The Wine Winds of Change

 

Change is affecting the world of wine.   An overly simplistic statement with huge implications for wine makers and consumers.

On the one hand, various natural conditions such as climate, weather, draught and storms have affected vines and their productivity and on the other hand, consumers are increasingly seeking low and / or even non alcoholic wines and organic wines and beverages, and different packaging.   In addition, wine consumption rates are shifting with generational changes in drinking habits and with more focus on health in relation to consuming alcohol.   Challenging times.

Change always starts slowly and then builds momentum.    This acceleration is, I think, what we are seeing now.

Recently, we open some beautiful Bergerac and Bordeaux red wines from 2012.   Delicious and they have aged well.  I am conscious though of how heavy the bottles are.    Twelve years ago, we thought little of the weight of wine bottles, now the weight increasingly stands out.

On a recent flight, I notice that an English white wine is offered in cans.  Two interesting things here,  English wine for starters produced in sufficient quantity to be a flight offering and available in a small can.

I am introduced to Clarence, a still white wine produced by The Uncommon Wine of England company at 11% Alc.Vol.   I can’t resist trying it.   First taste is ok.   Second taste is slightly metallic.    I’m not used to drinking something from a can, not being either a beer drinker nor a soft drink consumer, so maybe this is par for the course.  I’m not sure.   The Flight Attendant asks me what I think of the wine when I leave the plane and my comment is A for effort in producing an English wine in a can, perhaps with more work needed on the taste end of things, in my opinion.   Casual packaging, perfect for a picnic.

In looking at The Uncommon Wine of England website, I see that they make an Elderflower and Cucumber White Wine Spritzer, which sounds intriguing.  Innovative things appear to be happening at this company.

In the white wine sector, its relatively easy to find wines at 11% Alc.Vol.  Some wineries are even producing 7% Alc. Vol.wines.

Producing low alcohol red wines is a challenge of a different magnitude.  This becomes clearer to me in speaking with Caro Feely, of Chateau Feely wines in Saussignac, Dordogne.  Many red wines in the region are 14% Alc.Vol.   At Chateau Feely, they are making a 12.5%  Alc.Vol. red wine, Vivacité, which is a big step in the direction of low alcohol red wines.   Caro and her husband Sean have been one of several wine makers at the forefront of the organic wine industry in the region.  They have been producing certified natural biodynamic wines since 2010.   This year they are celebrating 20 years as wine makers in the Dordogne, having moved to Saussignac in 2005.    Congratulations on achieving this milestone!

All of these changes and others in the wine industry are having a significant impact on vine growers and wine producers, many of whom may make major career decisions in response to them.

Keeping in step with or maybe a step ahead of the shifting sands will be an important strategy for the future.

Elizabethsvines

References:   Chateau Feely    chateaufeely.com

The Uncommon Wine of England.    wearetheuncommon.co.uk

Season’s Greetings and Happy New Year for 2025

In the few days between Christmas and New Year,  we take time out to relax before 2025 begins.

This year in London, I have seen more tourists and shoppers congregate in Piccadilly near the famous Fortnum and Mason shop than ever before!   Long queues of people winding around Jermyn Street waiting to get in and see the wonderful displays and choices of food items.

The Seasonal decorations on Bond Street are always eye catching.

A visit to Salisbury Cathedral Close resulted in this hauntingly beautiful evening image of the Cathedral – one of my most favourite places.

Now the presents have been opened, phone calls made, photographs taken and sent to friends and family.  Food and wine consumed and a reckoning of the extra pounds gained!

These parmesan pastry Christmas Trees and Stars were part of a canapé selection for Christmas Day.   Really easy to make either with regular flour or gluten free.   Just grated parmesan, flour and some water and mixed in the food processor and baked at about 350’ F for 10 minutes.   Quick, easy and delicious.

All best wishes for peace and goodwill in 2025.

Elizabethsvines

Beaujolais Nouveau marketing magic: a tasting presented by La Confrerie du Raisin D’Or de Sigoules, SW France.

Enjoying fine wine and food in Lyon

Attending wine tastings are a great way of learning about wines, revising one’s knowledge and generally increasing one’s familiarity with the immense breadth of the subject.  And, they can be fun !

Such a tasting event was held on November 21, the traditional third Thursday in November, in Sigoules, SW France to celebrate the launch of 2024 Beaujolais Nouveau.  This event was organized by the Confrerie du Raisin D’Or de Sigoules, of which I am fortunate to be a member.  The event was conducted by the Confrerie President.

Interest in Beaujolais Nouveau tastings has increased over recent years and this has been experienced in the Confrerie Beaujolais Nouveau tastings.   Our host for the event described the evolution of the Beaujolais Nouveau story and here’s an abbreviated version :

In the 1950s, French law officially allowed the early release of Beaujolais  wines.   Not only was the wine released early for consumers but it also injected needed cash flow to the winemakers.   By the 1970s, the third Thursday in November had become the established launch date. This November timing, coinciding with early Holiday Season planning, turned the launch into a festive tradition across France and beyond.

By the 1970s and 1980s, thanks to the marketing genius of Georges Duboeuf—one of the region’s most famous producers—Beaujolais Nouveau exploded into a global event. His exciting campaigns and slogans, famously recognized as “Le Beaujolais Nouveau est arrivé!” (“The Beaujolais Nouveau has arrived!”), captured global attention. Major cities around the world engaged with celebrations, activities, and lots of excitement to deliver the first bottles of that year’s wine to major markets.     This effective marketing has contributed to the magic of Beaujolais Nouveau.    As often the case with overplayed hands, by the early 2000s, with an exaggerated ratio of quantity vs quality the hype diminished.  In more recent years, the interest has again increased as experienced locally at the tastings in Sigoules.

At the Confrerie tasting,  we taste two 2024 Beaujolais Nouveau wines,  that is to say this year’s release and we also tasted Beaujolais Nouveau wines from 2023 to demonstrate the different styles of Beaujolais Nouveau wines : Beaujolais,  Beaujolais Villages and Crus du Beaujolais which are 10 designated areas, four of which are the most well known : Fleurie, Moulin-a-Vent, Morgon and Brouilly.    The Cru du Beaujolais we taste is from Saint-Amour, one of these ten areas.  Additionally, we taste a Beaujolais Blanc and a Beaujolais Rose as well as a ‘look alike’ Beaujolais , Gamaret 2018 made from a different Swiss grape variety

A note about grape varieties :   Beaujolais is made from the Gamay grape not Pinot Noir as is the typical variety in Burgundy.

Gamay characteristics :  a purple coloured grape variety which is an old cultivar, mentioned in the 15th century.   Often cultivated because it produces an abundant quantity of grapes.  It can produce wines of distinction when planted on acidic soils which help soften the grape’s natural acidity.  Key regions are Beaujolais, Loire Valley, Niagara Penninsula, Ontario,  Willamette Valley, Oregan.     It has been known for its harshness hence the importance of the soil type where it is planted.   Gamay wines are typically light and fruity.  They are meant to be drunk after some modest ageing which provides for more body.   In the designated Cru Beaujolais areas (the 10 areas noted) the wines can have the flavour of sour cherries, black pepper and minerals.  The soil of the Beaujolais area is typically granite.

Beaujolais Blanc is made from Chardonnay, the classic white Burgundy grape.

