Cyprus mosaics – the cultural tradition continues…

“ To carry on the cultural heritage of mosaic making in modern materials”, is the vision of Sharen Taylor, mosaic artist in Paphos, Cyprus.

Mosaics, particularly antique mosaics, always fascinate me.

Here are some reasons:

  • The sense of wonder I feel when I look at antique mosaics made in Roman times;  around the 2nd Century AD or about 1,800 years ago, and that they have survived,
  • The artistry in the designs, whether geometric, non figurative or figurative – which still appeal to the modern viewer and are influential in today’s decorative styles,
  • The craftsmanship in making polychromatic illustrations from tiny cubes – 1 cm each side – of natural stone (called tesserae); usually limestone or marble of different colours which remain as vibrant today as the day the stones were laid.   In particular, the skill in applying the stones to the mosaic design in such a way as to provide perspective, texture, and nuance of colour, size and scale,
  • The size of either floor or wall mosaics, which provide the opportunity to tell a story in stone; reflecting contemporary interests in nature, flora and fauna, spectacle, myths, gods and goddesses,
  • The way in which mosaics inform us about the lifestyle, the social and economic standing of the people who lived so long ago  in houses and communities decorated in such beautiful ways; where beauty was a value they appreciated.

In other words, antique mosaics are masterpieces of the ancient world.

In today’s world, Sharen Taylor is inspired to help people appreciate the mosaic art form and also create mosaics with modern materials.   While this is her focus, her creative approach is grounded in the depth and breadth of her knowledge and experience of art history and archeological conservation that she brings to her modern expression of an ancient art.

Sharen graduated from Exeter University with a BA in Fine Arts with a specialty in sculpture.   An interest in antiquities and conservation work led her to a job with the British Museum in London.   While working there, she was sponsored for a Diploma in Archeological Conservation at the Institute of Archeology, London University.

Coming to Cyprus in 1987, she worked on the excavation work at Lemba, near Paphos.   She conducted the conservation work on the cult bowl and figurines found at Kissonerga, which are on permanent display at the Archeological Museum in Nicosia.   During a recent visit to that museum, I took this photograph, thinking how fortunate I am to know the person who did the conservation work on these important artifacts dating back over 4,000 years.

Following this exciting work, Sharen stayed on in Cyprus and worked for the Department of Antiquities as a consultant, including with the Leventis Museum, focusing on metal work and mediaeval pottery.   She also worked for various foreign missions coming to Cyprus on archeological expeditions.   Through this work, Sharen joined the Getty Conservation Institute as a Consultant and Coordinator for Site Conservation training, which focused on conservation on site; important for the integrity of archeological expeditions.   Because of Cyprus’s location at the centre of the Eastern Mediterranean with major archeological finds throughout this geographic area, site conservation training was centred in Cyprus.

Sharen’s professional interest shifted to mosaics when she was asked to conduct a historical survey of the wine harvest mosaic in the atrium of the House of Dionysius at the Nea Pafos Archeological Site, a World Heritage Site, adjacent to the Paphos old Port.  She analyzed each stone in that mosaic! In this photo, she shows her detailed mapping and analysis of those mosaics.

Sharen presented her findings at a conference of the International Committee for the Conservation of Mosaics in Arles, France in 1999.

She started her mosaic workshop in 2000 and moved to the beautiful, light and airy new building in the Hani Ibrahim Khan Centre near the Municipal Market in Paphos in 2018.   As soon as we entered to workshop to meet with Sharen, I could feel the good energy there.  She focuses on commissions for organizations and private individuals and also teaches children and adults mosaic making, which is how I first became aware of her work.

Coincidentally, in 2013, I wrote about the wine harvest mosaics in a series of 5 posts about Cyprus in which I made the connection between my interest in wine expressed through my wine blog and the wine harvest mosaics!   ( See: Cyprus Wine Making – the ancient world meets the 21st Century: Part One)

https://elizabethsvines.com/2013/01/27/cyprus-wine-making-the-ancient-world-meets-the-21st-century-part-one/

Earlier in this post, I outlined the main reasons that ancient mosaics fascinate me.

A visit to the Nea Pafos Archeological Site illustrates all these aspects.   Each time I visit Cyprus, I take time to enjoy these mosaics, both those in the open air and those in the various excavated houses, including the House of Dionysius, where the wine harvest mosaics pave the atrium.

