inhaling their lovely scent.  Seeing them in full bloom in Green Park surfaced all these connections.

For my art fix, I came across a magical small exhibition of mainly pastels with some oils by the Impressionist artist, Degas (18 34- 1917) at the National Gallery.  This collection on loan from Glasgow in Scotland, features Degas’s well-known subjects of ballerinas, racehorses and women attending to their toilette.   If only one could draw or paint movement as he did!

I have also been inspired recently hearing about a new vineyard in Buckinghamshire:  Dinton Wines, which was started in 2013.

Dinton Folly, an English sparkling wine, is the brainchild of retired countryman Laurie Kimber, who planted 15 acres with the classic varieties of Pinot Noir, Chardonnay and Pinot Meunier on a south-facing slope with chalky soil and temperate climate.  The neighbours of Mr. Kimber, and his family including his children, grandchildren and even great grandchildren harvest the grapes.    The first harvest was ready in 2016.

Dinton Folly is so named because of its proximity to the ruins of a nearby castle and also refers to the idea of taking on such a challenging project later in life.     Dinton Wines is an inspiring testament to the fact that it’s never too late to start making wine!

Dinton in Buckinghamshire is close to the Chiltern Hills, a famous place for hiking in the English countryside with picturesque villages and friendly pubs!

Grape picking neighbours of Mr Kimber introduced me to this wine recently. I was delighted by the refreshing, dry, balanced, sparkling wine with its appealing lower range alcohol level of 11.5% ALC.

Perfect to enjoy on an English spring day:  Inspirational!

References

Dinton Wines       dintonwines.com

National Gallery:   Nationalgallery.org.uk

Maps courtesy of Dinton Wines and local tourist information.

 

Dragons, Pirates and Wine: Château Quintus, Saint Emilion, France

I’ve seen a dragon in Saint Emilion.

Yes, really. I’m not kidding.

It’s about 3.30 p.m. on a sunny, warm autumn afternoon in November. We walk uphill into a bosky, oak wood with sunlight filtering through the leaves. The ground is covered in acorns that crunch noisily under our feet in this quiet space.

There before us with wings spread wide is the Quintus Dragon

All two tons of bronze on a stone plinth.

“Why is there a dragon here?” we ask our host, François Capdemourlin, the Estate Manager at Château Quintus.

He tell us that, in mythology, dragons protect treasure or special places.   The proprietors of Chateau Quintus in Saint Emilion consider that their 28 hectares of wine growing slopes are special. Hence the protective presence of the dragon, he says.

Commissioned by Prince Robert of Luxembourg, President and CEO, Domaine Clarence Dillon and created by Mark Coreth, a world renowned British sculptor, who specializes in large scale, dynamic animal and wildlife sculptures, the Quintus Dragon is spectacular.

The view from this wine property is also spectacular.   On a clear day such as we enjoy, its possible to see not only famous Saint Emilion chateaux, such as Chateau Angelus before us across the vineyards but also the areas of Pomerol and Fronsac, great wine areas in the distance.

Chateau Quintus is owned by Domaine Clarence Dillon, which owns Chateau Haut Brion and Chateau La Mission Haut Brion in Pessac Leognan in the Bordeaux Wine Region.   I wrote about Chateau Haut Brion in January: see the Whisper of History.

Chateau Quintus represents a relatively new venture for Domaine Clarence Dillon as it  extends into creating the more merlot-centric wines of the Right Bank of the Bordeaux wine area through the acquisition of two existing but separate wine properties.  Merlot, as the predominant variety in Saint Emilion wines, is the grape variety that gives softer tannins to wines.

As we talk about Merlot based wines, we smile as we reminisce about the 2004 film ‘Sideways’ featuring proponents of Merlot and Pinot Noir and wonder how many people remember that film now.

Back at Château Quintus there is an aura of calm efficiency about the property. This is a working vineyard: no wine tourist shop or public tasting area in sight.   This is the norm in the Bordeaux wine area with only a few exceptions.   Visits are by appointment only.   Wine tourism centres for this area are located in the UNESCO heritage town of Saint Emilion.

We tour the new winemaking area in the renovated chai or vat room and then drive to the Chateau business centre in a different area of the property, where there is a small tasting room.   Behind the tasting area, we can look through the glass partition to the wine barrel ageing room where the wine is quietly and patiently ageing.