A map is always helpful to place oneself geographically and here is a map from the Wine and Spirits Education Trust showing Beaujolais in the Burgundy area between Dijon and Lyon.   As a personal note and as outlined in my bio, I took my wine training through the Wine and Spirits Education Trust – WSET, delivered by James Cluer Wine Classes.    In 2013, we joined the James Cluer Wine Tour of Champagne and Burgundy and not only enjoyed the wine and food experiences but also some parts of France we had not visited for some time,  in particular  Beaune and Lyon.

Map of Burgundy including Beaujolais

Lyon – gastronomique centre.

The 2024 Beaujolais Nouveau wines we taste were from Château de Corcelles.   Château de Corcelles is a medieval fortress in the centre of the Beaujolais area and was a stronghold in the Middle Ages.  It was partially destroyed in the 15th century.  It’s cellars were built in the 17th century.    It is known for its Beaujolais white, rose and red, Beaujolais Villages and three crus (wines named for a particular area), Brouilly, Morgan and Fleurie which are three of the 10 Beaujolais crus locations.

Château de Corcelles 2024 (12.5%Vol)

Chateau de Corcelles, Beaujolais Gamay, 2024

I find a roughness in this wine which is not unusual given it is a new wine.

Château de Corcelles,  Beaujolais Villages  (Brouilly) Vieilles Vignes 2024 (12.5% Vol)

I enjoy this wine more – there is more richness and more fruitiness.

Chateau de Corcelles, Beaujolais Villages, Gamay. Vieilles Vignes 2024

Saint-Amour, Cru du Beaujolais  2023.(13%Vol)

From one of the 10 crus du Beaujolais,  I find  there is little on the nose but I enjoy the wine and note more purple depth in colour.

Saint-Amour Cru du Beaujolais 2023

 

Saint-Amour Cru du Beaujolais 2023

 

 

 

 

 

 

 

 

 

The Beaujolais Blanc 2023 and Beaujolais Rose 2023 were tasted.

I particularly enjoy the freshness of the Beaujolais Blanc.

Beaujolais Blanc 2023

Overall

I am a fan of Beaujolais wines and frequently choose one when looking for a lighter red wine to serve with a meal.

It is interesting to hear the reactions of the 30 plus people at the tasting event which also includes delicious food items brought by participants for sharing.

The review of the Beaujolais Nouveau story, its marketing and the magic and romanticism of this popular wine together with the opportunity to taste a number of wines created an entertaining and educational event.

Bravo La Confrerie !   Vive le Beaujolais Nouveau

Elizabethsvines

 

References :

WSET map of Burgundy including Beaujolais

Château de Corcelles,   domainesrichard.fr.     An interesting website worth reviewing.

Confrerie du Raisin D’Or de Sigoules :  confrerieduraisindor.com

James Cluer MW, Fine Vintage Ltd.,   Wine Educator and Wine Tours. http://www.finevintageltd.com

 

 

A Time for Rosé and more…

A time for Rosé and more…

There’s hot weather now in Vancouver,   29 – 32’C.  Summer has arrived and its time for Rosé on the patio.

The local wine store recommends a Pays d’Oc rosé from southern France:  “best value at under  $20.00 Cdn”.   The bold pink label and casual script for the name appeals to the summer senses:  Le Jaja de Jau 13.5 % ALC/VOL.

Good for a glass before dinner sitting out on the patio overlooking Burrard Inlet; the blue of the water, the green of the trees, the pinks and reds of the flowers  all mix with the sound of the hummingbirds as well as the chickadees enjoying the birdbath –  converging in an evening Son et Lumière!  So often the best time of day.

Although it’s Rosé time,  we choose a different French wine, a red Bordeaux,  to enjoy with a small fillet steak that we share for dinner.     Onions, garlic, mushrooms and several vegetables complete the picture.  We chose a Bordeaux I had bought in 2021 when the 2018 Bordeaux wines were released to the Vancouver market:  Chateau Moulin Haut-Laroque, Fronsac. (14.5% ALC by VOL).

Wine Spectator magazine was quoted in the BC Liquor Store Guide as giving this wine 91 points with the following description:  “Juicy and compact, with red currant and black cherry fruit trying to burst out while light savoury, singed cedar and floral notes dart through.   Light chalky thread on the finish, which isn’t dense, but does have ample energy.  Very engaging.  Merlot, Cabernet Franc, Cabernet Sauvignon and Malbec.  Drink now through 2028.”   (Ref:  BC Liquor Stores:  2018 Bordeaux Release.).

Fronsac is an area and appellation contrôlée (AC) on the right bank of the Gironde estuary, known for excellent value for the red wines of Bordeaux.   Here hillside vineyards are planted predominantly with merlot, which is the lead variety in this Bordeaux blend from Chateau Moulin Haut-Laroque.

The wine was perfect with or without the steak.  Love the Wine Spectator description;  the rich dark colour of the wine was noteworthy.

For me, there’s something deeply satisfying about enjoying a glass of a good Bordeaux wine.  It’s a moment to enjoy all the characteristics of the wine.

Enjoy the season!

Elizabethsvines

 

With appreciation to the BC Liquor Store for their excellent wine guides.

Chateau Moulin Haut-Laroque:  wwwmoulinhautlaroque.com

Chateau de Jau:  chateaudejau.com

Let me introduce you to Miriam McConnon, Visual Artist, Paphos, Cyprus

Let me introduce you to Miriam McConnon, an Irish visual artist based in Paphos, Cyprus.

 

Inspired and Inspiring is how I would describe the narrative art that Miriam produces:  narrative in the sense that each painting tells a particular story in a unique way.

Earlier this year, I went with a friend who is also familiar with Miriam’s work, to meet Miriam in person in her studio in the old town of Paphos.   As chatty and charming in person as she is on Zoom, we enjoy a coffee with her and talk about her art.   I take the photos shown here  during our visit and they are reproduced with Miriam’s permission.

Miriam tells us about her most recent exhibition called: “ Refugee Armour “, in which she paints the stories of individual young male refugees by incorporating images of items they brought with them to Cyprus from their home country, transformed into a painted coat, like a protective coat of armour.  The pattern of each ‘coat of armour’ is specific to each young man’s journey to safety following war.    The notion of Armour is a powerful metaphor.

Not only is Miriam an imaginative artist but she’s also a knowledgeable art history educator.   I benefit from the weekly on-line art history talks that she conducted for two years through the worst of the COVID seclusion.  It was a delight to meet up on line each week with a group of people from different countries who were interested in art history and have the opportunity, with Miriam’s guidance, to explore different artists and art periods.  So I feel I got to know something of Miriam through the medium of Zoom.

Miriam continues to teach but now teaches painting in person in her studio in Paphos.   She balances her lessons with dedicated time to produce her own work as she has an active exhibition program.

An earlier theme that Miriam pursued was painting domestic landscapes.   In the photograph of Miriam above, two paintings of a domestic nature are visible.   One, the series of coats, and the other, a favourite of mine, is her tea-cup painting.   She also rendered this image of multiple tea cups in a large scale drawing.   Tea cups foster such an image of home and comfort.  Each cup is decorated differently to represent a different person and that person’s life.   It’s brilliant!

I have one of her paintings that we bought many years ago of Irish postage stamps.  We bought this before we knew anything about Miriam’s work but the stamp painting resonated with our Irish connections.   The painting is based on a stamp collection of her Mother’s.   It seems so natural of Miriam to bring family history into her paintings in such a reflective way.

Talking about family, Miriam is strongly connected to her family and roots in Ireland where she visits regularly.   She is represented in Dublin by the Olivier Cornet Gallery,  where her work is exhibited.  