Imagine welcoming guests to your house if you were the prosperous citizen of Paphos living in this Roman villa.     Your guests would admire these and other mosaic illustrations as they walked across the floor.

Sometimes, I wish I could be a time traveller to quietly observe these scenes!

Any visitor to the Nea Pafos Archeological Site is privileged to be able to see these world heritage mosaics in situ.

Prior to the 1960’s, geometric and non-figurative mosaics were frequently considered of little importance.     Generally, there has been ongoing deterioration and loss of mosaics.   There was a view that there are so many antique mosaics in the Mediterranean region where mosaics are numerous that conservation wasn’t important.

Now there is recognition that cultural heritage is increasingly threatened by rapidly changing physical and geopolitical currents around the world and this emphasizes the need to protect antique sites.

Under the authority of the Department of Antiquities, Republic of Cyprus, systematic excavations started at Neo Pafos in 1962.   In 1980, it was inscribed on the World Heritage List of UNESCO.  Nea Pafos continues as a centre of excavation and research by many foreign archeological missions from universities and schools.

As mentioned previously, Sharen presented her paper on the Paphos wine harvest mosaics at The International Committee for the Conservation of Mosaics (ICCM) Conference in 1999, entitled: Mosaics, Conserve to Display.     The ICCM, founded in Rome in 1977, is a voluntary organization registered in Cyprus as a legal entity.   Their role and objectives are, “promoting the broader evolution in the philosophy and practice of heritage conservation in the field of mosaics”.       It is an organization that brings together conservators, archeologists, art historians and architects.       I am grateful to Sharen for making me aware of this organization and its work.

Experiencing antique mosaics connects us to the ancient past at various levels: physical, emotional and at the level of beliefs and values through the stories they tell and the designs they illustrate.

Sharen Taylor, through her knowledge, experience and creativity pays that cultural heritage forward by teaching children to appreciate and create mosaics.     The Hani Ibrahim Khan colourful and imaginative wall mosaic created by children with aged 7 – 11 is a great illustration of this.

Past, present and future:  the cultural tradition of mosaics continues…

References:

Sharen Taylor Mosaics, 15 To Hani Ibraham Khan, 40 Konstantinou Kanari Paphos

Accessible Website via Facebook  Google Sharen Taylor Mosaics.

Department of Antiquities, Republic of Cyprus www.mcw.gov.cy see this site for lots of relevant information including the Neo Paphos Archeological Park

International Committee for Conservation of Mosaics (ICCM)

http://www.iccm-mosaics.org

Getty Conservation Institute   http://www.getty.edu

Exploring the Isle of Wight, UK and enjoying Rosé wine!

The Isle of Wight (IOW) s one of my favourite places in Great Britain.  I love being by the sea and there’s lots of opportunity for that on this island off the south coast of England.

We arrive by ferry from Lymington.  After a 40 minute mini cruise during which we meander past the Lymington Yatch Haven with the many sailboat masts gently swaying in the breeze, we cross the strait and reach the Isle of Wight.

We dock at Yarmouth, where we visit the 16th Century Yarmouth Castle, one of King Henry V111’s defensive castles built to protect England from invasions from the Continent (!)

We’ve come to spend a few restful days on the Island and have no expectations other than chilling out in the relaxed atmosphere of a place that seems moored to an earlier, less frenetic era.  Part of the chilling out process is to enjoy seafood at The Hut at Colwell Bay and also to explore Isle of Wight history by visiting Queen Victoria’s seaside home at Osborne House in East Cowes.

The Hut at Colwell Bay is our gastronomic beachside destination located right on the edge of the sea.  We visit several times!   Sitting out on the deck enjoying the view is all part of the pleasure of the place.    Lobster, sea bass, crayfish, prawn, hake: it’s all freshly available.

The Hut features rosé wine, which they like to offer in large bottles such as magnums and jeroboams!

If Miraval Rosé Côtés de Provence rings a bell, it may be because it is owned by Brad Pitt and Angelina Jolie in partnership with the Perrin family.  It’s not clear if this ownership structure is still the case.   It’s a crisp and dry wine with a good rating among the top 10 rosés from the area.    Côtes de Provence is the largest appellation of Provence wine in south-eastern France.    80% of Côtés de Provence wine is rosé and the relevant grapes are Grenache and Cinsaut, standard for the area.