It’s in this tasting room that our host tells us the story about pirates!

Images of Pirates of the Caribbean and swashbuckling figures come to mind and I can’t wait to hear the tale.

This is what happened. On a diving expedition in the Indian Ocean, off the Island of Mayotte, some years ago, divers found a cache of treasure on the seabed.   In this cache, covered with the debris of years on the ocean bed, was a 19th century wine bottle, still intact. On the neck of the bottle was the raised seal of Chateau Haut Brion engraved on the glass, still visible after all these years. Inspired by this historic find, the wine bottles of Chateau Quintus are especially made in the same 19th century style, in this instance with the raised engraved seal of Chateau Quintus.

I’ve mentioned dragons and pirates, now its time to mention the wine!

Chateau Quintus focuses on red wines and these wines are part of the Saint Emilion appellation.   As mentioned, the grape variety grown is Merlot together with Cabernet Franc.    In terms of wine production, the vintage has been controlled by Chateau Quintus since 2011.

Out of interest, white wines made in the Saint Emilion wine region are characterized as Bordeaux Blanc.

We taste a Chateau Quintus 2014 and their second wine, Le Dragon de Quintus 2014.     2014 was a challenging year with a hot Indian summer in the area that saved the vintage after difficult summer conditions.

The Chateau Quintus 2014 is made from 69% Merlot and 31% Cabernet Franc.   This is a smooth wine with red fruit and spicy notes.   It is a wine to age and enjoy over the next decade or so.

Le Dragon de Quintus 2014 is made from 77% Merlot and 23% Cabernet Franc and is a wine with soft tannins and plum notes to fully enjoy now.

It is interesting to hear the Estate Manager talk about vineyard management and the wine making process used at Chateau Quintus as it benefits from the expertise of the teams at Chateau Haut Brion and Chateau La Mission Haut Brion, all part of the Domaine Clarence Dillon organization.

Several examples of this collaboration are discussed:

One example is that the vineyard workers have been specifically trained in the way that Domaine Clarence Dillon prefers to prune the vines.

Another is that Chateau Quintus benefits from the on site cooperage or barrel making service resident at Chateau Haut Brion.

Yet another example is that the staff from the three different chateaux gets together for the wine blending process to determine the percentages of varieties in the year’s vintage.  Team members share their expertise to arrive at the optimum blend. Once the blending has been determined the wine is put in oak barrels for ageing over approximately two years.

I am always interested to know about initiatives that develop talent and skill within an organization and enjoy hearing these examples given by François Capdemourlin, who is clearly enjoying his exciting role managing this integrated wine estate.    Chateau Quintus is a new name in the Saint Emilion wine world, finding its way and supported by the investment of resources from the Domaine Clarence Dillon.  Watch this space, as the pundits say.

We’ve enjoyed an interesting and informative visit to Chateau Quintus and its time to thank the Estate Manager for his time, find our car and drive off towards road D33..

D33 is the main road on the way from Bergerac to Libourne and the city of Bordeaux.   Up high on the right hand side sits the town of Saint Emilion with its vineyards spread over  the hillsides.   We frequently drive that road.

Now I know where the Quintus Dragon lives, in that bosky wood on the hill high above the road. I know where to look when driving by.

Next time, I will raise my hand in a silent salute.

References.

Château Quintus.   http://www.chateau-quintus.com

Mark Coreth:  Check his Facebook page.  There are several websites and galleries including Sladmore Gallery in London and Messums Wiltshire that refer to his work.

The whisper of history: Château Haut-Brion,Pessac-Leognan, Bordeaux,France

It’s mid November, on a cool yet hazy, sunny day when we navigate our way through Pessac on the outskirts of the city of Bordeaux to find the entrance gates of Chateau Haut-Brion.   We have a 3.00 p.m. appointment for a visit to the wine estate.

The whisper of history murmurs to us as we enter the Chateau Haut-Brion driveway. Saying nothing, we listen to the echoes of nearly five centuries since wine has been made at Chateau Haut-Brion. Wine has been produced on this land for centuries before that.   Before finding our way to the parking area, we stop and take photos of gnarled vines in their closely planted rows.

