History and Hospitality: wine and food stories told in silver. Part 2.

Looking at these beautiful silver condiment labels, I wonder about their history.    “What is their history?”;   ” Who used them and where?  “Tell me more…”

These sauce labels are part of a wine and sauce label collection managed by the Hampshire Cultural Trust in collaboration with the Allen Gallery in Alton in Hampshire  and were viewed  in October.  I wrote the story of the Bronte wine Label in my last post.

Silver labels for sauces, herbs and spices such as those illustrated for Tarragon, Oude, Cherokee, Cayenne, Anchovy  were made by silversmiths in the 18th and 19th centuries in England to be used to identify the contents of glass condiment bottles on the dining tables of the growing middle class in Britain.

Of those shown, the Tarragon label was made in1798, the Cherokee label made in 1780 and the Oude label made in 1841.   We know this because the hallmarks on each label identify the date in recognized and regulated letter code.

 

Apart from the craftsmanship demonstrated in the making of these single pieces of silver, these sauce, herb and spice labels represent different approaches to cuisine in this period of history and the diversity that came from their origins.

Herbs such as Tarragon, one of the four herbs named as “fine herbes” (parsley, chervil, tarragon and chives) was home grown and was, and is, used in classical French cuisine. Spices were more exotic and imported from many areas of the world and brought different culinary inspiration.    Both approaches to cuisine represent the march of history, global exploration and the corresponding impact on cuisine.

The history goes back a long way, including ancient times.   More recently Marco Polo, the great Venetian 13th century explorer mentions spices in his travel memoirs.     He wrote about sesame oil in Afghanistan, he described plantings of pepper, nutmegs, cloves in Java and cinnamon, pepper and ginger on the coastal area of India.

When Christopher Columbus set out on his second voyage in 1493, he revisited the West Indes and Americas, still hoping to go on to China, and brought back red pepper spices and allspice.

All the sea-faring exploration, military actions and colonization around the world over many centuries affected food tastes and cooking styles when people returned to their home countries with their new found food and flavour experiences..

The availability and access to spices in particular was often a function of economic wealth.   For example, the price of pepper served as a barometer for European business well being in general.

As is always the case, language reflects culture and how people live.  The phrase “peppercorn rent’, an expression used today to indicate a nominal amount, reflects the fact that pepper was used as a currency to pay taxes, tolls and rent. Similarly, in 1393, a German price list identified that a pound weight of nutmeg was worth seven fat oxen!

Researching sauce names reveals some interesting information!   I found Cherokee recipes from the southern United States referring to chicken recipes with chilies.   Béarnaise Sauce, the famous tarragon flavoured derivative sauce of Hollandaise, was referenced in 1836 culinary materials.

Oude was more difficult to track down. I did find a reference to a Crosse and Blackwell’s Oude Sauce used in a sausage pudding recipe from the 1800s.   Crosse and Blackwell, a British company making sauces since 1706, no longer make this sauce although they continue to make other condiment products.

Oude sauce has also been referred to as King of Oude sauce.    For example, an 1861 list of supplies included Crosse and Blackwell sauces: Essence of Anchovies, and King of Oude sauce, as well as Lee and Perrin’s Worcestershire Sauce, Mushroom Catsup etc.

Looking further into the Oude reference, my research indicates that the Oudh State (also known as Kingdom of Oudh, or Awadh State) was a princely state in the Awadh region of North India until 1858. Oudh, the now obsolete but once official English-language name of the state, also written historically as Oude, derived from the name of Ayodhya.

Joining the dots, I assume then that Oude Sauce would be spicy in a Northern Indian cuisine style, possibly with spices such as chilies, cumin, turmeric, garlic, ginger, coriander.

Sauce recipes, then as now, are typically not divulged..   While the ingredients for the generic Worcestershire sauce are known and include such items as barley malt vinegar, molasses, anchovies, tamarind extract, garlic, spices, which may include cloves, soy, lemons, the precise recipe for Lee and Perrin’s Worcestershire Sauce from 1835 is still a closely guarded secret after more than 200 years.   Tabasco Sauce, another well-loved spicy condiment, has been made in Louisiana in the United States since 1868 by the same family business.  The spice business and extraction of flavours from herbs and spices has been commercially active since the 18th century in line with the illustrated sauce labels.

McCormick is another maker of condiments in the United States that has been in this business since 1889.   The company has established a McCormick Science Institute (MSI).   “The MSI research program sponsors research which is focussed on advancing the scientific study of the health enhancing properties of culinary herbs and spices in areas which are considered to have the potential to impact public health.  MSI released a research paper in March 2018 identifying how herbs and spices increase the liking and preference for vegetables among rural high school students.”  Marco Polo and other early explorers would be pleased!