Domaine de Saint Mitre Rosé Côteaux Varois is highly rated as a dry rosé and is a blend of Syrah which gives the wine structure and colour with Grenache and Cinsaut which add the aromatics.  This is a classic Provençal blend of grape varieties that work well together.  Côteaux Varois is a key Provençal appellation in the far south eastern area of France.

Rosé is now such a cool and crisp characteristic of summer gatherings of families and friends and seems more popular than ever.

To follow up on our interest in local history, one day we drive to East Cowes to explore Island royal history.

Queen Victoria, on the British throne from 1837 to 1901, made Osborne House in East Cowes her seaside home with Prince Albert and their children.   Prince Albert died in 1861 and Queen Victoria continued to visit Osborne for the rest of her reign and died there in 1901.

Osborne House was built for Queen Victoria and Prince Albert between 1845 and 1851 by the famous British builder Thomas Cubitt, whose company also built the main façade of Buckingham Palace in 1847.    The grand design of the house in the style of an Italian Renaissance Palazzo was the brainchild of Prince Albert.

Visitors can tour the house, walled garden and other parts of the property.    I enjoy seeing the private sitting room which the Queen shared with Prince Albert with adjoining desks and from where she wrote her diary and much of her voluminous correspondence.    The walled garden also celebrates their relationship with entwined initials part of the garden trellis.  

There’s a lot to explore! 

We leave the Isle of Wight after a few days feeling refreshed by the sea air and slower pace of life.  Perfect for a summer pause.

References:    The Hut at Colwell Bay  reservations@thehutcolwell.co.uk

Osborne House, East Cowes, IOW   Managed as a tourist venue by English Heritage:      english-heritage.org.uk/osborne

History and Hospitality: wine and food stories told in silver. Part 2.

Looking at these beautiful silver condiment labels, I wonder about their history.    “What is their history?”;   ” Who used them and where?  “Tell me more…”

These sauce labels are part of a wine and sauce label collection managed by the Hampshire Cultural Trust in collaboration with the Allen Gallery in Alton in Hampshire  and were viewed  in October.  I wrote the story of the Bronte wine Label in my last post.

Silver labels for sauces, herbs and spices such as those illustrated for Tarragon, Oude, Cherokee, Cayenne, Anchovy  were made by silversmiths in the 18th and 19th centuries in England to be used to identify the contents of glass condiment bottles on the dining tables of the growing middle class in Britain.

Of those shown, the Tarragon label was made in1798, the Cherokee label made in 1780 and the Oude label made in 1841.   We know this because the hallmarks on each label identify the date in recognized and regulated letter code.

 

Apart from the craftsmanship demonstrated in the making of these single pieces of silver, these sauce, herb and spice labels represent different approaches to cuisine in this period of history and the diversity that came from their origins.

Herbs such as Tarragon, one of the four herbs named as “fine herbes” (parsley, chervil, tarragon and chives) was home grown and was, and is, used in classical French cuisine. Spices were more exotic and imported from many areas of the world and brought different culinary inspiration.    Both approaches to cuisine represent the march of history, global exploration and the corresponding impact on cuisine.

The history goes back a long way, including ancient times.   More recently Marco Polo, the great Venetian 13th century explorer mentions spices in his travel memoirs.     He wrote about sesame oil in Afghanistan, he described plantings of pepper, nutmegs, cloves in Java and cinnamon, pepper and ginger on the coastal area of India.

When Christopher Columbus set out on his second voyage in 1493, he revisited the West Indes and Americas, still hoping to go on to China, and brought back red pepper spices and allspice.

All the sea-faring exploration, military actions and colonization around the world over many centuries affected food tastes and cooking styles when people returned to their home countries with their new found food and flavour experiences..

The availability and access to spices in particular was often a function of economic wealth.   For example, the price of pepper served as a barometer for European business well being in general.

As is always the case, language reflects culture and how people live.  The phrase “peppercorn rent’, an expression used today to indicate a nominal amount, reflects the fact that pepper was used as a currency to pay taxes, tolls and rent. Similarly, in 1393, a German price list identified that a pound weight of nutmeg was worth seven fat oxen!

Researching sauce names reveals some interesting information!   I found Cherokee recipes from the southern United States referring to chicken recipes with chilies.   Béarnaise Sauce, the famous tarragon flavoured derivative sauce of Hollandaise, was referenced in 1836 culinary materials.