The whisper of history tell us that:

In 1533, Jean de Pontac, by purchasing an existing noble house in Haut Brion united it with the vine growing land, leading to the birth of the Chateau Haut-Brion.

In 1660 – 1661, the cellar records of King Charles the Second of England, who was known to be a bon-viveur extraordinaire, note 169 bottles of “ Vin de Hubriono” (sic) are held for guests at the royal table.

In 1663, Samuel Pepys, the famous English diarist, wrote that he had drunk at the Royal Oak Tavern in London: “…I drank a sort of French wine called Ho-Bryan (sic) which had an especially good taste that I had never encountered before. “

In the 17th century, writers were commenting on the nature of the soil in the area of “white sand with gravel” and the particulars of the terroir.

In 1787, the American Ambassador to the French Court, Thomas Jefferson, later the third President of the United States, visited Chateau Haut-Brion.   A wine connoisseur, he also commented on the nature of the gravelly terroir.   In his writings, he identified four great wine houses of the area including Chateau Haut-Brion. In this, he anticipated the identification of Chateau Haut-Brion, Chateau Lafite, Chateau LaTour and Chateau Margaux in the official classification system of 1855, as Premiers Grands Crus wines of the Gironde. Chateau Mouton-Rothschild was reclassified to Premier Grand Cru in 1973 and added to the prestigious list.

Chateau Haut-Brion changed hands several times during the centuries.   There is an apocryphal story about one of the owners in the Pontac family in the 17th Century.     It is said that he lived to over 100 years, an age almost unheard of at that time.   This gentleman attributed his longevity to his daily glass of Chateau Haut-Brion!

The present owners since 1935 are the Dillon family. The current head of the Domaine Dillon is Prince Robert of Luxembourg, who is a great grandson of Clarence Dillon, the New York financier and purchaser of the property. Since the purchase, the family has invested significantly in the property through a program of continuous renovation, innovation and improvement both to the historic chateau building and to the winery facilities.

On this particular November afternoon, after ringing the intercom bell at the visitor entrance, our guide, who was informative about the estate and interested in our visit, joins us.   Following an introduction to the past and present owners through the medium of their portraits, we are given a detailed look at the topography of the vineyard and its proximity to the neighbouring estate, also owned by the Dillon family, which is Chateau La Mission Haut-Brion; a story for another time.

During our visit, the wine making process is explained to us. At Haut-Brion, our guide explains, traditional approaches are employed while at the same time using modern and efficient equipment with a program of regular reinvestment and improvement. For any aspiring wine maker, an opportunity to work at Haut Brion would seem a great privilege.   My impression is that wine making at a wine estate with such a historical context would be more a vocation than an occupation.

One of the things that I appreciate at Chateau Haut-Brion is that it has its own cooperage service or barrel maker on site.   Supporting and fostering these artisanal skills such as barrel making in the wine industry is important for their continuation.   This on-site barrel-making workshop is “the fruit of a partnership between Haut-Brion and Séguin Moreau” and has been in place since 1991.

All wine starts with the soil in the vineyards, the selection and management of the vines and the choice of particular varieties for individual parcels of land.     The high standard of care of these vineyards to produce grand cru wines has been consistent over the centuries.

The conclusion of most wine tours is to taste the wines produced on the property and our afternoon at Haut-Brion is no different.   We are guided to the 18th century Orangerie, which was renovated in 2001 and is used as the tasting room.

We are offered the 2011 vintage wines, which our guide tells us, are just being opened now.   Haut-Brion records indicate that 2011 was a very good year for their wine.   It was the driest year registered since 1949. With enough rain in the summer to allow the vines to work their magic, the harvest took place from August 31 to September 27.   All this data and more are recorded by Chateau Haut-Brion and available for review.

The typical blend of grape varieties in the red wine at Haut-Brion is Cabernet Sauvignon 45%, Cabernet Franc 15% and Merlot 40%.   These wines are created for laying down and building a cellar for future enjoyment.   The Haut-Brion recommended life of the 2011 vintage is from 2020 to 2035.   In 2017, we are tasting this wine in its teenage years; in the process of ageing and developing its full expression of the terroir and all the wine making expertise that has gone into its production.

