Cherry Clafoutis Celebration: Vive La France ūüáęūüá∑

The French people had lots to celebrate over the past weekend:  the victory of the French national football team, commonly known as Les Bleus, in the FIFA finals as well as their traditional July 14 Bastille Day holiday.    Invited to celebrate over dinner with friends, I couldn’t resist making the quintessential French dessert of Cherry Clafoutis.

Surprised to not find a recipe in my library of cookbooks I turned to the internet and found one I liked by SimplyRecipes.  Here’s their recipe:

Ingredients

2 cups of fresh sweet cherries, pitted

2 tablespoons of blanched slivered almonds

3 eggs

3/4 cup of sugar

1 tablespoon of brown sugar

1/2 cup of an all-purpose flour

1/8 teaspoon of salt

1 cup of milk

3/4 teaspoon of almond extract and 1 1/2 teaspoons of vanilla extract

Powdered sugar for dusting

Method:

  1.  Butter and flour baking dish, scatter with cherries and slivered almonds. Preheat oven to 350’ F
  2. Make batter with eggs, sugar, salt and flour
  3. Add the milk, almond extract and vanilla extract
  4. Pour batter into the baking dish over the cherries and slivered almonds
  5. Bake at 350’ F for 35-45 minutes or until lightly browned
  6. Remove from oven and cool
  7. Dust with powdered sugar to serve.

I tweaked the recipe a little by reducing the amount of sugar, adding the almonds to the food processor and puréeing them with the batter ingredients, and using half cream and half milk.    I used an apple corer to remove the cherry pits, which left much of the cherry intact and looking good.    The  result was a creamy and not too sweet baked cherry custard and the verdict was overwhelmingly positive: delicious in fact!

This is the season for cherries.   British Columbia cherries are so sweet and full of flavour at this time of year that a Cherry Clafoutis is a great way to enjoy them cooked.

The question is:  what wine would I select to serve with this?  In keeping with the celebration,  my inclination would be a French wine, either a sparkling rosé or a light Beaujolais, fruity and lively.

I made two Cherry Clafoutis with one in the freezer, ready to be enjoyed at a later date.    When I serve that one  I will decide on which of these wine choices to serve.   Other wine suggestions are welcome!

Bon Appétit

 

Reference

For full recipe details check out the Cherry Clafoutis Recipe at http://www.simplyrecipes.com

 

 

 

Two women wine and food entrepreneurs connect SW France and Western Canada

Meet two women wine and food entrepreneurs who, in different ways, connect SW France and Western Canada:  Caro Feely in SW France and Marnie Fudge in Alberta, Canada.

Caro Feely is an organic wine farmer and producer with her husband Sean at Chateau Feely, an organic wine estate located in the Dordogne in SW France.    She has just returned from a book tour in British Columbia, Canada where she presented to Canadian audiences the latest of her three books, which describes the challenges and triumphs of building an organic wine business and raising a family while learning a second language.

I feel exhausted just thinking about it!

Caro’s books are called: ¬†Grape Expectations, Saving our Skins and her latest book Glass Half Full was released in April 2018.

In addition to writing about her family’s experiences, ¬†Caro and Chateau Feely offer organic wines made on site, ¬†Wine and Spirit Education Trust (WSET) level 2 wine courses, ¬†Wine Weekends and luxury ecological accommodation. ¬†Check out Caro’s books and all information about Caro and Sean’s initiatives at Chateau Feely on their website below.

I have known Caro for many years and admire her hard work and innovative ideas.

Marnie Fudge is the co-proprietor with her partner, Thierry Meret, of Cuisine and Chateau, an interactive culinary centre in Calgary, Alberta.      Marnie and Thierry offer cooking classes in Calgary, corporate team-building workshops based on teams cooking together and culinary tours.    The culinary tours are a gastronomical weeklong adventure through the Périgord region of SW France enjoyed while staying in a 16th Century chateau.

I met Marnie on a business related course some years ago and subsequently introduced her to the Confrerie du Raison D’Or de Sigoules as they share common interests in the presentation of local wines and wine and food pairing.