In 2022,  in conjunction with the Olivier Corning Gallery, she created a particularly imaginative and compassionate installation called ‘Lost Lace’  in Iveagh Gardens, Dublin.   This installation consisted of 10,000 white roses made by Miriam from white handkerchiefs and arranged by her in the gardens in beautiful lace patterns to symbolize individually a life lost in Ireland and Northern Ireland due to the Coronavirus Pandemic.  This was a collaborative project between Miriam and the poet Jessica Traynor with the participation of the families who lost loved ones to Covid 19.  This unique and imaginative installation demonstrates Miriam’s artistic practice and her creative thought process leading up to the finished installation.    

In Cyprus, Miriam is represented by the Diatopos Gallery in Nicosia.

Her works are in numerous public and private collections internationally.   Her painting, Aaron’s Armour,  is in the collection of the Irish Department of Foreign Affairs at the Irish Embassy in Cyprus.   

It’s only in researching Miriam’s extensive artistic background that I fully appreciate the great depth and breadth of the skills and expertise that she brings to communicating to the public social issues and social change through her talented drawing and painting.   I recommend reviewing Miriam’s website to know more about her extensive background.  Isn’t this often the case, that we rarely fully appreciate someone’s skills, knowledge and experience even if we think we know something about them!

Given that I typically write about wine and food,  I ask Miriam which are her favourite Cypriot wineries!   Back comes the quick answer:  Zambartas,  Tsangarides, and Makkas.   She prefers white wine.  I’ve visited and written about Zambartas and Tsangarides wineries and their wines and those earlier posts are added at the end.  However, I am unfamiliar with Makkas;  so a new winery to explore!

The art world is a tough and competitive environment.  I raise a glass of Tsangarides Xynisteri white wine to Miriam and wish her continued success as she digs deep with her inspired painted narratives.

Happy Easter!
Elizabethsvines

References:    Miriam McConnon  www.miriammcconnonart.com

Olivier Cornet Gallery, Dublin     Www.oliviercornetgallery.com

Diatopos Gallery, Nicosia.          Www.diatopos.com

Cyprus Wines: Zambartas Wineries, Agios Amvrosios, Limassol. The stars have aligned…!

Cyprus wines: Tsangarides Winery and a portrait of happiness

Australian Barossa Valley wine meets Cyprus Cuisine in Paphos, Cyprus

Australia is home to a large diaspora of Greek speakers, both Greeks and Cypriots.    It seems only natural that Australian wine would be welcome at a fine dining event in Paphos, Cyprus.

The Don Carlo Italian restaurant is the location chosen by the organizers, George Kassianos and Sarah Coyne.

This restaurant is in an elegantly restored Paphos town house with soaring ceilings, original black and white tiled floor entrance and classically beautiful front door.  The cool eggshell blue of the walls feels appropriate for this space.

The four-course meal is paired with three wines from Torbreck Vintners in the Barossa Valley, South Australia, not far, in Australian terms, from the state capital, Adelaide.  

Torbreck Vintners – Barossa Valley are represented by Sacha Timaeus, Export Manager and the wine importer from Nicosia, Nicolas Yiannakas of My Vine Merchants. They are introduced to the dinner guests by George Kassianos, a familiar figure on the Cyprus wine scene and President of the Cyprus Sommeliers Association.

Sacha describes the Torbreck Vintners operation, its history and vineyards, as well as the wines for the evening. He and Nicolas circulate among the tables throughout the dinner and answer questions about the wines. 

Torbreck Vintners have been operating since 1994 and is committed to creating exceptional Rhône style red and white wines.   Multi-generational growers, whose ancestors arrived nearly two centuries ago are the backbone of the Torbreck winemaking aspirations.   It’s worth looking at the Torbreck website and reading the description of the operation as described by Pete Knight, Proprietor.

Here’s the amazing menu and wine pairing list from the dinner.  I’ve added the alcohol level in parenthesis.

Grilled Curved Calamari served with a Grain Mustard Citrus Dressing with a Pink Grapefruit Zest Marmalade with Butter Poached Fennel and an Ink Tapioca Cracker

2022 Torbreck, Woodcutter’s Semillon, Barossa Valley, Australia (alc.13.0% vol)

———-

Duck breast with a light Berry & Honey Pepper Sauce Pumpkin Purée

infused with Star Anise

2022 Torbreck Cuvée Juveniles, Barossa Valley, Australia (alc.14.5% vol)

(47% Grenache, 32% Mataro, 10% Carignan, 9% Counoise, 2% Shiraz)

*******

Lamb Carre grilled with a Provencal Herb Crust with

slow-cooked Baby Potatoes in Garlic & Thyme

& Glazed Baby Carrots & Snow Peas

Served with a Rich Wine and Thyme Sauce

2020 Torbreck, Woodcutter’s Shiraz, Barossa Valley, Australia  (alc.15% vol)

*******

Panna Cotta with Red Fruits & Roasted Hazelnuts

********

We really enjoy the evening at the Don Carlo Restaurant.  Apart from the elegant and friendly ambience with excellent service, the food and wine pairing brought out the best in both the wines and the food choices.

The Barossa Valley is known for its fine wines.   The area was settled in the middle of the 19th century by Silesian settlers and there are 175 years of Silesian and English commitment to winemaking and grape-growing.  Many of the vines were planted in the mid to late 19th century and were not affected by the phylloxera vineyard disease that was so ruinous for many vineyards in Europe.    In the hot Mediterranean climate of the Barossa Valley bottom, the vines produce outstanding Shiraz, Grenache, Mataro wines.   Classic Barossa Shiraz is full-bodied, spicy, earthy and develops rich aromas as it ages.      We experience these rich and expressive wines with the duck and lamb dishes.   On the cooler surrounding hills, the vineyards produce delicious medium bodied white wines, dry with lime-citrus fruit tones as we experience with the Sémillon, which is brilliantly paired with the Calamari.

First among equals for me with this food and wine pairing was the Sémillon with the calamari.   Sémillon is typically one of the two wines blended in varying percentages in a Bordeaux White and I’ve experienced both the Sauvignon Blanc forward blend as well as the Sémillon forward blend.   The Sémillon forward blend is best with white meat/chicken dishes as it is less acidic than Sauvignon Blanc.   It makes sense to me that the Sémillon single varietal in this Barossa Sémillon would be so good with the Calamari, which is essentially a white meat.   The calamari dish with all the trimmings as described is delicious.

We enjoy the duck breast paired with the Grenache blend.   For my taste, thin slices of the duck breast would have been preferable to the thick portion served.   This particular wine blend heavily weighted with Grenache, the classic Spanish grape found in Rioja, opened up with the spicy, peppery notes that are enjoyed in Grenache wines.

The lamb cutlets are « exceptional «  in our view.   Juicy, sweet and cooked to pink perfection. The 100% Shiraz is a great pairing choice.   Shiraz is thought to be one of the oldest grape varieties and the most widely planted variety in Australia, where it can cope with the hot climate.    Hot climate Shiraz is full bodied as we experience, typically with high alcohol level – 15% in this instance yet soft tannins so very drinkable.   My preference is for a lesser alcohol level than 15%, so one just has to be aware of that percentage while enjoying the wine!

The meal concludes with one of our favourite puddings:  Panna Cotta embellished with red fruits, hazelnuts and a chocolate leaf!

À successful evening of elegance, service, high quality food paired with very good wines.   A return visit to the restaurant will definitely be in order!

Bon appétit!

