2017 Reflections in the Glass

 

It’s that time when people attempt to make sense of the passage of time over the past year.   We think about what’s been achieved, or perhaps not achieved or let slip and what to focus on in the following year.

Spending time each year in both Canada and Europe, I attempt to share information in a supportive way about wine from areas where I have some familiarity.   In this way, wine can open doors to culture, art, geography, history, people and understanding.   Having the opportunity to lead a tasting of Canadian wine in London is one example of this.

One of the major experiences shared this year by the areas I am familiar with has been the challenging effect of climate change: wildfires in Western Canada and hailstorms and diminished rainfall in parts of France.    Addressing nature’s unpredictability through science, intellect, creativity, and imagination will be a major challenge for the wine industry going forward.

At the same time, I see the continual quest for improving wine quality.   This is a topic of great interest to me that I discuss with an oenologue friend in France, who shares his knowledge and helps me increase my understanding of the subtleties of wine making.

This common search for insight, whether on a global level or personally in the glass, is one of the ongoing pleasures and challenges of deepening my learning about wine and winemaking.

A big thank you to the wine makers and many others who have generously given their time during the year to discuss wine making in its many guises  with me and a big thank you to you, the reader, for joining me on the learning journey.

Best wishes for 2018 from,

elizabethsvines

Reflections on 2017:

 

Living the Dream: Château les Hauts de Caillevel, Bergerac Wine Region, SW France

Winery proprietors Sylvie Chevallier and Marc Ducrocq are living their dream at Château les Hauts de Caillevel.   Nearly twenty years ago, after careers in the corporate world, they decided to change course, live in the country, raise their children in a pastoral setting and make wine.    Sylvie and Marc see themselves as partners with nature in the creation of wines from their property.

After successfully completing oenology courses, Sylvie and Marc settled themselves at Chateau les Hauts de Caillevel in 1999 with the objective of making wine in the most environmentally friendly way they could.   This approach culminated in their official certification as a “Bio” or a biologique/ organic farm in 2010, an achievement that deservedly gives them a sense of pride and satisfaction.

The vineyard is located high above the river valley on the plateau village of Pomport; approximately 20 minutes drive from Bergerac.   Château les Hauts de Caillevel offers camping facilities as well as tastings to visitors.  It’s a relatively small wine producer farming 18 hectares of which 8.70 hectares are red grapes and 9.30 hectares are white grapes and they produce eleven different wines.

Driving along their expansive drive to the house and vineyard office, I feel the peaceful calm of this pastoral setting at the edge of the escarpment, which faces across the valley to neighboring villages.   It’s the same sense of benign energy I have felt at another Bio winery in the Region, where I expected to see a unicorn appear from the surrounding woods at any moment.

It’s a chilly, misty December day and we are dressed warmly for the weather.  I have made an appointment to visit the winery and meet Sylvie Chevallier on the recommendation of a colleague in the Confrèrie du Raisin D’Or de Sigoulès, the wine confrèrie I have had the pleasure of being a member of for several years.     Sylvie Chevallier has a reputation for making good wine, recognized by the Guide Hachette.   She is also someone who is recognized for her significant contribution to the area through her community work over the years.

December is a busy time for winemakers and so I appreciate the opportunity to visit this winery, which I did not know about previously.

As it turned out, Sylvie had other vineyard priorities she had to attend to on the morning of our visit.  Undeterred, we have the pleasure of meeting her husband Marc.   Over a coffee and warmed by the wood burning stove in their office, we settle down for an interesting conversation with Marc about wine making at Château les Hauts de Caillevel.

Several things stand out from that conversation that imply to me that here are two people who are risk takers and confident in their vision of making their own path in the wine-making world.

After completing their oenology training, they learnt about winemaking on the job with the help of external, experienced wine consultants.

They include in the suite of grape varieties that they grow an indigenous grape variety in the region called Périgord Noir, which has a lower alcohol by volume percentage than the typical varieties. In this way, they believe they are responding to the trend of consumers wanting to enjoy wine but with lower alcohol levels.