Standing in the Orangerie, tasting these magnificent wines and looking out at the garden and the old Chateau itself, has to be a memorable wine moment.   So much so that when I look back, I remember hearing the whisper of history and at the same time, tasting the richness of the red wine, the deep black fruit, the chocolate aromas with developing smoked tones and that sensation of enjoying a beautifully crafted wine.

A December 2017 article in the British weekly magazine, Spectator, written by their wine writer, Bruce Anderson, summed up this sentiment well when he wrote about “wines of a lifetime.”   Coincidentally, in that article he also refers to a Chateau Haut-Brion wine, in that case a 1959 vintage that he enjoyed with a friend.

In preparing to leave, we thank our guide for our visit.

For me, the visit to Chateau Haut-Brion will be up there in my list of chateaux visits of a lifetime.

References:

Chateau Haut Brion:   http://www.haut-brion.com

Note: A point of appellation detail: Chateau Haut-Brion retains its 1855 Premier Grand Cru classification although it is not in the Medoc area.   It is in the Pessac Leognan appellation, which was previously part of the Graves appellation. (See the attached map of Bordeaux and the Neighbouring Regions.)

Spectator magazine: http://www.spectator.co.uk

2017 Reflections in the Glass

 

It’s that time when people attempt to make sense of the passage of time over the past year.   We think about what’s been achieved, or perhaps not achieved or let slip and what to focus on in the following year.

Spending time each year in both Canada and Europe, I attempt to share information in a supportive way about wine from areas where I have some familiarity.   In this way, wine can open doors to culture, art, geography, history, people and understanding.   Having the opportunity to lead a tasting of Canadian wine in London is one example of this.

One of the major experiences shared this year by the areas I am familiar with has been the challenging effect of climate change: wildfires in Western Canada and hailstorms and diminished rainfall in parts of France.    Addressing nature’s unpredictability through science, intellect, creativity, and imagination will be a major challenge for the wine industry going forward.

At the same time, I see the continual quest for improving wine quality.   This is a topic of great interest to me that I discuss with an oenologue friend in France, who shares his knowledge and helps me increase my understanding of the subtleties of wine making.

This common search for insight, whether on a global level or personally in the glass, is one of the ongoing pleasures and challenges of deepening my learning about wine and winemaking.

A big thank you to the wine makers and many others who have generously given their time during the year to discuss wine making in its many guises  with me and a big thank you to you, the reader, for joining me on the learning journey.

Best wishes for 2018 from,

elizabethsvines

Reflections on 2017:

 

Bred-in-the-Bone: Vigneron of the Year 2018, Château Court les Mûts, Bergerac Wine Region, SW France

The Sadoux family, father and son, both called Pierre, are leaders in the wine region of Bergerac.

I’m not just saying that.

They have been elected Vigneron of the Year 2018 in the Guide Hachette, the French guidebook for wines and champagnes.   It’s not the first time they’ve been recognized in this way.

Five generations have been in the wine business including a grandfather/great grandfather who was a ‘tonnelier’, that is a barrel maker or cooper, a key artisanal occupation in the wine industry.

I think of this family background as expertise that is bred-in-the-bone: formal oenology education enhanced by family mentoring.   Similar to an excellent apprenticeship program, it’s probably the best way to learn and achieve mastery in a chosen field.

It’s this mastery that I hear when I listen to both Pierre Sadoux, father and son, describe wine–making approaches at Château Court les Mûts in Razac de Saussignac, Dordogne, SW France.

On a sunny December day with autumn sunshine playing on the vine leaves that are multi-coloured from soft faded green to gold and scarlet, we head off to Château Court les Mûts to meet with Pierre Sadoux fils/son for a tasting of their suite of wines.

We’ve been enjoying their wines for several years now.   I find it interesting to revisit the winery and have a refresher on their range of wines as well as learn more from Pierre about their approach to wine making.

It’s the skill in blending different varieties that is one key to the traditional AOC wines made in the Bergerac Wine Region, as it is in the Bordeaux Wine Region to the west of the area.   Single varietal wines are not produced here.   The blending of the different varieties and the decision making that goes into that process to create a wine is one of the key differentiating factors in wines from different chateaux in the same region.     The wine subtleties arise from the different percentages of individual wine varieties used by different wine makers to make a particular wine type.