Elizabethsvines

References : Torbreck Vintners:                 Torbreck.com

Don Carlo Italian Restaurant:  restaurant@doncarlo.cy

 

 

 

 

 

Kind gestures and heart warming pleasures: Paphos Fruit and Vegetable Market, Cyprus

A gift of Cyclamen and Hyacinth

This morning I was given this beautiful bunch of wild flowers; pale pink cyclamen and blue hyacinth with their heady and complementary perfumes – for me an expression of pure  joy in anticipation of Spring.

One of the market stall ladies at the Saturday Paphos fruit and vegetable market presented them to me as I was buying fresh coriander and other greens from her.   She knows I love flowers and regularly buy from her when they are available.  I was very touched by this gesture.

Not surprisingly, my Saturday morning visits to the market are one of my favourite times of the week.   I spread my shopping out so I buy from six or seven different men and women vendors; all very friendly and welcoming as I have been buying from them over the many years of my visits.

The Paphos fruit and vegetable market has had different home spaces over the years and is now situated in a custom built structure in the parking area near the Unesco listed heritage site of the Hammam Baths in the old town.

Apart from the local producers of fruits and vegetables, a cheese maker brings his refrigerated van with goats’ milk Halloumi and Anari cheese from the Akamas area in the agricultural area north west of Paphos where many of the goat and sheep farms are maintained.   Goats’ milk and cheese are very much a local staple, which we enjoy.

The market is full of citrus fruit now as this is the season for oranges and clementines and lemons.  All are juicy and delicious and always a staple in our market shopping.  I can’t help but think of the old nursery rhyme: “Oranges and Lemons say the Bells of St Clemens…” ( words from an old English rhyme with origins in the 17th century or earlier).

Oranges and Lemons – Paphos Fruit and Vegetable market

The Paphos fruit and vegetable market is in many ways one of the vestiges of how life used to be.  It’s a bit like seeing the small herd of goats that is kept in a nearby roadside area and are driven by the goat herd up into the hills each morning and returned late afternoon.    We used to see many goat herds in the area in years gone by but rarely see them as house building is gradually overtaking the agricultural areas near the coast.   Even this small herd near us is carefully guarded by the goatherd and kept largely out of sight.   He would resent any attempt to photograph them.   I completely understand this.

My concern for the future of the market is that all the stall holders are middle aged and we’ve all been getting older together.  I rarely see the next generation there.   I don’t think the young people see this in their future.

The current market location is a perfect spot as apart from being on the edge of the immediate parking area, the elevator to the street level is there and one ascends to the plaza area of Cafe Nero, which has to have one of the best views out to sea in Paphos.

From my earliest travels as a child with my family, my parents always sought out the local markets and continuing this practice is an enduring habit.

This is how we spend the first couple of hours of a Saturday morning in Cyprus: market stall shopping for ‘garden/field/orchard to market fresh produce’ followed by a coffee overlooking the sea – one of life’s small but heart warming pleasures!

Elizabethsvines

Return to the Dordogne, SW France and delicious Bergerac Region wines

Pécharmont wine growing area.

We’re back in the Dordogne after an absence and its good to be back in this peaceful rural village life.

The first thing we notice is the Quiet.   We hear birds singing and the church bell signalling the hours.   We rarely hear traffic in our ‘off piste’ area.   A refreshing change to city sounds.

The other thing we notice is that the village lights have been dimmed and a once bright light near us has been extinguished so the light pollution, which we are all increasingly aware of, has been reduced.  The night sky is more pronounced and nocturnal animals and insects will be thankful.

We are aware of a large increase in the amount of acreage under fruit trees: primarily apples in our area, a seemingly significant crop diversification.

Another sign we see of changing times is the increased number of ‘set aside’ acreage, where vines have been removed as part of a strategy of reducing wine production in keeping with the noted international reduction in wine consumption.

We hear also of the devastating loss of the merlot harvest for several of the winemakers in the area caused by a severe mildew situation.

These are all the quick impressions upon our return.

On a culinary and wine tasting note,  our attention is also taken with two delicious red Bergerac wines that we enjoy.    A bottle of Chateau Corbiac 2014, a Pécharmont appellation wine from our own cellar that we enjoyed with family and friends chez nous and the other, a Chateau Tour des Gendres 2020 enjoyed at L’Atelier, a restaurant in Issigeac, after a visit to the Sunday morning market.

I wrote about a visit to Chateau Tour Des Gendres in 2013.   Yes, 10 years ago! when we were impressed by their organic approach to wine production.

Here’s the reference:

Bergerac Wine Region, SW France: Chateau Tour des Gendres

Bergerac Wine Region, SW France: Chateau Tour des Gendres

I recall we felt a magical energy to Tour des Gendres then and, as I wrote at the time, if a unicorn had suddenly appeared it would not have come as a surprise!

The overwhelming enjoyment of this wine from Chateau Tour des Gendres at our table at L’Atelier will lead to us making a return visit!

The Chateau Corbiac 2014 wine mentioned above was one of a half dozen we bought a few years ago.  At nearly 10 years old, it is on excellent form: rich, fruity with hints of chocolate and that depth of flavour that one can enjoy in these well made Bergerac Region wines at a reasonable alcohol level of 13.5%.

The family at Chateau Corbiac have been making wine in the Pécharmont area of the Bergerac wine region there for 15 generations.

Both these wines remind us of the high quality of the wines available in this area at reasonable prices and I am conscious of how much I enjoy these ‘Bordeaux blend’ style of wines.

It’s good to be back in this beautiful part of the world!

Elizabethsvines

 

Fine Wine meets Fine Art…Chateau Mouton Rothschild and Peter Doig

Fine Wine has always, in my mind, been connected to Fine Art.

It’s partly what I mean when I write that, for me, wine opens the door to other interests;   culture, food, art etc.

Along these lines it’s interesting to see wineries make this connection when they commission artists to design paper labels for their wine bottles.

Chateau Mouton Rothschild is a perfect example of this creative practice.   They started commissioning artists to design labels in 1924 – nearly a century ago – and Jean Carlu, a graphic designer who made an enormous contribution to commercial art, was the first artist to have this honour.

After a pause before and during the Second World War, Chateau Mouton Rothschild re-ignited this approach and have commissioned an artist designed label every year since 1945.

A few of the impressive list of artists commissioned by Chateau Mouton Rothschild since 1945 include Miro, Chagall, Picasso, Braque, Dali, as well as Prince Charles, the Prince of Wales, now King Charles 111.    The complete list of artists with illustrations is published on the Ch. Mouton Rothschild website.

The most recent artist to work with the Chateau is the acclaimed figurative artist, Peter Doig.     Peter Doig is a ‘man of many nations’ (Christie’s). He was born in Edinburgh in 1959, moved to Trinidad as a baby, yet he grew up mostly in Canada.   He studied in London, England.   He lives between Trinidad, London and New York.    His paintings now sell for double digit multi, multi million £ prices.

In his label painting for the Chateau Mouton Rothschild 2020 vintage Pauillac first growth wine, Peter Doig uses the vineyard as the setting to celebrate the work of the people involved in making wine before it is bottled.

I really applaud this twinning of wine and art by Chateau Mouton Rothschild and I am on the hunt to find a bottle of the 2020 vintage Pauillac and see this painting on the label in real time!

Stop Press!    You can see Peter Doig’s paintings at The Courtauld Gallery, London from 10 Feb to 29 May, 2023.

elizabethsvines

References:

Chateau Mouton Rothschild   http://www.chateau-mouton-rothschild.com

Christie’s      www.christies.com

Peter Doig,  various websites including, http://www.moma.org, artnet etc.