They grow Chenin Blanc, a grape variety more usually associated with the Loire Valley in France and in South Africa.   According to AOC regulations, this variety can be blended in small quantities in the Bergerac Region white wine and Sylvie and Marc use Chenin in this way.   They also make a 100% single varietal Chenin Blanc wine outside the AOC Bergerac Wine Region framework.   I am interested to taste this as Chenin Blanc produces some of the greatest white wines in both Touraine and Anjou-Saumur in the Loire Valley. It’s a white wine that ages well.

We have a wide-ranging conversation and exchange of ideas about wine making both in France and Canada.   We also talk about the trend to organic winemaking and the overall reduction in chemical usage, whether vineyards are formally certified Bio or not, that is widespread across the Bergerac Wine Region.

Towards the end of our visit, I ask Marc what was the biggest surprise in being a wine-maker over the years?   His immediate response was the effect of nature and how one is at the mercy of the weather. His view is that wine-makers have to be a fatalist to accept what the weather brings.   It’s an important reality check to hear this comment.   I expect that wine makers also have to an overarching sense of optimism to cope with the unpredictability of nature.

After a pause, Marc also comments that the other surprise for him is how difficult it is to market wine due to various complications in the related processes.       He feels this is a real issue for the smaller local wine producers, who can have difficulty making a living.

We run out of time to taste the wines of Chateau Les Hauts de Caillevel and so a return visit in 2018 will be planned.     We do take a quick tour of the tasting room and I buy several wines including the 100% Chenin and a 2015 red, called Ebène, which is a Cabernet Franc and Merlot blend, to enjoy at home.

I appreciated Marc’s candour about the realities of being a wine chateau proprietor.  Having the opportunity to visit and speak personally with winery proprietors in this way is for me, what makes wine come alive;  recognizing that flow from grape to glass.  

I look forward to a return visit.

References:   http://www.leshautsdecaiilevel.com

Anyone for Rain Dancing in SW France Vineyards?

The vine leaves in SW France look beautiful at this time of year.   Most days when I walk beside the vineyards, I photograph the vines and marvel at the changing nuanced colours of the leaves; gold, scarlet, bronze, green, and by extension at the changing colours of the landscape.

I never tire of looking at the view; the winding road disappearing into the distance, the tall, ghostly coloured water tower on the hilltop and the sprinkling of farmhouses. The straight lines of vines marching up and down the undulating landscape which fascinate and remind me of David Hockney’s colourful paintings of the Yorkshire dales.

There is even a friendly cat of no fixed address that parades each day in front of the local cemetery.  I call him the Cemetery Cat.

At the same time as we enjoy the autumn sunshine highlighting the local beauty and warming us as we walk about, the local newspaper, Sud Ouest, is raising the alarm bells about the effects of climate change in the area, in particular the reduced rainfall.

Each day on the back page of the paper, there is a table showing the minimum and maximum temperatures in southwest France on the same day over the long term: 15, 30 and 50 years. The figures indicate that it appears that it is the minimum temperatures that have been affected;  in other words the weather does not get as cold now as it did 50 years ago in this area.   The newspaper also provides local 2017 climate statistics showing sunshine days are up and rainfall levels are down.  2017 is described as a dry and sunny year. The weather forecast for the next 15 days also indicates less rain than “usual” for this time of year.

The Sud Ouest local newspaper for Bergerac and Sarlat areas has a headline on Monday, November 13, 2017 that reads: Va-t-il falloir faire la danse de la pluie?     In other words, “Will we have to do the rain dance?”

Perhaps.

Certainly, some vine growers, aware of climate warming, are becoming concerned about the reduced level of precipitation at key moments in the vine production of grapes.   In July this year, for example, there was 50% of the usual rainfall for the month.

The newspaper references individuals in the winemaking community who are saying its necessary to start the discussion and debate about vine irrigation in France, where it is essentially prohibited due to the multiple authorizations necessary to irrigate vines and with few exceptions for specific reasons, e.g. newly planted vines.

Currently, when there is lack of water, the stressed vines search for water in the ground below by sending down deep roots.