I will quickly add here that the Confrerie du Raisin D’Or de Sigoulès is about to start their summer program of guided hikes and wine tastings in the Bergerac Wine Region.  These are listed on their website below.

For many years, Marnie and Thierry have been bringing Canadians to enjoy the wine and food of SW France on a foodie adventure. ¬† ¬†During this stay, the group enjoys an evening with the Commander of the Confrerie du Raison D’Or de Sigoules who describes local wines and conducts a wine tasting focussed on a gastronomic dinner. ¬† ¬† ¬†I have been fortunate to attend one of these excellent events when, by chance, I was in France at the same time as the group.

Marnie and Thierry are bringing their 2018 tour group to France this month in June.  Their 2019 Culinary Tour dates are posted on their cuisine and chateau website below.

Chateau Feely and Cuisine and Chateau are great examples of the international nature of the wine and food culture and sector.      Bravo and Hats Off/Chapeaux to Caro and Marnie;   these two women entrepreneurs are connecting SW France with people from Canada, and around the world.

References

Ch√Ęteau Feely ¬† ¬† ¬† ¬†chateaufeely.com

Cuisine and Chateau    cuisineandchateau.com

Confrérie du Raisin D’Or de Sigoules    confrerieduraisindor.com

 

Dragons, Pirates and Wine: Ch√Ęteau Quintus, Saint Emilion, France

I’ve seen a dragon in Saint Emilion.

Yes, really. I’m not kidding.

It’s about 3.30 p.m. on a sunny, warm autumn afternoon in November. We walk uphill into a bosky, oak wood with sunlight filtering through the leaves. The ground is covered in acorns that crunch noisily under our feet in this quiet space.

There before us with wings spread wide is the Quintus Dragon

All two tons of bronze on a stone plinth.

‚ÄúWhy is there a dragon here?‚ÄĚ we ask our host, Fran√ßois Capdemourlin, the Estate Manager at Ch√Ęteau Quintus.

He tell us that, in mythology, dragons protect treasure or special places.   The proprietors of Chateau Quintus in Saint Emilion consider that their 28 hectares of wine growing slopes are special. Hence the protective presence of the dragon, he says.

Commissioned by Prince Robert of Luxembourg, President and CEO, Domaine Clarence Dillon and created by Mark Coreth, a world renowned British sculptor, who specializes in large scale, dynamic animal and wildlife sculptures, the Quintus Dragon is spectacular.

The view from this wine property is also spectacular.   On a clear day such as we enjoy, its possible to see not only famous Saint Emilion chateaux, such as Chateau Angelus before us across the vineyards but also the areas of Pomerol and Fronsac, great wine areas in the distance.

Chateau Quintus is owned by Domaine Clarence Dillon, which owns Chateau Haut Brion and Chateau La Mission Haut Brion in Pessac Leognan in the Bordeaux Wine Region.   I wrote about Chateau Haut Brion in January: see the Whisper of History.

Chateau Quintus represents a relatively new venture for Domaine Clarence Dillon as it  extends into creating the more merlot-centric wines of the Right Bank of the Bordeaux wine area through the acquisition of two existing but separate wine properties.  Merlot, as the predominant variety in Saint Emilion wines, is the grape variety that gives softer tannins to wines.

As we talk about Merlot based wines, we smile as we reminisce about the 2004 film ‚ÄėSideways‚Äô featuring proponents of Merlot and Pinot Noir and wonder how many people remember that film now.

Back at Ch√Ęteau Quintus there is an aura of calm efficiency about the property. This is a working vineyard: no wine tourist shop or public tasting area in sight.¬†¬† This is the norm in the Bordeaux wine area with only a few exceptions.¬†¬† Visits are by appointment only.¬†¬† Wine tourism centres for this area are located in the UNESCO heritage town of Saint Emilion.

We tour the new winemaking area in the renovated chai or vat room and then drive to the Chateau business centre in a different area of the property, where there is a small tasting room.   Behind the tasting area, we can look through the glass partition to the wine barrel ageing room where the wine is quietly and patiently ageing.

It’s in this tasting room that our host tells us the story about pirates!

Images of Pirates of the Caribbean and swashbuckling figures come to mind and I can’t wait to hear the tale.