The Courtauld Gallery.     Courtauld.ac.uk

Seasons’ Greetings and Happy New Year/ Bonne Année

All best wishes for a

Happy, Healthy and Peaceful 2023

After a challenging year in 2022 on many fronts let’s look forward

with enthusiasm to a new and brighter year!

Thanks for reading elizabethsvines xx

 

Autumn ‘season of mists and mellow fruitfulness’ in South West France

John Keats’ (1795-1821)  hauntingly beautiful description of ‘Season of mists and mellow fruitfulness’ in his poem celebrating autumn come to mind as I look across the Dordogne valley in SW France on a chilly November morning.

On this day, the mists over the Dordogne Valley are celebrated at the same time as the roses are blooming at the end of lines of vines at Chateau Court les Muts.    Roses are planted near vines as an early warning signal of mildew: if the roses have mildew then it’s likely the vines will too.  These roses look very healthy!

This beautiful imagery of roses and vines with their striking and complimentary colours are part of the inspiration for this silver and enamel decanter wine label made to celebrate Saussignac and its wines of the area.   It was created by English silversmith and enameller, Jane Short, MBE.

Saussignac Appellation d’origine Controlée (AOC) is one of the 13 AOCs of the Bergerac wine region and one of the six sweet white Bergerac wines including Côtés de Bergerac White, Côtés de Montravel, Haut Montravel, Monbazillac, Rosette and Saussignac.

Saussignac AOC is a liquoreux wine that can be served young or kept for many years.   The grapes, Sémillon, Sauvignon and Muscadelle are harvested late when they are partially dried and this gives the wine its sweetness.

For wine and food pairing,  it can either be served chilled as an aperitif or with foie gras or later in the meal with blue cheese like Saint Agur or Roquefort.      That juxtaposition of sweet and salt is always delicious, or it can be served with a dessert.

The Saussignac wine in this decanter is from Chateau Monestier La Tour, 2013.   The Chateau advises drinking this 2013 wine, which has been barrel aged,  from 2019 through to 2025.

Saussignac is a little known AOC, often overshadowed by Monbazillac wines, or by Sauternes from the Bordeaux region.  However, Saussignac wine has its own remarkable merits and is a recommended choice for the festive season.

Enjoy the colours and flavours of autumn!

elizabethsvines

References

John Keats, English poet 1795-1821 Ode to Autumn

Chateau Court les Muts    https://court-les-muts.com

Chateau Monestier La Tour   http://www.chateaumonestierlatour.com

Jane Short MBE.,  Silversmith and Enameller    https://janeshort.com

Want A Holiday Adventure in SW France this 24th July?

After so much time dreaming of holidays during lockdowns, here’s a wonderful opportunity to engage with the wine community in Sigoulès, near Bergerac in SW France by signing up for the summer event on July 24th of the Confrerie du Raisin D’Or de Sigoulès.  A parade, a lunch and much fellowship awaits when you step outside your comfort zone and into a wonderful traditional event.

Taste Vin – Confrerie du Raisin D’Or de Sigoulès, SW France  near Bergerac.

 

Check out the Confrerie website for all the details, menu and registration.

confrerieduraisindor.com

facebook: confrérie du raisin d’or

Enjoy!

Celebrations of Easter and mosaic artisan skills!

In a brief digression from my usual wine related writing, I would like to wish my readers a Happy Easter, a time to celebrate renewal, wherever you may live.

In line with celebrations, this is a good time to celebrate the wonderful mosaic art of our friend Sharen Taylor, whose studio is in Paphos, Cyprus, where I visited Sharen.  Apart from her professional background as a conservationist and the work she has done with respect to archeological projects in the area, Sharen is a talented mosaic artist who is passionate about introducing others, including children,  to this form of art and culture through her customized workshops and her commissioned work.

By participating in Sharen’s workshops, Its possible to can get a personal appreciation of the skills used by the Greek and Roman artisans who, over a thousand years ago, created the exquisite mosaics in the buildings and excavations at the Paphos Archeological Park.   I found my amateur mosaic making experience a walk in history, with admiration for the incredibly subtle work of those past artisans.

Wishing you a happy and peaceful Easter time,

elizabethsvines

References

Sharen Taylor:  sharentaylormosaics on Facebook.

 

 

 

 

Learning about local Cyprus wines: Paphos Region wine event: 1st Wine & Zivania Exhibition

Nothing beats a local wine event for authenticity, comraderie and learning opportunities.

With good fortune, a friend told us about such an event in Koili, a village in the hills above Paphos, Cyprus, organized by the Koili Regional Educational Centre for Rural Professionals.

This centre in itself is an important initiative in support of the agricultural and viticultural nature of the area and the development and leverage of skills in the related workforce.

Once away from the increasing urbanization surrounding the towns, Cyprus is largely an agrarian community in which viticulture and wine making plays an important role.  Agrotourism is an important sector focussed on agricultural products, vineyards and the production of Zivania, a strong Cypriot spirit.

This particular event in Koili is the First Wine and Zivania Exhibition and it is held in the impressive and purpose built large hall of the educational centre.

When we arrive the winemakers are arranging their wine bottles and displays and the DJ is playing music, all to build the lively atmosphere for the event.

First things first, I go in search of wine glasses, which are nicely stamped with the name of the event, and I am given  a small pot of a traditional “amuse-bouche” for each person in our party.   This is like a rose water sorbet / mousse consistency and I believe it is known as Mahalebi, usually served as a summer dessert.

Visitors have the opportunity to taste wine and Zivania from wineries in the wider area, while they are informed about the correct way of serving wine and the indigenous grape varieties of Cyprus, one of my areas of interest

In her greeting, the Governor of Paphos states that the wine sector is considered as an important pillar of development that can lead to the full recovery of the wider agricultural sector.  The consistent quality of the wine produced in the Paphos District is also commented on as well as the production of Zivania..   

I have to admit that I am not familiar with Zivania and it’s interesting to me that it is highlighted in the event.   However, when I think about this, it makes sense, especially as we are informed that Zivania has been protected within the framework of EU Regulations as a unique product of Cyprus.

After visiting various wine displays, the main event starts.  This is about the right way to serve wine.

This is innovative and well done as instead of a lecture, there is a ‘show and tell’ demonstration of decanting a bottle of red wine and then pouring a tasting quantity in appropriate glasses for a couple of attendees seated at a properly laid table, as though in a restaurant!  and once the individuals taste the wine and indicate their approval, their glasses are refilled.   The Viticulturist/Oenologist, Dr Andrea Emmanuel talks us through the demonstration.

Following this, we visit more winemaker displays and I discover some indigenous varieties I am not aware of, discover a white wine at 10.5% ALC Vol and a winery producing small bottles of wine – all topics I am interested in!

More to come in my next blog post…

References:  Koili Regional Educational Centre for Rural Professionals

Cyprus-digest.com

 

 

February: Romance and Wine

In an uncertain world, I like to remember that February has long been the month to celebrate romance and love.

Since the Middle Ages and more particularly since Victorian times, St Valentine, Cupid and Aphrodite have been celebrated with romantic cards and images of hearts; like this wooden heart made by the Heart Man and placed on the beach in Vancouver.

Not only do we celebrate love and romance with hearts, roses and chocolates but also with champagne!

This year we celebrated with a half bottle of Billecart-Salmon Champagne.     This is in keeping with my interest in smaller bottles with high quality wines.    Billecart-Salmon is a small champagne house started in the 1880s, is still run by the family in Mareuil sur Ay and has a devoted following among champagne aficionados.   One quote is that…“Billecart Salmon is perhaps the best representative of a Champagne house that has chosen finesse over brute strength.”