It’s a bit like several people making The Best Chocolate Cake but each person changing the mix of ingredients with the result that the individual cakes taste different yet still calling each one The Best Chocolate Cake.

The Sadoux family make a range of seven wine categories: Bergerac Dry White, Bergerac Rose, Bergerac Rouge, Côtes de Bergerac Red, Côtes de Bergerac Moelleux (semi sweet) and Saussignac, a late harvest wine.

We taste our way through the range starting with the dry white and finishing with the Saussignac late harvest.

It’s in the discussion with Pierre of each wine we taste that his wine mastery comes to the fore.   His detailed knowledge of each parcel of land; its history, soil structure including the varying depths of clay and limestone, and suitability for specific grape varieties is expressed with an intensity and concentration that commands attention.   As he is talking, I can see he is seeing each parcel of vines in his mind’s eye, as he tastes the different wines and talks about the different elements that went into creating the particular wine.  I know where the Malbec parcel is that he talks about and walk past it frequently.

Pierre describes the fluctuations in the grape harvest timing and quantities due to weather patterns, topography, rainfall, and all the interventions of nature, which are only some of the challenges facing a wine maker.   He gives one example of the unpredictability of the weather as the April hailstorm damage that could affect one area of a particular parcel of vines but not the whole area.   The hailstorm was devastating for some vine growers throughout the region and because of its time in the growing season, its effect will be felt over several years..

Wine production including the blending of the various varieties permitted under the AOC regulations for the Bergerac Wine Region is a major topic of discussion.

We take our time tasting the range of wines.   I enjoy the crispness of the 2016 Bergerac Sec white wine with 40% Sauvignon Gris, 40% Sauvignon Blanc and 20% Semillon. Good with fish; I also like it as an aperitif wine.   The 2015 Cuvée Annabelle with 30% Semillon, 25% Muscadelle as well as Sauvignon Blanc and Sauvignon Gris is more of a gastronomique wine suitable with a range of dishes.

In the red wines, anyone who enjoys the Malbec in South American wines will enjoy the Côtes de Bergerac red wine with 40% Merlot, 35% Malbec and 25% Cabernet Sauvignon.   Dedicated Malbec fans will really appreciate L’Oracle 2014 which is blended with 60% Malbec, 20% Merlot and 20% Cabernet Sauvignon.   This rich wine with depth and resonance of black fruits, pepper, chocolate and toast will give pleasure for several years.   Pierre tells us he believes his 2014 reds will age particularly well as they have more structure than the 2015 year, which has been heralded as a great year.

As we prepare to leave Château Court les Mûts, I remember to ask Pierre about his spouse Annabelle and the jewelry she makes from specially treated vine stalks decorated with pearls, crystals and various stones. He tells me she will be exhibiting her jewelry at the upcoming Saussignac Christmas Fair.    I have bought several pieces of her unique jewelry already and always receive positive comments when I wear them so a visit to the Marché Noël will be in order.   Annabelle sells her work through different craft fairs across France.

For me, this wine tasting and visit to Château Court les Mûts is about more fully recognizing the breadth and depth of knowledge and understanding of soil, land, terroir, as well as the vine growing and wine making processes that a successful wine maker must have.   That’s not factoring in the marketing know-how that is also required and essential in an increasingly competitive global industry.    It’s a formidable mix of knowledge, skills, temperament and in this case, legacy.

It’s not unusual to find multi-generational wine making families in the Bergerac Wine Region as in any agricultural area.

The expression bred-in-the-bone may be known to some as the title of a book by the late Canadian author Robertson Davies: What’s Bred in the Bone. That’s how I first became aware of it. It is an expression quite widely used by authors and means, “firmly instilled or established as if by heredity. “   It is traced back to a 15th century phrase: “what’s bred in the bone will come out in the flesh”.

References

Château Court les Mûts     http://www.court-les-muts.com

Les Bijoux Caprice de Vigne – Annabelle de Groote. Phone + 06 11 60 66 71

Guide Hachette      www.hachette-vins.com

Anyone for Rain Dancing in SW France Vineyards?

The vine leaves in SW France look beautiful at this time of year.   Most days when I walk beside the vineyards, I photograph the vines and marvel at the changing nuanced colours of the leaves; gold, scarlet, bronze, green, and by extension at the changing colours of the landscape.