Vine irrigation is a sensitive topic.   Some wine makers are concerned that irrigation will negatively affect or reduce the bountiful impact of vineyard ‘terroir “and lower the quality of the wines.  Many believe that marginally stressing the vines helps to produce superior fruit.     Some consider that France should allow vine irrigation as elsewhere in the world, where vine irrigation is well established. Others are concerned that irrigation will lead to increased production and affect the wine market and prices.       Additionally, irrigation in periods of reduced precipitation will place demands on water management in the area, another  consideration.

There is no question that the topic of vine irrigation in France will be on the table for discussion and debate going forward.   This is an important discussion to follow in the wine world.

In the bigger picture, the reduced level of precipitation and increased temperatures affect more than the vineyards and wine making.

So, what to do?

Back to the newspaper’s question about rain dancing.   Getting out the rain dancing shoes may be a good idea.   It’s certainly one approach. However, I interpret the suggestion of rain dancing as code for the fact there is no easy answer to these questions.   What’s interesting is that the local paper has taken the initiative to present a two-page article about the reduced rainfall this year.   It has specifically commented on the impact on the wine industry, which is a major economic driver for the area.

Beneath the beauty of the area and the elegance of the wines are challenging issues to be addressed.     Fortunately, there are imaginative, informed and creative wine makers in the area considering these issues and over time undoubtedly driving change in winemaking practices to accommodate environmental impacts.

Rain dancing?   Perhaps, but to a new or different melody.

References

Sud Ouest Newspaper, November 13, 2017 Bergerac and Sarlat edition.

Wine and Architecture: La Cité du Vin, Bordeaux, SW France: a place for play and culture

I am looking at this exciting modern architecture on the banks of the Garonne river in Bordeaux and my imagination runs away with me.

La Cité du Vin

La Cité du Vin, Bordeaux

I can’t help thinking that this building reminds me of the Mother Goose children’s story of the Old Woman Who Lived in a Shoe, albeit a golden shoe when the sun shines upon it.   As in the nursery rhyme, there are even people in the “Shoe” as the building is a hive of activity of visitors engaging with the various exhibits about wine.

In all seriousness, it’s a building with a sense of liquidity, that reflects the curves in the river as the Garonne and then the Dordogne rivers join together as the Gironde estuary and empty into the Atlantic.  This waterway has been the key transportation link for centuries between the Bordeaux wines and their thirsty markets abroad, in particular the United Kingdom with its love of claret.

Architects Anouk Legendre and Nicholas Desmazières from XTU Architects in Paris have created this elegant building to showcase the international wine culture which celebrates and explores the place of wine in culture from the time of the Egyptians to the modern day.     It is said that not only does the colour of the building change daily and hourly with the weather but also with the changing light of the seasons, in the same way that the leaves on a vine change colour to mirror the seasons.

The mission of La Cité du Vin is to promote and share the cultural, universal and living heritage that is wine with the broadest possible audience.

It’s an ambitious focus but achievable in this beautiful and elegant city of Bordeaux whose very name is synonymous with great wine.   Building upon the City’s legacy of greatness, this modern conceptual building reflects the future orientation of the City and its wine industry.

La Cité du Vin is the initiative of the Fondation Pour La Culture et Les Civilisations du Vin.  It is heralded as a place of play and exploration – no wonder I recognize the playfulness of a children’s nursery rhyme.    All the senses are engaged as a friend and I explore the exhibits on display.

The founding principles of La Cité du Vin are:  passing on knowledge interactively,  experiencing things at your own pace, learning according to your own wishes.   These principles are demonstrated in the accessible way the information is presented.

Progress and technology are demonstrated in the Hi-Tech/Hi-Touch systems used to animate and personalize displays about wine districts around the world.   I am delighted to see film footage of the Okanagan Valley In British Columbia as the film illustrates wine areas around the world.

There are many interesting and fun opportunities to learn about wine, wine aromas, wine history, wine in the arts,  history – even Thomas Jefferson is present in the name of the Auditorium –  and,  of course, to enjoy wine tastings, wine and food pairings and even cooking classes. I look forward to experiencing these latter offerings on a future visit.