This is what happened. On a diving expedition in the Indian Ocean, off the Island of Mayotte, some years ago, divers found a cache of treasure on the seabed.   In this cache, covered with the debris of years on the ocean bed, was a 19th century wine bottle, still intact. On the neck of the bottle was the raised seal of Chateau Haut Brion engraved on the glass, still visible after all these years. Inspired by this historic find, the wine bottles of Chateau Quintus are especially made in the same 19th century style, in this instance with the raised engraved seal of Chateau Quintus.

I’ve mentioned dragons and pirates, now its time to mention the wine!

Chateau Quintus focuses on red wines and these wines are part of the Saint Emilion appellation.   As mentioned, the grape variety grown is Merlot together with Cabernet Franc.    In terms of wine production, the vintage has been controlled by Chateau Quintus since 2011.

Out of interest, white wines made in the Saint Emilion wine region are characterized as Bordeaux Blanc.

We taste a Chateau Quintus 2014 and their second wine, Le Dragon de Quintus 2014.     2014 was a challenging year with a hot Indian summer in the area that saved the vintage after difficult summer conditions.

The Chateau Quintus 2014 is made from 69% Merlot and 31% Cabernet Franc.   This is a smooth wine with red fruit and spicy notes.   It is a wine to age and enjoy over the next decade or so.

Le Dragon de Quintus 2014 is made from 77% Merlot and 23% Cabernet Franc and is a wine with soft tannins and plum notes to fully enjoy now.

It is interesting to hear the Estate Manager talk about vineyard management and the wine making process used at Chateau Quintus as it benefits from the expertise of the teams at Chateau Haut Brion and Chateau La Mission Haut Brion, all part of the Domaine Clarence Dillon organization.

Several examples of this collaboration are discussed:

One example is that the vineyard workers have been specifically trained in the way that Domaine Clarence Dillon prefers to prune the vines.

Another is that Chateau Quintus benefits from the on site cooperage or barrel making service resident at Chateau Haut Brion.

Yet another example is that the staff from the three different chateaux gets together for the wine blending process to determine the percentages of varieties in the year’s vintage.  Team members share their expertise to arrive at the optimum blend. Once the blending has been determined the wine is put in oak barrels for ageing over approximately two years.

I am always interested to know about initiatives that develop talent and skill within an organization and enjoy hearing these examples given by François Capdemourlin, who is clearly enjoying his exciting role managing this integrated wine estate.    Chateau Quintus is a new name in the Saint Emilion wine world, finding its way and supported by the investment of resources from the Domaine Clarence Dillon.  Watch this space, as the pundits say.

We’ve enjoyed an interesting and informative visit to Chateau Quintus and its time to thank the Estate Manager for his time, find our car and drive off towards road D33..

D33 is the main road on the way from Bergerac to Libourne and the city of Bordeaux.   Up high on the right hand side sits the town of Saint Emilion with its vineyards spread over  the hillsides.   We frequently drive that road.

Now I know where the Quintus Dragon lives, in that bosky wood on the hill high above the road. I know where to look when driving by.

Next time, I will raise my hand in a silent salute.

References.

Ch√Ęteau Quintus. ¬† http://www.chateau-quintus.com

Mark Coreth:  Check his Facebook page.  There are several websites and galleries including Sladmore Gallery in London and Messums Wiltshire that refer to his work.

The whisper of history: Ch√Ęteau Haut-Brion,Pessac-Leognan, Bordeaux,France

It’s mid November, on a cool yet hazy, sunny day when we navigate our way through Pessac on the outskirts of the city of Bordeaux to find the entrance gates of Chateau Haut-Brion.   We have a 3.00 p.m. appointment for a visit to the wine estate.

The whisper of history murmurs to us as we enter the Chateau Haut-Brion driveway. Saying nothing, we listen to the echoes of nearly five centuries since wine has been made at Chateau Haut-Brion. Wine has been produced on this land for centuries before that.   Before finding our way to the parking area, we stop and take photos of gnarled vines in their closely planted rows.