Oude was more difficult to track down. I did find a reference to a Crosse and Blackwell’s Oude Sauce used in a sausage pudding recipe from the 1800s.   Crosse and Blackwell, a British company making sauces since 1706, no longer make this sauce although they continue to make other condiment products.

Oude sauce has also been referred to as King of Oude sauce.    For example, an 1861 list of supplies included Crosse and Blackwell sauces: Essence of Anchovies, and King of Oude sauce, as well as Lee and Perrin’s Worcestershire Sauce, Mushroom Catsup etc.

Looking further into the Oude reference, my research indicates that the Oudh State (also known as Kingdom of Oudh, or Awadh State) was a princely state in the Awadh region of North India until 1858. Oudh, the now obsolete but once official English-language name of the state, also written historically as Oude, derived from the name of Ayodhya.

Joining the dots, I assume then that Oude Sauce would be spicy in a Northern Indian cuisine style, possibly with spices such as chilies, cumin, turmeric, garlic, ginger, coriander.

Sauce recipes, then as now, are typically not divulged..   While the ingredients for the generic Worcestershire sauce are known and include such items as barley malt vinegar, molasses, anchovies, tamarind extract, garlic, spices, which may include cloves, soy, lemons, the precise recipe for Lee and Perrin’s Worcestershire Sauce from 1835 is still a closely guarded secret after more than 200 years.   Tabasco Sauce, another well-loved spicy condiment, has been made in Louisiana in the United States since 1868 by the same family business.  The spice business and extraction of flavours from herbs and spices has been commercially active since the 18th century in line with the illustrated sauce labels.

McCormick is another maker of condiments in the United States that has been in this business since 1889.   The company has established a McCormick Science Institute (MSI).   “The MSI research program sponsors research which is focussed on advancing the scientific study of the health enhancing properties of culinary herbs and spices in areas which are considered to have the potential to impact public health.  MSI released a research paper in March 2018 identifying how herbs and spices increase the liking and preference for vegetables among rural high school students.”  Marco Polo and other early explorers would be pleased!

Thinking about the silver sauce labels on the condiment bottles on the 18th and 19th century dining tables, I wonder about the wine selection in those days to accompany foods using these sauces, especially the spicy ones.

No doubt the advice would be similar to that offered today.   For example, with a curry dish, I might consider a chilled white wine such as pinot gris or perhaps a gewürztraminer:  among rosé wines, I might consider a lightly chilled wine, but not too floral, a Côte de Province appellation comes to mind.   Among red wine choices, considering a lighter red wine and staying away from too tannic a wine would be a good idea to complement the spicy notes of the food.   Côte du rhône, Gigondas come to mind or perhaps an Alsace Pinot Noir.   I could apply these considerations to wines from other parts of the world in making a choice of wine to accompany a spicy food dish.

Viewing these 18th and 19th century silver sauce labels opened up a Pandora’s box of questions for me,  as the unknown name of Oude particularly caught my eye.  So much history and information evoked by a small, beautiful example of silver craftsmanship from over 200 years ago.

References:  websites for:  McCormick and the McCormick Science Institute, Hampshire Cultural Trust/Allen Gallery,  British Library.  Christopher-Columbus.eu, Lee and Perrin, Crosse and Blackwell, Tabasco.

History and Hospitality: wine and food stories told in silver. Part 1

 

I love a good story, especially one that involves wine!  Who would have thought I would stumble across a story that involves not only wine but Sicily and the British naval hero, Vice Admiral Horatio Nelson when visiting the Allen Gallery in Alton, Hampshire a couple of weeks ago.

It all began as I looked at a silver wine label marked “Bronte”…

This label is part of a wine and sauce label collection managed by Hampshire Cultural Trust in collaboration with the Allen Gallery.

Silver and enamel wine and sauce labels were used in the 18th and 19th centuries by the growing middle class in England when wine was decanted from barrels into glass decanters and the identity of the wine was described by a silver label.    Condiments or sauces for food were also served in glass jars or bottles and similarly labelled.

So what is the connection between this Bronte silver wine label, Sicily and Vice Admiral Horatio Nelson?