Cité du Vin

Thomas Jefferson Auditorium

One of the many great things about visiting Bordeaux is that it is very easy and inexpensive to get around using the modern, clean and efficient, Canadian, tram system. Getting to La Cité du Vin is no exception as there is a special tram station just outside the entrance.   In addition, the higher speed TGV train service has started between Paris and Bordeaux, making the journey in just over two hours.

At the end of our tour, which took several hours as there are so many interesting things to see and play with, we headed up to the tasting bar, Latitude 20, which has a spectacular ceiling made of wine bottles.  While tasting wine from distant countries, visitors can look out over the city rooftops.

Wine tasting room, Belvedere, Cité du Vin

Spectacular Latitude 20 tasting room with views over Bordeaux

La Cité opened on June 1, 2016 and excited interest and articles around the world.   Writers haven’t been quite sure how to describe this endeavour.  It’s been called variously: a wine theme park for adults, a museum, a cultural facility, an exhibition park, a museum-theme park hybrid, the Guggenheim to Wine, a cultural centre of wine, a world-beating wine museum, an over-the-top mega project, a playground for wine lovers.

La Cité du Vin is young and offers many opportunities for learning, for fun and entertainment.   In a way, it is refreshing that it defies precise definition and labelling.   For me, for now,  it will just be La Cité du Vin.

La Cité du Vin - experiencing the scale and colours

La Cité du Vin – experiencing the scale and colours

La Cité du Vin has an ambitious agenda of showing wine in the context of history, social customs, geography, geology, food and agriculture, oenology and the arts.    In this way, La Cité emphasizes all the reasons I am interested in wine as it opens the door to these subjects.

To quote La Cité du Vin text:  “…whether mythical, sacred, religious or magical, experience the culture of wine as a formidable epic which has shaped mankind and the way we live, which as been a source of inspiration in both past and present”.

Exactly.

——————

References

La Cité du Vin, Bordeaux    http://www.laciteduvin

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‘Inspector Bruno’ and the women winemakers of Bergerac

Inspector Bruno Courreges, gourmand, wine lover and local chief of police lives in the Périgord, SW France in the small town of St Denis, where he knows everyone and their secrets.     He enjoys a peaceful life with his vegetable garden, horse, ducks and hens and defends the local community, its people and traditions against threats that menace the traditional way of life.

Inspector Bruno also has a weakness for intelligent, independent minded women.

Without question, then, he would be supportive of the women winemakers of Bergerac.

While I, and I am sure many others, would greatly enjoy meeting Inspector Bruno, there will be no such opportunity as he is the fictional creation of Martin Walker.  For myself, I feel I have become acquainted with Inspector Bruno from reading the novels.

Inspector Bruno

Inspector Bruno mystery series by Martin Walker

I have met Martin at a couple of wine events in the Dordogne.    After reading the following article in a local Dordogne English language newspaper, The Bugle, I decided to write to him and ask if I could reproduce his article about women wine makers of Bergerac on my website.  He has graciously agreed to this and I am very pleased to include his article below.