The whisper of history tell us that:

In 1533, Jean de Pontac, by purchasing an existing noble house in Haut Brion united it with the vine growing land, leading to the birth of the Chateau Haut-Brion.

In 1660 ‚Äď 1661, the cellar records of King Charles the Second of England, who was known to be a bon-viveur extraordinaire, note 169 bottles of ‚Äú Vin de Hubriono‚ÄĚ (sic) are held for guests at the royal table.

In 1663, Samuel Pepys, the famous English diarist, wrote that he had drunk at the Royal Oak Tavern in London: “…I drank a sort of French wine called Ho-Bryan (sic) which had an especially good taste that I had never encountered before. “

In the 17th century, writers were commenting on the nature of the soil in the area of ‚Äúwhite sand with gravel‚ÄĚ and the particulars of the terroir.

In 1787, the American Ambassador to the French Court, Thomas Jefferson, later the third President of the United States, visited Chateau Haut-Brion.   A wine connoisseur, he also commented on the nature of the gravelly terroir.   In his writings, he identified four great wine houses of the area including Chateau Haut-Brion. In this, he anticipated the identification of Chateau Haut-Brion, Chateau Lafite, Chateau LaTour and Chateau Margaux in the official classification system of 1855, as Premiers Grands Crus wines of the Gironde. Chateau Mouton-Rothschild was reclassified to Premier Grand Cru in 1973 and added to the prestigious list.

Chateau Haut-Brion changed hands several times during the centuries.   There is an apocryphal story about one of the owners in the Pontac family in the 17th Century.     It is said that he lived to over 100 years, an age almost unheard of at that time.   This gentleman attributed his longevity to his daily glass of Chateau Haut-Brion!

The present owners since 1935 are the Dillon family. The current head of the Domaine Dillon is Prince Robert of Luxembourg, who is a great grandson of Clarence Dillon, the New York financier and purchaser of the property. Since the purchase, the family has invested significantly in the property through a program of continuous renovation, innovation and improvement both to the historic chateau building and to the winery facilities.

On this particular November afternoon, after ringing the intercom bell at the visitor entrance, our guide, who was informative about the estate and interested in our visit, joins us.   Following an introduction to the past and present owners through the medium of their portraits, we are given a detailed look at the topography of the vineyard and its proximity to the neighbouring estate, also owned by the Dillon family, which is Chateau La Mission Haut-Brion; a story for another time.

During our visit, the wine making process is explained to us. At Haut-Brion, our guide explains, traditional approaches are employed while at the same time using modern and efficient equipment with a program of regular reinvestment and improvement. For any aspiring wine maker, an opportunity to work at Haut Brion would seem a great privilege.   My impression is that wine making at a wine estate with such a historical context would be more a vocation than an occupation.

One of the things that I appreciate at Chateau Haut-Brion is that it has its own cooperage service or barrel maker on site.¬†¬† Supporting and fostering these artisanal skills such as barrel making in the wine industry is important for their continuation.¬†¬† This on-site barrel-making workshop is ‚Äúthe fruit of a partnership between Haut-Brion and S√©guin Moreau‚ÄĚ and has been in place since 1991.

All wine starts with the soil in the vineyards, the selection and management of the vines and the choice of particular varieties for individual parcels of land.     The high standard of care of these vineyards to produce grand cru wines has been consistent over the centuries.

The conclusion of most wine tours is to taste the wines produced on the property and our afternoon at Haut-Brion is no different.   We are guided to the 18th century Orangerie, which was renovated in 2001 and is used as the tasting room.

We are offered the 2011 vintage wines, which our guide tells us, are just being opened now.   Haut-Brion records indicate that 2011 was a very good year for their wine.   It was the driest year registered since 1949. With enough rain in the summer to allow the vines to work their magic, the harvest took place from August 31 to September 27.   All this data and more are recorded by Chateau Haut-Brion and available for review.

The typical blend of grape varieties in the red wine at Haut-Brion is Cabernet Sauvignon 45%, Cabernet Franc 15% and Merlot 40%.   These wines are created for laying down and building a cellar for future enjoyment.   The Haut-Brion recommended life of the 2011 vintage is from 2020 to 2035.   In 2017, we are tasting this wine in its teenage years; in the process of ageing and developing its full expression of the terroir and all the wine making expertise that has gone into its production.