I never tire of looking at the view; the winding road disappearing into the distance, the tall, ghostly coloured water tower on the hilltop and the sprinkling of farmhouses. The straight lines of vines marching up and down the undulating landscape which fascinate and remind me of David Hockney’s colourful paintings of the Yorkshire dales.

There is even a friendly cat of no fixed address that parades each day in front of the local cemetery.  I call him the Cemetery Cat.

At the same time as we enjoy the autumn sunshine highlighting the local beauty and warming us as we walk about, the local newspaper, Sud Ouest, is raising the alarm bells about the effects of climate change in the area, in particular the reduced rainfall.

Each day on the back page of the paper, there is a table showing the minimum and maximum temperatures in southwest France on the same day over the long term: 15, 30 and 50 years. The figures indicate that it appears that it is the minimum temperatures that have been affected;  in other words the weather does not get as cold now as it did 50 years ago in this area.   The newspaper also provides local 2017 climate statistics showing sunshine days are up and rainfall levels are down.  2017 is described as a dry and sunny year. The weather forecast for the next 15 days also indicates less rain than “usual” for this time of year.

The Sud Ouest local newspaper for Bergerac and Sarlat areas has a headline on Monday, November 13, 2017 that reads: Va-t-il falloir faire la danse de la pluie?     In other words, “Will we have to do the rain dance?”

Perhaps.

Certainly, some vine growers, aware of climate warming, are becoming concerned about the reduced level of precipitation at key moments in the vine production of grapes.   In July this year, for example, there was 50% of the usual rainfall for the month.

The newspaper references individuals in the winemaking community who are saying its necessary to start the discussion and debate about vine irrigation in France, where it is essentially prohibited due to the multiple authorizations necessary to irrigate vines and with few exceptions for specific reasons, e.g. newly planted vines.

Currently, when there is lack of water, the stressed vines search for water in the ground below by sending down deep roots.

Vine irrigation is a sensitive topic.   Some wine makers are concerned that irrigation will negatively affect or reduce the bountiful impact of vineyard ‘terroir “and lower the quality of the wines.  Many believe that marginally stressing the vines helps to produce superior fruit.     Some consider that France should allow vine irrigation as elsewhere in the world, where vine irrigation is well established. Others are concerned that irrigation will lead to increased production and affect the wine market and prices.       Additionally, irrigation in periods of reduced precipitation will place demands on water management in the area, another  consideration.

There is no question that the topic of vine irrigation in France will be on the table for discussion and debate going forward.   This is an important discussion to follow in the wine world.

In the bigger picture, the reduced level of precipitation and increased temperatures affect more than the vineyards and wine making.

So, what to do?

Back to the newspaper’s question about rain dancing.   Getting out the rain dancing shoes may be a good idea.   It’s certainly one approach. However, I interpret the suggestion of rain dancing as code for the fact there is no easy answer to these questions.   What’s interesting is that the local paper has taken the initiative to present a two-page article about the reduced rainfall this year.   It has specifically commented on the impact on the wine industry, which is a major economic driver for the area.

Beneath the beauty of the area and the elegance of the wines are challenging issues to be addressed.     Fortunately, there are imaginative, informed and creative wine makers in the area considering these issues and over time undoubtedly driving change in winemaking practices to accommodate environmental impacts.

Rain dancing?   Perhaps, but to a new or different melody.

References

Sud Ouest Newspaper, November 13, 2017 Bergerac and Sarlat edition.

Canadian wine tasting in London, UK: “Amazing!”

“My inbox is full of compliments about the amazing evening of Canadian wines;  the participants loved the event”:  so comments the organizer of a Canadian Wine Tasting event in London in October.

For those who know Canadian wines, this response is not surprising but nevertheless it’s good to hear.

A couple of months ago, I was asked to advise on wines for a Canadian wine tasting at a private function in London. I am happy to support Canadian wine export efforts in even a minor way and so I was delighted to help and have the opportunity to lead this wine tasting event.

First of all, I established my criteria for recommending wines for the tasting:

1,  The wines had to represent Canada as a whole, not just British Columbia or Ontario but coast to coast, which meant including Atlantic Canada.