‘The Bugle, June 2016
The women winemakers of Bergerac by Martin Walker
Along with the Universities of Bordeaux, Padua and Melbourne, the Davis campus in California is one of the world’s great wine schools and last year for the first time, half of the graduates were women. And our own Bergerac region is remarkable for the number of women making terrific wines.
Not all of them are French. The legendary Patricia Atkinson of Clos d’Yvigne may have retired but the wines she made are still being produced by her successors. Le Rouge et Le Noir may be the best known, a classic blend of merlot and cabernet sauvignon but I also enjoy the wine she called le Prince, a blend of merlot and cabernet franc. And her book, The Ripening Sun, is strongly recommended as one brave woman’s account of a triumphant and often lonely struggle to make prize-winning wines from scratch.
Not far from her vineyard at Gageac-et Rouillac near Saussignac is Chateau K, where the Norwegian Katharina Mowinckel may have given up her dream of becoming a world-class horsewoman, but now makes first-rate organic wines. The original name of the Chateau was Fougueyrat, but knowing that Scandinavia would be an important market, she decided that Chateau K would be easier to pronounce. And the Chateau K wines she makes are very good indeed, as you might expect from this lovely corner of the Bergerac. Her cheaper wines, called simply K, are also good value.
My friend Sylvie Chevallier produces lovely wines at Les Hauts de Caillevel, prize-winning Monbazillacs, charming wines and very serious red wines indeed. I was honoured to be on a jury where we were able to recognize the quality of her wines and then I had the pleasure of getting to know her when we were both promoting Bergerac food and wine in Switzerland, when the traveling Lascaux museum was on show in Geneva. And now Sylvie has been elected the apolitical chair of the tourism committee of our regional council, a fine choice. I just hope it leaves her sufficient time to continue producing her splendid wines. And like more and more Bergerac wines these day, they are bio-organic certified. She calls herself ‘a peasant winemaker’ but her wines are noble indeed.
Brigitte Soulier at Chateau la Robertie makes wines so good they are served at the Vieux Logis restaurant in Tremolat, my own favourite place to eat. Her Monbazillacs are a treat but I have a great fondness for her red wines, which add a little Cot (the old Perigord name for Malbec) to the usual Cabernet-Merlot blend.
If you have not yet visited Caro Feely at Saussignac, you should. Caro runs wine courses and lunches and with her husband Sean makes very fines wines indeed. If you get hold of their red wine called Grace, treasure it for a few years. But also enjoy the view from their home over the Dordogne valley all the way to Bergerac.

Chateau Feely

Chateau Feely, home of Caro Feely, one of the women wine makers of Bergerac

I had the pleasure one evening at Sean and Caro’s home of meeting their neighbor, Isabelle Daulhiac, who with her husband Thierry make some of the best value Bergerac Sec white wines that I know. I cannot possibly leave out Nathalie Barde of Chateau le Raz or Sylvie Deffarge Danger of Chateau Moulin Caresse (a name that perfectly describes the smoothness of her red wines) but I am running out of space.
And then there is our local TV superstar, Gaelle Reynou-Gravier of the Domaine de Perreau at St-Michel-de-Montaigne, in the Montravel district of Bergerac. She is the model for Gaelle Dumesnil in the latest version of Le Sang de la Vigne (Blood of the Einre) French TV series. In the latest episode, she is the inspiration for the role of the childhood sweetheart of one of the stars of the series. But the real stars are her two special wines, a wonderfully deep red called Desir Carmin and an enchanting Desir d’Aurore, which I consider the best Chardonnay wine produced in the Bergerac.
I should add that she is more than lovely enough to play the role herself, but having a wife over thirty years and two daughters, I have been thoroughly schooled in the dangers of being a sexist. But each of the women I have cited is as lovely and delightful as the wines she makes, and I offer up my thanks to le Bon Dieu that such magnificent women made such splendid wines.’

A note about Martin Walker, author of this article:

Martin Walker, author of the best-selling ‘Bruno, chief of police’ novels, is a Grand Consul de la Vinée de Bergerac.  Formerly a journalist, he spent 25 years as foreign correspondent for The Guardian newspaper and then became editor-in-chief of United Press International.  He and his wife Julia have had a home in the Périgord since 1999 and one of his great hobbies is visiting the vineyards of Bergerac.

References

Inspector Bruno novels    www.brunochiefofpolice.com

Château K          www.chateau-k.com

Les Hauts de Caillevel     http://www.caillevel.fr

Château La Robertie        www.chateau-larobertie.com

Château Feely       http://www.feelywines.com

Château Le Raz      www.le-raz.com

Château  Moulin Caresse    www.pays-de-bergerac.com

Domaine de Perreau      www.domainedeperreau

TV Series   Le Sang de la Vigne (Blood of the Vine)

 

Cyprus wines: Tsangarides Winery and a portrait of happiness

 

I open the car door outside the Tsangarides Winery and savour the fresh February village air of Lemona, this small hamlet in the Troodos foothills.