The latter part of the 17th century and early 18th century was the time of the Napoleonic Wars (1793 – 1815) between Britain and France and involving many other nations in Europe.   It was a time of major land and sea battles, which are still commemorated.

The Napoleonic Wars ended with the great victory of Wellington at the battle of Waterloo in 1815.   The Napoleonic Wars include the mighty naval battles of the Nile (Aboukir Bay) and Trafalgar under the leadership of Admiral Nelson.     It is the history of Nelson that relates to our Bronte wine label.

As part of the naval battles in the Mediterranean, Nelson protected Naples from the French. At the time, Naples was incorporated into the Kingdom of the Two Sicilies of which Ferdinand 1st was King.     In 1799, King Ferdinand rewarded Nelson’s services to his kingdom by granting him a title of Sicilian nobility, the Duke of Bronte together with an estate in Bronte, an agricultural area in the shadow of the volcanic Mount Etna.

A famous wine from Sicily is Marsala, a fortified wine similar to sherry which became popular in Britain in the 18th century.     This popularity was partly due to the trading activities of the 18th Century importer John Woodhouse and the British Royal Navy, which became a big consumer of Marsala wine.   Vice Admiral Lord Nelson used Marsala as the official wine ration for sailors under his command.   A manuscript exists, dated March 19, 1800, and carrying the signature of the importer John Woodhouse and the Duke of Bronte, Nelson’s Sicilian title, stipulating the supply of 500 barrels, each with a capacity of the equivalent of 500 litres for the fleet stationed in Malta.

After Nelson’s victories, especially at Trafalgar and his death there, Nelson was held in great esteem by the British people for saving Britain from possible invasion. Many landmarks were created in his name, including Nelson’s Column and Trafalgar Square in London.

The British people were keen to taste the wine that had so fortified Nelson and his sailors’ spirits in battle and this added to its popularity.

Back to the wine label marked “Bronte”.     This fine piece of craftsmanship was made in London by the silver makers Reilly and Storer in 1830.  It was just fifteen years after the end of the Napoleonic Wars.    The label would have been used on a decanter of Marsala wine, possibly produced on the Bronte estate in Sicily or elsewhere on the Island but called Bronte in recognition of Nelson’s Sicilian title.

The Bronte estate remained in Nelson’s line of descendants, now called Nelson-Hood until 1981 when the last remaining lots of land were sold to the Municipality of Bronte.    There remains a Nelson Museum in the town of Bronte, which is now known for its pistachio nut harvests and the delicacies made from them..

Marsala wine is grown in the region DOC Marsala in Sicily and produced from three white wine varieties.     It is a fortified wine usually containing around 17 % ALC – alcohol by volume.   The ‘in perpetuum’ process used to make the fortified wine is similar to the solera process used for Sherry produced in Jerez, Spain, in which old wines are blended with new wines and the barrels never emptied. Marsala wines are classified on an eight-point scale according to their colour, sweetness and duration of their ageing.      Usually served as an aperitif, Marsala can also be served with a cheese course.     It is often used in cooking and this is how I remember it being used by my Mother.  Dry Marsala is used in savoury cooking. One of the most popular savoury Marsala recipes is chicken Marsala.   Sweet Marsala is used in the preparation of delicious desserts such as tiramisu and zabaglione.

Every story has an ending.   Our story about the Bronte wine label ends with our visit later that same day to Jane Austen’s house in Chawton, about two miles from Alton.

For most of Jane Austen’s ( 1775 – 1817 ) life, Britain was at war with many countries including America, France, Spain, and others, including the Napoleonic Wars.    Many of her books include characters with a naval or army background.   While jokingly hoping to see Elizabeth Bennett and Mr. Darcy of Pride and Prejudice fame walk through the garden in Chawton, we did in all seriousness read the stories of Jane Austen’s brothers,  who both rose to a high rank in the Royal Navy and were contemporaries and admirers of Admiral Nelson.

 

A fitting end to our visit was to see on display in Jane Austen’s house, the Herculaneum Funerary Dish in memory of Admiral Lord Nelson, Duke of Bronte, immortalized for me in that silver Bronte wine label.