We discovered Billecart-Salmon on a wine tour of the Champagne region in 2013.     Here are two photos from that visit including the line up of champagne bottles we sampled during a tasting.

And,…

here is our half bottle (375ml) of Billecart-Salmon Brut Reserve Champagne 12.0%alc./vol.

Champagne is so often the wine choice of romance.

Above all in today’s world,   let there be love.

elizabethsvines

Looking for Lower Alcohol Wines? Check the bottle label…

Looking at trends is key to effective marketing.   Being aware of wine trends is no exception.

Recently a few articles have appeared about low or lower alcohol  wines as consumers consider their alcohol intake for all sorts of health and safety related reasons.

This trend leads me to consider the importance of the label on all bottles of wine, which must identify the alcohol percentage by volume of the wine, described as …%alc./vol. or sometimes …%vol.

Interestingly, most articles giving advice on wine don’t give the % alc./vol. of wine they write about.    I too have neglected to do this in the past!!

The range of % alc./vol values in different wines is surprising.

I did a quick check on the wines in my “cellar” and purposefully selected wines with less than 14% alc./vol., which is quite a common figure for many red wines, in particular.

The 7 wines in the photo demonstrate an alcohol range from 10.5 % to 13.5% alc./vol   The scale of difference is worth considering as the Chardonnay and Pinot Noir at 13.5% alc./vol. is 28% more alcoholic than the Riesling at 10.5% alc./vol.

The alcohol level in wines is not a static measure and will vary year by year as a factor of the terroir where the vines are grown: influenced by weather, sunlight, soil, latitude, altitude, vineyard management etc.   Alcohol production in wine is a natural fermentation process of the interaction of yeasts on the sugar in the must (pressed grapes and often stalks)  producing alcohol and carbon dioxide (CO2).  The greater the sugar the higher the alcohol.

In general terms what this can translate to, if choosing wines with a lower alcoholic value, is choosing wines from cooler climates.

White wines from Northern Europe will likely have less alcoholic content:  consider a Riesling from Germany, a Pinot Grigio from Northern Italy or a Sauvignon Blanc from the Loire, the Bordeaux area or British Columbia.   Champagne is always a good choice for a lower alcoholic wine!

Red wines from Burgundy like a Pinot Noir or a Beaujolais are not only generally lower in alcohol but they are also a good flexible choice to pair with a number of dishes.   Pinot Noir from British Columbia also fits the bill.

The  list below itemizes the 7 wines in the photo and their alcoholic levels, for illustrative purposes only.

% alc./vol.

Wine

 

10.5

Riesling

Toni Jost:  Bacharacher Riesling, 2016 Kabinett Feinherb, Mittel Rhein, Germany

11.30

Sauvignon Blanc and Semillon

Lock and Worth Winery, 2019, Poplar Grove, Naramata, BC.  

12

Champagne

Champagne Veuve Clicquot,  Veuve Clicquot Ponsardin, Reims, France

12.5

Beaujolais

Beaujolais – Village 2016,  Joseph Drouin, Beaune, Burgundy, France

12.5

Sauvignon Blanc

Mission Hill Family Estate Reserve, 2020,  Okanagan Valley, B.C.

13.0

Pinot Noir

Black Hills Estate Winery, 2017

Okanagan Valley, B.C.

13.5

Chardonnay

Meyer Family Vineyards, Okanagan Valley 2018, Maclean Creek Rd Vineyard,  Okanagan Falls, B.C.

I’m not advocating only drinking wines lower than 14%.   Many of the beautiful Bordeaux wines that I wrote about in the last couple of blog posts as well as other wines I enjoy are in that range.

I am advocating carefully checking the bottle labels to be better informed about the wines we select.

Happy Wine Selecting!

elizabethsvines

 

 

 

 

Bordeaux Wine Release in Vancouver BC., Merlot dominant Ste Emilion, Pomerol

What an invitation! To time travel to the 1950’s, 60’s, 70’s and 80’s with these images of wine bottle labels from Bordeaux wines!

These labels and others, carefully removed from the bottles and kept over the years, are a wonderful and much appreciated gift.

The Bordeaux wine area consists of two main geographic areas on the banks of the Garonne, Dordogne and the Gironde, which is the estuary where the Dordogne and Garonne rivers meet:  left bank for Medoc and right bank for St Emilion and areas.

The world famous Bordeaux wines are a blend of predominantly Cabernet Sauvignon and Merlot together with lesser amounts of Cabernet Franc, Petit Verdot and Malbec.    What’s interesting about the Bordeaux area is that the percentages of the wines in the blend vary according to geography.    For example, the Medoc area wines generally feature more Cabernet Sauvignon whereas the St Emilion areas feature more Merlot.

The roles that these predominant varieties play in the wines is important in considering which type of wine to buy from personal preference and to pair with different dishes.  

Cabernet Sauvignon provides more structure to the blend, considering tannins and acidity.    It also provides dark-fruit flavours of blackcurrant and bell pepper.  

Merlot is usually juicier and adds some softness with more fruit flavours.   These two varieties complement each other and provide long term potential for ageing when made by skilled winemakers.

Given that winemakers create their own preferred ratios of Cabernet Sauvignon to Merlot depending on soil, climate, and all the aspects of terroir, it is important to always look at the back label to see the percentages of the varieties in the Bordeaux wines one is buying, because this will give an indictation of the ambiance of the wine.     In addition to this, also factoring in the geographic area within the Bordeaux area that the wine is coming from is important.

The Bordeaux Medoc and left bank wines (those typically with a higher percentage of Cabernet Sauvignon) were featured on my earlier December blog with a chart comparing the assessment of Jane Anson, Master of Wine and Decanter’s Bordeaux Correspondent with the wines available through the (British Columbia) BC Liquor Stores for the 2018 wine release available in September this year.  

As I highlighted in that earlier blog, Jane Anson wrote her En Primeur Report in the Decanter Magazine June 2019 issue, with not only an assessment of the 2018 vintage overall but she also assessed each individual château and identifies those châteaux she considered at the time to be Top Value, Producer to Watch or Potential 100 (i.e. possibility of being rated 100 points).

The chart below compares the Decanter Magazine assessment of the Bordeaux St Emilion and other right bank appellations (typically those wines with a higher percentage of Merlot) with the wines available through the BC Liquor Stores.

It’s interesting to note that 2018 was a year of high sugars and high tannins for the Bordeaux right bank wines.

The chart demonstrates where the opinions of Jane Anson MW coincide with the opinions of the BC Liquor Store Masters of Wine buyers.    Again, only the chateaux highlighted by Jane Anson as Top Value, Producer to Watch or Potential 100 points for the St Emilion right bank wines are included in the chart.  It’s a smaller list than the Medoc and Left Bank comparison list and none of Jane Anson’s Producer to Watch category made it to the BC Liquor Stores list.

For me, a second opinion from a valued source is always helpful.

 

2018 Bordeaux Right Bank

Jane Anson, MW

Decanter Magazine

June 2019, En Primeur Report for 2018

BC Liquor Stores

BC Price $C per bottle

Potential 100

 

 

 

St Emilion

Château Beausejour Duffau-Lagarrosse

Château Beausejour Duffau-Lagarrosse

97 points Wine Advocate

Drink: 2024 – 2044

$280

St Emilion

Château Cheval Blanc

Château Cheval Blanc

100 points Decanter

Drink: 2028 – 2042 Decades!