Standing in the Orangerie, tasting these magnificent wines and looking out at the garden and the old Chateau itself, has to be a memorable wine moment.   So much so that when I look back, I remember hearing the whisper of history and at the same time, tasting the richness of the red wine, the deep black fruit, the chocolate aromas with developing smoked tones and that sensation of enjoying a beautifully crafted wine.

A December 2017 article in the British weekly magazine, Spectator, written by their wine writer, Bruce Anderson, summed up this sentiment well when he wrote about ‚Äúwines of a lifetime.‚Ä̬†¬† Coincidentally, in that article he also refers to a Chateau Haut-Brion wine, in that case a 1959 vintage that he enjoyed with a friend.

In preparing to leave, we thank our guide for our visit.

For me, the visit to Chateau Haut-Brion will be up there in my list of chateaux visits of a lifetime.

References:

Chateau Haut Brion:   http://www.haut-brion.com

Note: A point of appellation detail: Chateau Haut-Brion retains its 1855 Premier Grand Cru classification although it is not in the Medoc area.   It is in the Pessac Leognan appellation, which was previously part of the Graves appellation. (See the attached map of Bordeaux and the Neighbouring Regions.)

Spectator magazine: http://www.spectator.co.uk

Living the Dream: Ch√Ęteau les Hauts de Caillevel, Bergerac Wine Region, SW France

Winery proprietors Sylvie Chevallier and Marc Ducrocq are living their dream at Ch√Ęteau les Hauts de Caillevel.¬†¬† Nearly twenty years ago, after careers in the corporate world, they decided to change course, live in the country, raise their children in a pastoral setting and make wine. ¬†¬†¬†Sylvie and Marc see themselves as partners with nature in the creation of wines from their property.

After successfully completing oenology courses, Sylvie and Marc settled themselves at Chateau les Hauts de Caillevel in 1999 with the objective of making wine in the most environmentally friendly way they could.¬†¬† This approach culminated in their official certification as a ‚ÄúBio‚ÄĚ or a biologique/ organic farm in 2010, an achievement that deservedly gives them a sense of pride and satisfaction.

The vineyard is located high above the river valley on the plateau village of Pomport; approximately 20 minutes drive from Bergerac.¬†¬† Ch√Ęteau les Hauts de Caillevel offers camping facilities as well as tastings to visitors. ¬†It’s a relatively small wine producer farming 18 hectares of which 8.70 hectares are red grapes and 9.30 hectares are white grapes and they produce eleven different wines.

Driving along their expansive drive to the house and vineyard office, I feel the peaceful calm of this pastoral setting at the edge of the escarpment, which faces across the valley to neighboring villages.   It’s the same sense of benign energy I have felt at another Bio winery in the Region, where I expected to see a unicorn appear from the surrounding woods at any moment.

It’s a chilly, misty December day and we are dressed warmly for the weather. ¬†I¬†have made an appointment to visit the winery and meet Sylvie Chevallier on the recommendation of a colleague in the Confr√®rie du Raisin D‚ÄôOr de Sigoul√®s, the wine confr√®rie I have had the pleasure of being a member of for several years.¬†¬†¬†¬† Sylvie Chevallier has a reputation for making good wine, recognized by the Guide Hachette.¬†¬† She is also someone who is recognized for her significant contribution to the area through her community work over the years.

December is a busy time for winemakers and so I appreciate the opportunity to visit this winery, which I did not know about previously.

As it turned out, Sylvie had other vineyard priorities she had to attend to on the morning of our visit. ¬†Undeterred, we have the pleasure of meeting her husband Marc.¬†¬† Over a coffee and warmed by the wood burning stove in their office, we settle down for an interesting conversation with Marc about wine making at Ch√Ęteau les Hauts de Caillevel.

Several things stand out from that conversation that imply to me that here are two people who are risk takers and confident in their vision of making their own path in the wine-making world.

After completing their oenology training, they learnt about winemaking on the job with the help of external, experienced wine consultants.