Tsangarides Winery

Tsangarides Winery, Lemona on a chilly February morning

It’s been a year since our last visit and we’re looking forward to renewing our acquaintance with Angelos Tsangarides, co-proprietor with his sister of the winery. We are introduced to Angelos’s father who is also at the winery this day. We follow Angelos upstairs to a large tasting room overlooking almond and clementine trees. Today the room is warmed by a wood burning stove, necessary on this chilly morning.

Over a Cyprus coffee, metrios style, like a medium sweet thick expresso served with a glass of water on the side, we chat about wine, wine making, local grape varieties, tourism and developments at Tsangarides. Over the past year, Angelos has been consolidating winery activities, investing in new equipment and restructuring operations by taking on the role of wine maker himself with the advice of a wine consultant. He is very much enjoying this development.

Angelos is a keen advocate of the local grape varieties, Xinisteri white grapes and Maratheftiko black grapes. He explains that Xinisteri is typically blended with a small percentage of either Sauvignon Blanc or Chardonnay. He favours Chardonnay in the blend.

A new development is that Angelos is now producing a Muscat dessert wine.

Tsangarides Winery Muscat wine

Tsangarides Winery Muscat wine

After our metrios coffee and chat, Angelos takes us to visit the cellars and

Tsangarides Winery Maratheftiko organic wine

Tsangarides Winery Maratheftiko organic wine

the bottling area. We buy some wine to enjoy over dinner with friends and he generously gives us a bottle of his Shiraz Rosé bottled this very day to taste.

Angelos tells us that he woke really early this morning, excited about the prospect of bottling the 2015 Rosé. As he tells us this, his face lights up and he is smiling the smile of someone who loves what he is doing. He says that he is very happy that he made the switch from the strictly business world he was working in previously to work in the family winery, that he loves what he does and finds it rewarding and satisfying.

As we say farewell to Angelos so he can get on with the rest of his busy day, he asks me to let him know what we think of these wines and we promise to share our wine tasting notes with him.

Here are the tasting notes I emailed to Angelos after we enjoyed the wines one evening soon afterwards with friends:

Hello Angelos, We have tasted the wines from our visit to you and here are some comments:

2014 Maratheftiko organic wine

Good colour and clean on the nose with some fruit/floral aromas.

While young, a very drinkable smooth wine now. Soft tannins, some drying from the tannins but what one wants in this kind of wine, with complex black fruit and floral tones.

It’s the tannins which provide the health enhancing characteristics of red wine apparently, so good to be aware of the tannins.

One of our guests said that the wine would benefit from ageing – yes, undoubtedly but very drinkable and enjoyable now.

Given the fairly high alc 14.5% VOL, I feel it has a freshness and lightness to it.

We all enjoyed it. Very good flavours for an organic wine which sometimes produce different flavours to what one expects

Muscat 2014

One of our guests said. ‘I adore this wine’

What I particularly liked about this wine is that it has fresh and robust acidity so that although the wine has the characteristic aromas and flavours of a sweet wine, it wasn’t sweet. This is important when enjoyed with cheese as well as a dessert and it means that it complements rather than overwhelms the food flavours

Very popular and all drunk very quickly by our guests

2015 Shiraz Rosé

Bright rich red colour, clean on the nose with light fruit aromas

Delicious taste with dark fruit with touch of peach and quite spicy. Almost has a bit of fizz /bubbly effect so a lighthearted wine but I could feel the heat of the wine.

Very enjoyable. Will be a popular choice for the spring and summer

Thanks, Angelos.  We enjoyed these wines as you can see and also the Xinistiri which is a favourite on the white wine side. “

We subsequently enjoy lunch one day at Minthis Hills Golf Club and restaurant in the countryside above Paphos.  We order a glass of Tsangarides Xinisteri each and it arrives in aviation bottles of 187 ml. which we really appreciate as this is preferable to having a glass poured from an already open bottle. I have written before supporting smaller bottle sizes as options for wine lovers so I really am pleased to see this Tsangarides offering.  Angelos subsequently mentions to me that these aviation bottles of Xinisteri are extremely popular.