$1,800

Pomerol & Lalande de Pomerol

Vieux Château Certan Pomerol

Vieux Châteaux Certan Pomerol

99 points Wine Advocate,

Drink: 2027 – 2057

$675

Pomerol & Lalande de Pomerol

Château Trotanoy

Château Trotanoy

100 points Jeb Donnuck,

Drink: 2025 – 2065

$500

Top Value

 

 

 

St Emilion

Château La Serre

Château La Serre

94 points Jeb Dunnuck

Drink: 2026 – 2040

$125

Pomerol & Lalande

de Pomerol

Château Lafleur – Gazin

Château Lafleur-Gazin

94 points James Suckling

Drink: 2024 – 2038

$85

tes de Bordeaux & St Emilion Satellites

Château Joanin Bécot, Castillon Côtes de Bordeaux

Château Joanin Bécot, Castillon

Côtes de Bordeaux

93 points Jeb Dunnuck

Drink: 2022 – 2036

$50

 

There are, of course, many more Bordeaux 2018 wines than those listed here available in the BC Liquor Stores.

The two charts of what was anticipated about the 2018 Bordeaux vintage in the En Primeur tastings in 2019 compared with the availability of wines in British Columbia Liquor Stores are helping me build an expanded list of possible wine producers to consider and watch for in future vintages.

Bordeaux wines are fascinating in their complexity and subtleties.  I applaud the magic of the winemakers in producing superb wines and appreciate the efforts of the highly skilled Masters of Wine in presenting these wines and relevant information to consumers.

Wishing all a happy and healthy 2022,

elizabethsvines

References:

Decanter Magazine June 2019

BC Liquor Stores  2018 Bordeaux Release Guide

Elizabethsvines December 2021 blog post: Bordeaux Release

Merry Christmas/Joyeux Noël/Season’s Greetings/Bonnes Fêtes!

So many ways to send a wish:   “Enjoy the Season with those you love and have fun pairing food and wine over the Holidays!”

With best wishes and appreciation to you for reading my blog!

Elizabethsvines

2021

Bordeaux Wine Release in Vancouver, BC

2018 Bordeaux Release, September 2021

The end of summer in Vancouver coincides with the annual Bordeaux wine release by the BC Liquor Stores.  September is the important month.

Excitement builds as aficionados wait for the online and print catalogues as well as notification of the prebooking opportunities. It looks like the 2018 vintage will be a very good year, like 2015 and 2016.

The Bordeaux Release is quite the show!  Especially when you see shopping carts loaded down with multiple cases of wine being wheeled out to nearby parked cars.

For me, the catalogue of wine is not just about the wine.   The catalogue is like a travel brochure as each name that I know conjures up the place:  the countryside, the beautiful chateaux themselves, and the rows of vines and the sense of history – the whole ambiance is like magic for me.

  I have visited the Bordeaux wine region – left bank, right bank – several times either on arranged tours or one-off visits to a particular chateau.    Seeing the names is like reading poetry that you know well, there’s a rhyme to the words:  Chateaux Margaux, Palmer, Haut Brion, La Mission Haut Brion, Cheval Blanc, Figeac, Leoville Barton, Lynch Bages, La Dominique,
Quintus…  

Some are chateaux I have visited for the first time in the last few years, often with my wine expert friend.   Yet others like Chateau Margaux and Chateau Palmer I first visited decades ago with my parents and have happy memories of those introductions to the world of Bordeaux wines !

Putting aside these fine memories, I got down to the business of modestly buying some of the 2018 Bordeaux Release!

When the wine is released in the ‘liquor stores’ run by BC Liquor Stores, there is a mad rush of people swooping in with determination written on their faces as they grab a copy of the catalogue, which is an excellent reference guide with helpful information, and decide what they will buy!   

I have to admit I probably had that same look of determination on my face as we decided what to buy.    I didn’t have time to do any research before buying.   I know from previous experience that if you dither, the choices you would like will have gone!

The wines in the 2018 Bordeaux Wine Release were selected at the en primeur tastings in Bordeaux in 2019, and are now released for sale in 2021.  

After we bought some wine at the release, I serendipitously rediscovered my Decanter magazine issue of June 2019, in which Jane Anson, Master of Wine and Decanter’s Bordeaux Correspondent gave her En Primeur Report for Bordeaux 2018.

Not only does she write about the vintage overall but she also assesses individual chateau and interestingly, identifies those chateaux she considers to be Top Value, Producer to Watch or Potential 100 (i.e. possibility of being rated 100 points).

I compared  this list with the wines available through the BC Liquor Stores and prepared the following chart of those wines which appear both on Jane Anson’s three criteria list from 2019 and the BC Liquor Store release in 2021 for left bank Bordeaux wines.  Here it is, rather a short but informative reference list.

2018 Bordeaux

Jane Anson MW  – Decanter Magazine

BC Liquor Stores

BC Price $Can

Top Value

 

 

 

Medoc-

Chateau d’Escurac

Chateau d’Escurac

$40

Haut Medoc

Chat. Belle-Vue

Chat. Belle-Vue

$45

Haut Medoc

Ch. Cambon La Pelouse

Ch . Cambon La Pelouse

$40

St. Estephe

Ch. Ormes de Pez

Ch. Ormes de Pez

$75

Pauillac

 

 Les Tourelles de Longueville

 

 

 Les Tourelles de Longueville

 

 

$90

 

 

St. Julien

Ch. du Glana

Ch. du Glana

$55

St. Julien

Ch. Leoville Poyferré

Ch. Leoville Poyferrê

$225

 

Producer to Watch

 

 

 

Pauillac

Ch. Clerc Milon

Ch. Clerc Milon

$210

Potential 100

 

 

 

Pauillac

Ch. Lafite Rothschild

Ch. Lafite Rothschild

$1,600

Pauillac

Ch. Mouton Rothschild

Ch. Mouton Rothschild

$1,500

Pauillac

Ch. Pichon Longueville Comtesse de Lalonde

Ch. Pichon Longueville Comtesse de Lalonde

$380

Margaux

Ch. Palmer

Ch. Palmer

$900

Needless to say, both the Decanter article and the BC Liquor Store catalogue list many more wine choices.

The above chart is a very short list of those Bordeaux left bank  red wines which were assessed as either Top Value, Producer to Watch or Potential 100 points of Left Bank Bordeaux 2018 red wines and were also available in the BC Liquor Stores 2018 Release. These were the criteria for inclusion.

The value to me of this comparison chart is that it fine tuned the information in the BC Liquor Store catalogue and has introduced us to some vineyards we didn’t know about at the lower end of these price points that we will keep an eye on for future purchases.

Enjoy the magic of Bordeaux!

References:   Jane Anson MW, Decanter Magazine June 2019, Vintage Preview: Bordeaux 2018

And

2018 Bordeaux Release – BC Liquor Stores.com

and with recognition to my wine expert friend who always encourages my interest in Bordeaux wines.

Quoi de neuf? Saussignac: a village of art and wine

Quoi de Neuf? What’s up in Saussignac?

Saussignac, a small village of approximately 420 people in SW France in the Dordogne area of Nouvelle Aquitaine, really is a village of wine.

Apart from being the name of the village, where the chateau dates from the 17th century and is on the site of a much older building, Saussignac is also the name of the Saussignac Appellation D’Origine Contrôlée.  The wines of this appellation are a late harvest botryrized wine made mainly from Sémillon grapes.  This is a  distinct category of the natural sweet wines produced from withered, shriveled  grapes;   a Vin Liqoreux, on the same honeyed  track as a Sauterne or a Monbazillac.   These wines of liquid gold can be savoured best with foie gras or a blue cheese, like Saint Augur or Roquefort, a dessert or even as a chilled aperitif.    Several wine makers in the Saussignac area make these delicious wines, which should definitely be savoured by anyone visiting the area.