They include in the suite of grape varieties that they grow an indigenous grape variety in the region called Périgord Noir, which has a lower alcohol by volume percentage than the typical varieties. In this way, they believe they are responding to the trend of consumers wanting to enjoy wine but with lower alcohol levels.

They grow Chenin Blanc, a grape variety more usually associated with the Loire Valley in France and in South Africa.   According to AOC regulations, this variety can be blended in small quantities in the Bergerac Region white wine and Sylvie and Marc use Chenin in this way.   They also make a 100% single varietal Chenin Blanc wine outside the AOC Bergerac Wine Region framework.   I am interested to taste this as Chenin Blanc produces some of the greatest white wines in both Touraine and Anjou-Saumur in the Loire Valley. It’s a white wine that ages well.

We have a wide-ranging conversation and exchange of ideas about wine making both in France and Canada.   We also talk about the trend to organic winemaking and the overall reduction in chemical usage, whether vineyards are formally certified Bio or not, that is widespread across the Bergerac Wine Region.

Towards the end of our visit, I ask Marc what was the biggest surprise in being a wine-maker over the years?   His immediate response was the effect of nature and how one is at the mercy of the weather. His view is that wine-makers have to be a fatalist to accept what the weather brings.   It’s an important reality check to hear this comment.   I expect that wine makers also have to an overarching sense of optimism to cope with the unpredictability of nature.

After a pause, Marc also comments that the other surprise for him is how difficult it is to market wine due to various complications in the related processes.       He feels this is a real issue for the smaller local wine producers, who can have difficulty making a living.

We run out of time to taste the wines of Chateau Les Hauts de Caillevel and so a return visit in 2018 will be planned.     We do take a quick tour of the tasting room and I buy several wines including the 100% Chenin and a 2015 red, called Ebène, which is a Cabernet Franc and Merlot blend, to enjoy at home.

I appreciated Marc’s candour about the realities of being a wine chateau proprietor.  Having the opportunity to visit and speak personally with winery proprietors in this way is for me, what makes wine come alive;  recognizing that flow from grape to glass.  

I look forward to a return visit.

References:   http://www.leshautsdecaiilevel.com

Bred-in-the-Bone: Vigneron of the Year 2018, Ch√Ęteau Court les M√Ľts, Bergerac Wine Region, SW France

The Sadoux family, father and son, both called Pierre, are leaders in the wine region of Bergerac.

I’m not just saying that.

They have been elected Vigneron of the Year 2018 in the Guide Hachette, the French guidebook for wines and champagnes.   It’s not the first time they’ve been recognized in this way.

Five generations have been in the wine business including a grandfather/great grandfather who was a ‚Äėtonnelier‚Äô, that is a barrel maker or cooper, a key artisanal occupation in the wine industry.

I think of this family background as expertise that is bred-in-the-bone: formal oenology education enhanced by family mentoring.   Similar to an excellent apprenticeship program, it’s probably the best way to learn and achieve mastery in a chosen field.

It‚Äôs this mastery that I hear when I listen to both Pierre Sadoux, father and son, describe wine‚Äďmaking approaches at Ch√Ęteau Court les M√Ľts in Razac de Saussignac, Dordogne, SW France.

On a sunny December day with autumn sunshine playing on the vine leaves that are multi-coloured from soft faded green to gold and scarlet, we head off to Ch√Ęteau Court les M√Ľts to meet with Pierre Sadoux fils/son for a tasting of their suite of wines.

We’ve been enjoying their wines for several years now.   I find it interesting to revisit the winery and have a refresher on their range of wines as well as learn more from Pierre about their approach to wine making.

It’s the skill in blending different varieties that is one key to the traditional AOC wines made in the Bergerac Wine Region, as it is in the Bordeaux Wine Region to the west of the area.   Single varietal wines are not produced here.   The blending of the different varieties and the decision making that goes into that process to create a wine is one of the key differentiating factors in wines from different chateaux in the same region.     The wine subtleties arise from the different percentages of individual wine varieties used by different wine makers to make a particular wine type.

It’s a bit like several people making The Best Chocolate Cake but each person changing the mix of ingredients with the result that the individual cakes taste different yet still calling each one The Best Chocolate Cake.