 

References:

British National Archives   http://www.nationalarchives.gov.uk

Various websites about Bronte, Italy and the Castello Nelson Museum

Hampshire Cultural Trust and Allen Gallery. http://www.hampshireculturaltrust.org.uk/allen-Gallery

Wine Label Circle   http://www.winelabelcircle.org

The Art of Springtime Inspiration: Dinton Folly English Sparkling Wine

 

Whenever I am in London and have a few hours to spare, I do the things I love the most here: walking and looking at art. I am always uplifted and inspired by these experiences.

Yesterday, I walked in Green Park and captured this daffodil laden view of Buckingham Palace.

Daffodils are one of my favourite flowers.  Partly because they are cheerful, yellow harbingers of spring and partly because they bring back my childhood memories of playing in a spring garden at dusk, inhaling their lovely scent.  Seeing them in full bloom in Green Park surfaced all these connections.

For my art fix, I came across a magical small exhibition of mainly pastels with some oils by the Impressionist artist, Degas (18 34- 1917) at the National Gallery.  This collection on loan from Glasgow in Scotland, features Degas’s well-known subjects of ballerinas, racehorses and women attending to their toilette.   If only one could draw or paint movement as he did!

I have also been inspired recently hearing about a new vineyard in Buckinghamshire:  Dinton Wines, which was started in 2013.

Dinton Folly, an English sparkling wine, is the brainchild of retired countryman Laurie Kimber, who planted 15 acres with the classic varieties of Pinot Noir, Chardonnay and Pinot Meunier on a south-facing slope with chalky soil and temperate climate.  The neighbours of Mr. Kimber, and his family including his children, grandchildren and even great grandchildren harvest the grapes.    The first harvest was ready in 2016.

Dinton Folly is so named because of its proximity to the ruins of a nearby castle and also refers to the idea of taking on such a challenging project later in life.     Dinton Wines is an inspiring testament to the fact that it’s never too late to start making wine!

Dinton in Buckinghamshire is close to the Chiltern Hills, a famous place for hiking in the English countryside with picturesque villages and friendly pubs!

Grape picking neighbours of Mr Kimber introduced me to this wine recently. I was delighted by the refreshing, dry, balanced, sparkling wine with its appealing lower range alcohol level of 11.5% ALC.

Perfect to enjoy on an English spring day:  Inspirational!

References

Dinton Wines       dintonwines.com

National Gallery:   Nationalgallery.org.uk

Maps courtesy of Dinton Wines and local tourist information.

 

Cyprus: Goats, wine and local history

I’ve decided I like goats.

Not in the same way I like dogs and not as pets.   More as a metaphor for Cyprus as I remember it when I first starting visiting 16 years ago.   Then goats sometimes jumped into our garden, which was on the edge of farmland and goats were herded between pastures near us.   Goats and sometimes sheep were a common sight but less so now.   The sound of their bells is a wonderful auditory memory.

“There are two goats in the garden!” I remember exclaiming, being quite startled and delighted at the same time.

The mountain sheep, called a Mouflon, is a protected animal that technically is a sub species of the wild sheep called Ovis Ories but looks more like a goat to me.   It is the emblem of Vouni Winery, situated near the village of Panayia, which is our destination for the day of sightseeing with friends visiting from Switzerland. The Vouni Winery bottle labels all feature a distinctive image of the Moufflon.

Mouflon are important because they are an endangered species, rarely seen.    The  Cyprus Mouflon, also called Agrino, is found mainly in the Paphos Forest, which is an area adjacent to Panayia.

From Paphos on the southwest coast, the drive to Panayia is all-uphill as we climb the foothills of the Troodos Mountains to 1000 metres, increasingly among loosely woven pine forests so different to the seemingly impenetrable wall of west coast forests in British Columbia.

We decide to show our visiting friends a different perspective of Cyprus, away from the usual attractions of beaches and archeological remains, beautiful and interesting as they are.

Vouni Winery, a family run enterprise, makes both red and white wines including Alina, from Xynisteri grapes and a recent red wine discovery for us, Barba Yiannis, made from Maratheftiko red grapes.   Both Xynisteri and Maratheftiko grapes are indigenous grape varieties.   Vouni Winery makes wines from other indigenous grapes such as Promara and Spourtiko white varieties and Yiannoudi and Ntopio Mavro red varieties.

Together with several other Cyprus wineries, Vouni Winery is steadily gaining greater recognition for its wines, including winning several awards and the only gold medal for Cyprus wines at the Decanter Wines of the World 2016 competition.