Thinking about the silver sauce labels on the condiment bottles on the 18th and 19th century dining tables, I wonder about the wine selection in those days to accompany foods using these sauces, especially the spicy ones.

No doubt the advice would be similar to that offered today.   For example, with a curry dish, I might consider a chilled white wine such as pinot gris or perhaps a gewürztraminer:  among rosé wines, I might consider a lightly chilled wine, but not too floral, a Côte de Province appellation comes to mind.   Among red wine choices, considering a lighter red wine and staying away from too tannic a wine would be a good idea to complement the spicy notes of the food.   Côte du rhône, Gigondas come to mind or perhaps an Alsace Pinot Noir.   I could apply these considerations to wines from other parts of the world in making a choice of wine to accompany a spicy food dish.

Viewing these 18th and 19th century silver sauce labels opened up a Pandora’s box of questions for me,  as the unknown name of Oude particularly caught my eye.  So much history and information evoked by a small, beautiful example of silver craftsmanship from over 200 years ago.

References:  websites for:  McCormick and the McCormick Science Institute, Hampshire Cultural Trust/Allen Gallery,  British Library.  Christopher-Columbus.eu, Lee and Perrin, Crosse and Blackwell, Tabasco.

The Art of Springtime Inspiration: Dinton Folly English Sparkling Wine

 

Whenever I am in London and have a few hours to spare, I do the things I love the most here: walking and looking at art. I am always uplifted and inspired by these experiences.

Yesterday, I walked in Green Park and captured this daffodil laden view of Buckingham Palace.

Daffodils are one of my favourite flowers.  Partly because they are cheerful, yellow harbingers of spring and partly because they bring back my childhood memories of playing in a spring garden at dusk, inhaling their lovely scent.  Seeing them in full bloom in Green Park surfaced all these connections.

For my art fix, I came across a magical small exhibition of mainly pastels with some oils by the Impressionist artist, Degas (18 34- 1917) at the National Gallery.  This collection on loan from Glasgow in Scotland, features Degas’s well-known subjects of ballerinas, racehorses and women attending to their toilette.   If only one could draw or paint movement as he did!

I have also been inspired recently hearing about a new vineyard in Buckinghamshire:  Dinton Wines, which was started in 2013.

Dinton Folly, an English sparkling wine, is the brainchild of retired countryman Laurie Kimber, who planted 15 acres with the classic varieties of Pinot Noir, Chardonnay and Pinot Meunier on a south-facing slope with chalky soil and temperate climate.  The neighbours of Mr. Kimber, and his family including his children, grandchildren and even great grandchildren harvest the grapes.    The first harvest was ready in 2016.

Dinton Folly is so named because of its proximity to the ruins of a nearby castle and also refers to the idea of taking on such a challenging project later in life.     Dinton Wines is an inspiring testament to the fact that it’s never too late to start making wine!

Dinton in Buckinghamshire is close to the Chiltern Hills, a famous place for hiking in the English countryside with picturesque villages and friendly pubs!

Grape picking neighbours of Mr Kimber introduced me to this wine recently. I was delighted by the refreshing, dry, balanced, sparkling wine with its appealing lower range alcohol level of 11.5% ALC.

Perfect to enjoy on an English spring day:  Inspirational!

References

Dinton Wines       dintonwines.com

National Gallery:   Nationalgallery.org.uk

Maps courtesy of Dinton Wines and local tourist information.

 

Dragons, Pirates and Wine: Château Quintus, Saint Emilion, France

I’ve seen a dragon in Saint Emilion.

Yes, really. I’m not kidding.

It’s about 3.30 p.m. on a sunny, warm autumn afternoon in November. We walk uphill into a bosky, oak wood with sunlight filtering through the leaves. The ground is covered in acorns that crunch noisily under our feet in this quiet space.

There before us with wings spread wide is the Quintus Dragon

All two tons of bronze on a stone plinth.

“Why is there a dragon here?” we ask our host, François Capdemourlin, the Estate Manager at Château Quintus.

He tell us that, in mythology, dragons protect treasure or special places.   The proprietors of Chateau Quintus in Saint Emilion consider that their 28 hectares of wine growing slopes are special. Hence the protective presence of the dragon, he says.

Commissioned by Prince Robert of Luxembourg, President and CEO, Domaine Clarence Dillon and created by Mark Coreth, a world renowned British sculptor, who specializes in large scale, dynamic animal and wildlife sculptures, the Quintus Dragon is spectacular.

The view from this wine property is also spectacular.   On a clear day such as we enjoy, its possible to see not only famous Saint Emilion chateaux, such as Chateau Angelus before us across the vineyards but also the areas of Pomerol and Fronsac, great wine areas in the distance.