The Sadoux family make a range of seven wine categories: Bergerac Dry White, Bergerac Rose, Bergerac Rouge, C√ītes de Bergerac Red, C√ītes de Bergerac Moelleux (semi sweet) and Saussignac, a late harvest wine.

We taste our way through the range starting with the dry white and finishing with the Saussignac late harvest.

It’s in the discussion with Pierre of each wine we taste that his wine mastery comes to the fore.   His detailed knowledge of each parcel of land; its history, soil structure including the varying depths of clay and limestone, and suitability for specific grape varieties is expressed with an intensity and concentration that commands attention.   As he is talking, I can see he is seeing each parcel of vines in his mind’s eye, as he tastes the different wines and talks about the different elements that went into creating the particular wine.  I know where the Malbec parcel is that he talks about and walk past it frequently.

Pierre describes the fluctuations in the grape harvest timing and quantities due to weather patterns, topography, rainfall, and all the interventions of nature, which are only some of the challenges facing a wine maker.   He gives one example of the unpredictability of the weather as the April hailstorm damage that could affect one area of a particular parcel of vines but not the whole area.   The hailstorm was devastating for some vine growers throughout the region and because of its time in the growing season, its effect will be felt over several years..

Wine production including the blending of the various varieties permitted under the AOC regulations for the Bergerac Wine Region is a major topic of discussion.

We take our time tasting the range of wines.   I enjoy the crispness of the 2016 Bergerac Sec white wine with 40% Sauvignon Gris, 40% Sauvignon Blanc and 20% Semillon. Good with fish; I also like it as an aperitif wine.   The 2015 Cuvée Annabelle with 30% Semillon, 25% Muscadelle as well as Sauvignon Blanc and Sauvignon Gris is more of a gastronomique wine suitable with a range of dishes.

In the red wines, anyone who enjoys the Malbec in South American wines will enjoy the C√ītes de Bergerac red wine with 40% Merlot, 35% Malbec and 25% Cabernet Sauvignon.¬†¬† Dedicated Malbec fans will really appreciate L‚ÄôOracle 2014 which is blended with 60% Malbec, 20% Merlot and 20% Cabernet Sauvignon.¬†¬† This rich wine with depth and resonance of black fruits, pepper, chocolate and toast will give pleasure for several years.¬†¬† Pierre tells us he believes his 2014 reds will age particularly well as they have more structure than the 2015 year, which has been heralded as a great year.

As we prepare to leave Ch√Ęteau Court les M√Ľts, I remember to ask Pierre about his spouse Annabelle and the jewelry she makes from specially treated vine stalks decorated with pearls, crystals and various stones. He tells me she will be exhibiting her jewelry at the upcoming Saussignac Christmas Fair. ¬†¬†¬†I have bought several pieces of her unique jewelry already and always receive positive comments when I wear them so a visit to the March√© No√ęl will be in order.¬†¬† Annabelle sells her work through different craft fairs across France.

For me, this wine tasting and visit to Ch√Ęteau Court les M√Ľts is about more fully recognizing the breadth and depth of knowledge and understanding of soil, land, terroir, as well as the vine growing and wine making processes that a successful wine maker must have.¬†¬† That‚Äôs not factoring in the marketing know-how that is also required and essential in an increasingly competitive global industry.¬†¬† ¬†It‚Äôs a formidable mix of knowledge, skills, temperament and in this case, legacy.

It’s not unusual to find multi-generational wine making families in the Bergerac Wine Region as in any agricultural area.

The expression bred-in-the-bone may be known to some as the title of a book by the late Canadian author Robertson Davies: What‚Äôs Bred in the Bone. That‚Äôs how I first became aware of it. It is an expression quite widely used by authors and means, ‚Äúfirmly instilled or established as if by heredity. ‚Äú¬†¬† It is traced back to a 15th century phrase: ‚Äúwhat‚Äôs bred in the bone will come out in the flesh‚ÄĚ.