In reflecting upon our visit to Angelos and his comments about the rewarding nature of his work, I wonder if this is the portrait of a happy man:  working in a business alongside his family, in a beautiful rural setting, learning new skills, feeling he is making progress, being his own boss and doing something he loves, which is making wine.

Much has been written recently about this elusive emotion called Happiness and how to achieve it. After reviewing several sources in search of a succinct statement to describe the connection between work and happiness that would resonate with Angelos’s comments, the following statement by the late Steve Jobs of Apple Corporation seems to fit the bill:

“ Your work is going to fill a large part of your life and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do…”

Sounds like Angelos Tsangarides – a fortunate man.

 

Reference: Tsangarides Winery.  www.tsangarideswinery.com. Organically produced wine

Metrios Cyprus wine    www.cyprusisland.net

Minthis Hills Golf Club.  www.minthishills.com.
Quote from the late Steve Jobs: Stanford Commencement Speech 2006

Cyprus: Wine and mythology

We’re back in Cyprus, land of mythology, of Aphrodite rising from the waves. The goddess of love, known as Aphrodite to the Greeks and Venus to the Romans,  was believed to have risen from the sea foam near Paphos at Pétra tou Romioú.

Aphrodite's sea foam?

Could this be Aphrodite’s sea foam?

I remember seeing Sandro Botticelli’s renowned painting of the Birth of Venus (mid 1480’s) at the Uffizi Gallery in Florence and am delighted to think I have seen both the painted interpretation and the physical site of the legend.

In this ancient land of Cyprus, where there are records of settlement at the site of the Sanctuary of Aphrodite at Kouklia, site of Old Paphos, dating from the 15th century BC, and where it seems that often the blue of the sky and the blue of the sea merge into one, the imagination can take flight and anything seems possible.

Cyprus is a treasure trove of archeological sites with their ancient history. We enjoy visiting these places, and stand in awe of the work and artistry of the people who accomplished so much in those ancient times. In January and March 2013, I wrote about the history of wine making in Cyprus and the mosaics in New Paphos at the Archaeological Park by the sea and those posts are in elizabethsvines archives.

Well preserved and in situ, the Paphos mosaics provide insight into life on the island mainly in the Roman period although there are also examples of pebble mosaics from the much earlier Hellenistic period. Not only do the mosaics illustrate flora and fauna, they also illustrate work related to wine making.

I am so interested in mosaics as an art form that I am learning the basics of mosaic making with Sharen Taylor, a highly skilled mosaic artist and conservationist resident in Cyprus.  First coming to the island to undertake professional conservation work, she subsequently conducted a two year historical research project of the Paphos mosaics. Now she dedicates herself to the “cultural heritage of mosaic making” working on commissions and teaching students at her studio in Paphos.

I have been spending hours practising the seven most used cutting techniques for tesserae ( a small block of stone, glass or wood used in mosaic making) and making a sample board, in much the same way my grandmother would have made a sample project of various needlework stitches. My grandmother was an accomplished needlewoman, as I think the expression goes. I won’t make the same claim for my tesserae/glass cutting skills but it’s fun to learn and try: more importantly it’s humbling to appreciate the immense amount of skill required to make the mosaics of people, animals, and life scenes evident at the archeological sites.

All this thinking about mythology, archeology and mosaic making hasn’t dulled my interest in local wines and the local grape varieties of Xinisteri, white grapes and Maratheftiko, black grapes. We will be visiting some local wineries to see how wine making is progressing on the island. In keeping with the art of the possible, the wine industry in Cyprus is enjoying a renaissance and I will share Cyprus wine experiences next time I write.

References

Mosaic artist and conservationist:   Sharen Taylor.  www.sharentaylor.com

Paphos Archeological Park    www.visitpafos.org.cy

Kouklia Archeological Site       http://www.visitpafos.org.cy

Botticelli’s Birth of Venus, Uffizi Gallery, Florence.  www.uffizi.org ( I found it worth checking several sites including Wikipedia to learn more of the story of the painting)