2.   The wines had to be available in the UK.  No point in presenting wines that couldn’t be accessed locally.

3.    To the extent possible, I wanted to be familiar with the individual wines and wineries.

Meeting these criteria was interesting in itself.    Figuring out which wineries were represented in the UK and by whom took some digging.   Given the peculiarities of interprovincial trade within Canada, identifying suitable wine choices from Atlantic Canada and Ontario involved some risk taking as I didn’t taste my wine recommendations from these two areas in advance.   I relied upon my network to suggest appropriate  Nova Scotia and Ontario wines.   I kept hearing about Benjamin Bridge sparkling wines from Nova Scotia and I knew that Peller Estates in the Niagara Peninsular consistently win awards for their Riesling Ice wine.

Here are the five Canadian wines I recommended and which we tasted together with the name of the UK organization where they can be purchased

We tasted them in the following order:

Nova Scotia

Benjamin Bridge Brut Sparkling Wine 2011.  Gaspereau Valley, Nova Scotia,   Handcrafted from 100% Chardonnay.   With maritime freshness and soft bubbles, this ‘methode classique’ sparkling wine set the tone for excellence. Regarded by many as the best Sparkling wine in Canada.    benjaminbridge.com.  Available from Friarwood com.

British Columbia

Meyer Family Vineyard Chardonnay 2013   Apples, plums, pears, and other flavours roll into yellow fruit, smoky spices and mineral elements.  Recognized as #2 small winery in Canada in 2017.    We enjoy both the Chardonnay and Pinot Noir made by this Okanagan Falls winery and are members of their wine club.  I have got to know JAK Meyer, proprietor over the past few years. mfvwines.com  Available from Davy.co.uk and also from Marks and Spenser.

Clos du Soleil Signature 2012.   Certified organic winery produces their flagship red wine from their vineyards in the Similkameen Valley and in Osoyoos, Okanagan Valley.  Old world elegance and new world edge is how they describe their style.    Hand harvested, gently fermented and aged for 18 months in French oak barrels.   We visited Clos du Soleil a few years ago and met the founder, Spenser Massie.   We admire their wine making values and the grandeur of the location.   clos du Soleil.ca.  Available from Cellier.co.uk

Burrowing Owl Estate Winery Meritage 2012.    This is their Bordeaux style red wine with layers of complexity.  Red and black fruit, sweet spices and chocolate.  We have been visiting Burrowing Owl Winery for many years and also enjoy the hospitality at their on site guest house.   We enjoy the wines, the ambience of the place, and support their efforts for the preservation of the burrowing owl species and conservation of the habitat of this endangered underground nesting bird.  Located in Oliver, Okanagan Valley.  burrowingowlwine.ca.   Available from Drayman.co.uk.   On a weekend in Shropshire, West Midlands we also discovered Burrowing Owl wine in the historic town of Shrewsbury  at Tanners Wine Merchants.  tanners-wines.co.uk

 

Ontario

Peller Estates Winery, Ice Wine Riesling 2013.  Picked at the coldest moment on a winter’s night, each frozen grape creates just one drop of Ice Wine.  Smooth, luxurious, honeyed, captivating.  Our hosts provided a generous selection of crackers and cheeses, including blue cheese which enabled me to demonstrate the magical pairing of Ice Wine and blue cheese, and made the point better than any description.  Located at Niagara-on-the-Lake.   peller.com.   Available from Majestic.co.uk.

There are many excellent Canadian wine choices and these wines that I have selected may tempt the wine enthusiast to further exploration.    I also suggest checking out the listed websites for further insights into dynamic Canadian approaches to wine tourism.

It has been a pleasure and privilege to introduce these excellent Canadian wines to a group of wine enthusiasts in London.  The wines speak for themselves and we had fun tasting and chatting about them.   One of the participants was from Nova Scotia and described the beauty of the Gaspereau Valley where Benjamin Bridge is situated.

This is the 60th posting on my blog.  It feels like a milestone to me and somehow appropriate to be writing about Canadian wines because Canada is where I live.

Not bad, eh!

_________

With Thanks:

To Davy Wine Merchants for their assistance in the final sourcing of the wines.

To the Canadian Trade Commission for supplying information about Canadian wine regions for wine tasting participants..