References

Ch√Ęteau Court les M√Ľts¬†¬†¬†¬† http://www.court-les-muts.com

Les Bijoux Caprice de Vigne ‚Äď Annabelle de Groote. Phone + 06 11 60 66 71

Guide Hachette      www.hachette-vins.com

Anyone for Rain Dancing in SW France Vineyards?

The vine leaves in SW France look beautiful at this time of year.   Most days when I walk beside the vineyards, I photograph the vines and marvel at the changing nuanced colours of the leaves; gold, scarlet, bronze, green, and by extension at the changing colours of the landscape.

I never tire of looking at the view; the winding road disappearing into the distance, the tall, ghostly coloured water tower on the hilltop and the sprinkling of farmhouses. The straight lines of vines marching up and down the undulating landscape which fascinate and remind me of David Hockney’s colourful paintings of the Yorkshire dales.

There is even a friendly cat of no fixed address that parades each day in front of the local cemetery.  I call him the Cemetery Cat.

At the same time as we enjoy the autumn sunshine highlighting the local beauty and warming us as we walk about, the local newspaper, Sud Ouest, is raising the alarm bells about the effects of climate change in the area, in particular the reduced rainfall.

Each day on the back page of the paper, there is a table showing the minimum and maximum temperatures in southwest France on the same day over the long term: 15, 30 and 50 years. The figures indicate that it appears that it is the minimum temperatures that have been affected; ¬†in other words the weather does not get as cold now as it did 50 years ago in this area.¬†¬† The newspaper also provides local 2017 climate statistics showing sunshine days are up and rainfall levels are down. ¬†2017 is described as a dry and sunny year. The weather forecast for the next 15 days also indicates less rain than ‚Äúusual‚ÄĚ for this time of year.

The Sud Ouest local newspaper for Bergerac and Sarlat areas has a headline on Monday, November 13, 2017 that reads: Va-t-il falloir faire la danse de la pluie?¬†¬†¬†¬† In other words, ‚ÄúWill we have to do the rain dance?‚ÄĚ

Perhaps.

Certainly, some vine growers, aware of climate warming, are becoming concerned about the reduced level of precipitation at key moments in the vine production of grapes.   In July this year, for example, there was 50% of the usual rainfall for the month.

The newspaper references individuals in the winemaking community who are saying its necessary to start the discussion and debate about vine irrigation in France, where it is essentially prohibited due to the multiple authorizations necessary to irrigate vines and with few exceptions for specific reasons, e.g. newly planted vines.

Currently, when there is lack of water, the stressed vines search for water in the ground below by sending down deep roots.

Vine irrigation is a sensitive topic.¬†¬† Some wine makers are concerned that irrigation will negatively affect or reduce the bountiful impact of vineyard ‚Äėterroir ‚Äúand lower the quality of the wines. ¬†Many believe that marginally stressing the vines helps to produce superior fruit.¬†¬†¬†¬† Some consider that France should allow vine irrigation as elsewhere in the world, where vine irrigation is well established. Others are concerned that irrigation will lead to increased production and affect the wine market and prices.¬†¬†¬†¬†¬†¬† Additionally, irrigation in periods of reduced precipitation will place demands on water management in the area, another ¬†consideration.

There is no question that the topic of vine irrigation in France will be on the table for discussion and debate going forward.   This is an important discussion to follow in the wine world.

In the bigger picture, the reduced level of precipitation and increased temperatures affect more than the vineyards and wine making.

So, what to do?

Back to the newspaper’s question about rain dancing.   Getting out the rain dancing shoes may be a good idea.   It’s certainly one approach. However, I interpret the suggestion of rain dancing as code for the fact there is no easy answer to these questions.   What’s interesting is that the local paper has taken the initiative to present a two-page article about the reduced rainfall this year.   It has specifically commented on the impact on the wine industry, which is a major economic driver for the area.

Beneath the beauty of the area and the elegance of the wines are challenging issues to be addressed.     Fortunately, there are imaginative, informed and creative wine makers in the area considering these issues and over time undoubtedly driving change in winemaking practices to accommodate environmental impacts.

Rain dancing?   Perhaps, but to a new or different melody.

References

Sud Ouest Newspaper, November 13, 2017 Bergerac and Sarlat edition.