Chateau Quintus is owned by Domaine Clarence Dillon, which owns Chateau Haut Brion and Chateau La Mission Haut Brion in Pessac Leognan in the Bordeaux Wine Region.   I wrote about Chateau Haut Brion in January: see the Whisper of History.

Chateau Quintus represents a relatively new venture for Domaine Clarence Dillon as it  extends into creating the more merlot-centric wines of the Right Bank of the Bordeaux wine area through the acquisition of two existing but separate wine properties.  Merlot, as the predominant variety in Saint Emilion wines, is the grape variety that gives softer tannins to wines.

As we talk about Merlot based wines, we smile as we reminisce about the 2004 film ‘Sideways’ featuring proponents of Merlot and Pinot Noir and wonder how many people remember that film now.

Back at Château Quintus there is an aura of calm efficiency about the property. This is a working vineyard: no wine tourist shop or public tasting area in sight.   This is the norm in the Bordeaux wine area with only a few exceptions.   Visits are by appointment only.   Wine tourism centres for this area are located in the UNESCO heritage town of Saint Emilion.

We tour the new winemaking area in the renovated chai or vat room and then drive to the Chateau business centre in a different area of the property, where there is a small tasting room.   Behind the tasting area, we can look through the glass partition to the wine barrel ageing room where the wine is quietly and patiently ageing.

It’s in this tasting room that our host tells us the story about pirates!

Images of Pirates of the Caribbean and swashbuckling figures come to mind and I can’t wait to hear the tale.

This is what happened. On a diving expedition in the Indian Ocean, off the Island of Mayotte, some years ago, divers found a cache of treasure on the seabed.   In this cache, covered with the debris of years on the ocean bed, was a 19th century wine bottle, still intact. On the neck of the bottle was the raised seal of Chateau Haut Brion engraved on the glass, still visible after all these years. Inspired by this historic find, the wine bottles of Chateau Quintus are especially made in the same 19th century style, in this instance with the raised engraved seal of Chateau Quintus.

I’ve mentioned dragons and pirates, now its time to mention the wine!

Chateau Quintus focuses on red wines and these wines are part of the Saint Emilion appellation.   As mentioned, the grape variety grown is Merlot together with Cabernet Franc.    In terms of wine production, the vintage has been controlled by Chateau Quintus since 2011.

Out of interest, white wines made in the Saint Emilion wine region are characterized as Bordeaux Blanc.

We taste a Chateau Quintus 2014 and their second wine, Le Dragon de Quintus 2014.     2014 was a challenging year with a hot Indian summer in the area that saved the vintage after difficult summer conditions.

The Chateau Quintus 2014 is made from 69% Merlot and 31% Cabernet Franc.   This is a smooth wine with red fruit and spicy notes.   It is a wine to age and enjoy over the next decade or so.

Le Dragon de Quintus 2014 is made from 77% Merlot and 23% Cabernet Franc and is a wine with soft tannins and plum notes to fully enjoy now.

It is interesting to hear the Estate Manager talk about vineyard management and the wine making process used at Chateau Quintus as it benefits from the expertise of the teams at Chateau Haut Brion and Chateau La Mission Haut Brion, all part of the Domaine Clarence Dillon organization.

Several examples of this collaboration are discussed:

One example is that the vineyard workers have been specifically trained in the way that Domaine Clarence Dillon prefers to prune the vines.

Another is that Chateau Quintus benefits from the on site cooperage or barrel making service resident at Chateau Haut Brion.

Yet another example is that the staff from the three different chateaux gets together for the wine blending process to determine the percentages of varieties in the year’s vintage.  Team members share their expertise to arrive at the optimum blend. Once the blending has been determined the wine is put in oak barrels for ageing over approximately two years.

I am always interested to know about initiatives that develop talent and skill within an organization and enjoy hearing these examples given by François Capdemourlin, who is clearly enjoying his exciting role managing this integrated wine estate.    Chateau Quintus is a new name in the Saint Emilion wine world, finding its way and supported by the investment of resources from the Domaine Clarence Dillon.  Watch this space, as the pundits say.

We’ve enjoyed an interesting and informative visit to Chateau Quintus and its time to thank the Estate Manager for his time, find our car and drive off towards road D33..

D33 is the main road on the way from Bergerac to Libourne and the city of Bordeaux.   Up high on the right hand side sits the town of Saint Emilion with its vineyards spread over  the hillsides.   We frequently drive that road.

Now I know where the Quintus Dragon lives, in that bosky wood on the hill high above the road. I know where to look when driving by.

Next time, I will raise my hand in a silent salute.

References.

Château Quintus.   http://www.chateau-quintus.com

Mark Coreth:  Check his Facebook page.  There are several websites and galleries including Sladmore Gallery in London and Messums Wiltshire that refer to his work.