Vouni Winery benefits from a unique high altitude terroir in the shadow of the Troodos Mountains.       Xynisteri grapes seem particularly well suited to the high altitude and produce a white wine of floral and fruity aromas, minerality and enough acidity to make it refreshing.   The Vouni Alina wine from Xynisteri is one of our favourite white wines in Cyprus.   The Barba Yiannis red wine is made from Maratheftiko, which is generally regarded as the best red wine variety in Cyprus. This wine is another of our Cyprus wine favourites: a rich wine with soft tannins, so it’s easy to enjoy with its aromas of cherries and black chocolate.    Something I particularly appreciate at Vouni Winery is that the back labels on the wine bottles provide all details of the wine production.

Leaving Vouni to drive into Panayia village, we see signs for the birthplace and childhood home of Archbishop Macharios (1913-1977), the first President of the independent Republic of Cyprus from 1960 until his death in 1977.   The opportunity to visit these places is an added bonus of local history as we haven’t realized or maybe we have forgotten that Panayia was the birthplace of Archbishop Macharios.

We park the car and first enter the small museum to Archbishop Macharios and see a collection of many photographs and memorabilia of his remarkable life.   Then, we walk around the corner and enter the small courtyard and the house where he was brought up as a young child. Evocatively furnished with simple furniture and pottery, the earthen floor and attached animal barn of the stone house speak to the humble early life of this man who rubbed shoulders with world leaders and took his prominent place in the history of  Cyprus.

As a young person growing up in the United Kingdom in the 1960’s, I remember hearing Archbishop Marcharios’s name frequently in the news.   Little did I imagine that one day I would visit his family home.

Wine tasting and learning about local history always seems to create an appetite!

We adjourn to the nearby Oniro restaurant, which we remember from a visit several years ago.     Its early February, cool yet sunny.   Perfect winter weather.     Wearing sweaters, we sit on the patio and enjoy home made fresh lemonade: an Oniro specialty.   We order a meze lunch, meaning a progression of local dishes which are presented as they are made: grilled halloumi, hummous, sun-ripened black olives, pita bread, fava beans in tomato sauce, arugula salad, feta with drizzled olive oil and oregano, aromatic sliced tomatoes, calamari…

Simple, nourishing, healthy: delicious.

At the end of our sightseeing day, we drive back to Paphos the long route, enjoying the seemingly remote countryside on our way.       In one area that we pass, I hear that charismatic tinkling, jingling sound of small bells and know a shepherd with his goats and sheep is nearby.

 

References:

vounipanayiawinery.com

Map of area:

 

Christmas Wrappings 2016

Life is to be lived forward, helped by looking backward from time to time.

This seems to be the common wisdom, certainly if one looks at all the retrospectives written around this time of year.    Whether we learn anything by looking backward and attempt to apply the lessons to the future is another matter…

What’s this got to do with writing a blog about wine and how it opens the door to other related and interesting subjects?

Well, I guess my aim is to deepen and broaden my knowledge about wine and then express it in different ways.

This year I pushed the envelope with three different initiatives:

  •  I gave a brief presentation to an interested group about antique Madeira wine labels in the context of social history,
  •  I created a video about the Confrérie du Raisin D’Or de Sigoulès in SW France with the help of professional film maker, Joanna Irwin, and,
  • I conducted a wine tasting for the Wine Appreciation group at The University Women’s Club of Vancouver at Hycroft.

As I plan forward for elizabethsvines in 2017, I’ll be looking backward as well, to see what can be learned from these experiences.

I appreciate comments and suggestions from my kind readers who are located all over the world;  the magic of the Internet.   There is a warm feeling when someone says: ” …I liked your recent blog…”

The great thing for me about my blog, which I have now been writing for four years, is that it isn’t a job.   The only expectations and deadlines are self imposed ones.

Oh! And by the way, before I forget to mention it:   I enjoy writing elizabethsvines.

Merry Christmas, Happy Holidays, best wishes for the festive season and thank you for reading elizabethsvines, from

elizabethsvines

References from elizabethsvines archive:

elizabethsvines November 2016. Wines from my blog: wine tasting event at The University Women’s Club of Vancouver at Hycroft.

elizabethsvines October 2016  video:   Celebrating French Culture, Wine and food:  https://elizabethsvines.com/2016/10/01/(video)-celebrating-French-culture-Wine-and-food/