Saussignac is home to several wine makers, many of whom are organic farmers.

One such innovative organic farmer, writer and educator is Caro Feely from Château Feely.     Caro is hosting a free zoom virtual presentation and discussion on the Climate Change Crisis on Friday, November 12 at 5.00 pm UK or 6 pm France.   To sign up, Caro can be reached at caro@carofeely.com      www.chateaufeely.com

An addition to the local community wine makers are Frank and Riki Campbell, new proprietors at Chateau de Fayolle in Saussignac.   Their goal is to promote the wines of the area on a global level.

Chateau de Fayolle, under the new ownership of the Campbells, is offering platters of cheese and charcuterie with wine tastings in a newly renovated and up to date wine tasting room, which has wonderful views over the rows of vines.   Great recommendations of the wines and ambience have been received from wine loving friends in the area and visitors from Bordeaux, so it’s well worth a visit.  Check out details on their website:  http://www.chateaufayolle.com

To complete the picture of Saussignac as a village of art and wine, I would be remiss not to mention the creative work of Mike and Lee McNeal Rumsby at Le 1500; the boutique hôtel, bistro and painting retreat in the middle of the village opposite  Château Saussignac.    Lee managed some of the world’s finest hotels and Mike’s paintings are sold internationally, so Le 1500 is definitely a place to visit and enjoy.   http://www.le1500.rocks

The village of Saussignac continues to live up to its reputation as a place of Art and Wine.

Quoi de Neuf? Confrérie du Raisin D’Or de Sigoulès

Quoi de Neuf?  What’s new?

This year in summer 2021,  the Confrérie du Raisin D’Or de Sigoulès in the Bergerac Wine Region in SW France was innovative in fulfilling its mandate of promoting local winemakers.

Instead of hosting its annual Confrerie wine event attended by Confrerie members from across France, it creatively switched to participating in the local Festival for Winemakers of Sigoulès-Flaugeac.   The Confrérie hosted a wine tasting event of local wines in which the public voted for the wines of their choice.  Great Idea!

Wine Fair in Sigoulès

Sigoulès

Awards were then given by the Commandeur Guy Bergeron, representing the Confrérie, to the winners in the 5 wine categories of  Red, Rose, Dry White, Sweet White, and Late Harvest Liquoreux.   All 19 winemakers who participated in the public tasting were thanked for their participation.

And the five winners were…

Rouge/Red wine:   Stephanie et Philippe Barré-Perier in Saint Pierre D’Eyraud

Rosé/ Pink:  Jean Philippe Cathal, Domaine Petit Marsalet, St. Laurent des Vignes

Blanc Sec/ Dry White:  Pascal Pomar, Domaine du Sarment Doré, Bergerac

Blanc Moelleur/Sweet White:  Durand Frères, Château Haut Lamouthe, Lamonzie St Martin

Blanc Liquoreux/ Late Harvest Liquoreux: Stéphane Dumoulin, Chateau le Cluzeau, Sigoulés-Flaugeac

Congratulations to the winners of the people’s votes!

All these community names are very familiar to me and I am so pleased to acknowledge the work and effort that went into this event.

Given the COVID restrictions in place, the Confrérie du Raisin D’Or de Sigoulès, under the leadership of the Commandeur and the support of the members, continues to be active in the community upholding its role as part of the UNESCO World Heritage recognition of Confréries in France as a fundamental aspect of French Gastronomie.

Bravo!

Hidden Culinary Gems of Cyprus: Anari Cheese

In the heat of the summer, who wants to do much cooking?  Its more about finding some shade and maybe jumping into a pool surrounded by flowers; like here at a friend’s garden.  I recently finished this semi abstract painting…

A Cypriot friend, a self confessed ‘foodie’,  suggests that I try a local Cypriot whey cheese renowned in the Paphos area.  At the next Paphos Saturday morning fruit and vegetable market I enquire about this cheese from my usual vendor and discover she makes both fresh halloumi and anari cheese!    Not only does she make this cheese but she and her daughter recommend how to serve it!   Perfect!

With the anari cheese and recipe in hand, off we go for a coffee and then I prepare the cheese for a salad lunch – perfect for hot summer days.

Anari is made in a large round – similar to how some soft goat cheese is made in France and elsewhere.  The idea is to slice the cheese into rounds for serving.   In the local presentation, the round of anari  is then covered with a combination of carob syrup and honey and served in this way.    We generally eat very few sweet things but I did have pomegranate syrup in the kitchen for cooking as well as honey.  So on went the pomegranate and honey covering for the slice of anari cheese.      The response!    Absolutely delicious and surprisingly not sweet.

if I were to recommend a wine, I would choose an unoaked Chardonnay or a Viognier to complement the creamy,  honeyed flavours of the Anari cheese prepared in this way.

Fresh anari will keep in the fridge for up to a week, so we enjoy a slice of cheese presented in this honeyed way several times!
Ricotta is a similar cheese so this will be an alternative when I can’t buy fresh anari and it will be interesting to make a comparison.

Simplifying meals is important on hot summer days!

Kali Orexi! / Bob Appétit!

Hidden culinary gems of Cyprus: Zucchini flowers

These edible Zucchini flowers now in season and for sale at the weekly Paphos market catch my eye a couple of weeks before I decide to experiment with stuffed Zucchini flowers.

I enjoy these delicacies in restaurants.   When you buy the flowers you realize how fragile they are.  The flowers need to be prepared and cooked quickly before they spoil.

Here is the approach I take,  based on looking at various preparation references and combining different recipe ideas..

First,  it’s important to remove the stamen or pistil from within the flowers. I also gently rinse each flower to check there are no insects hiding there!

Second, I make up a recipe from the fridge with bacon and mushrooms, chopped and sautéed.   Add this to a soft French goat cheese with lots of chopped mint.

Third,  I carefully stuff the flowers with the mixture and cook on a cookie sheet in a hot oven for about 15 minutes.

Fourth,  the great tasting!

Success!   The stuffed zucchini flowers taste good.   The cooked flowers add a subtle sweetness to the dish and the mint is delicious and typical of Cypriot food.       Only eat the flower petals not the stems or the green leaves.

For a wine pairing, I suggest a Tsangarides organic Chardonnay, which complements the creaminess of the stuffing well or perhaps a Viognier.

What would I do differently next time?   From the recommendation of a Cypriot friend who knows about local dishes,  instead of using a French goat cream cheese, (which is what I had in the fridge when I decided to make this dish!j or perhaps an Italian Ricotta as an alternative, I would use fresh Anari, which is a fresh mild whey cheese produced in Cyprus and made from goat or sheep milk.   The authentic recipe!

Kali Orexi! // Bon Appétit!

References:  Tsangarides Winery   Tsangarideswinery.com

Various on line references about the preparation of stuffed zucchini flowers

Hidden Gems in Cyprus

A beautiful, peaceful garden awaits you:   the sun is shining yet there is shade from the heat, bees are buzzing, birds are singing, the oleanders are blooming and the sky is dazzlingly blue.

Village views, hillside walks, old stone houses surround us and a winery to taste and buy wines is close by.  What more could anyone want who may be seeking a time and place of true calm to restore the spirit?

A half day painting in the idyllic garden of Marcelina Costa in Lemona, in the foothills of the Troodos mountains about 1/2 hour from Paphos Airport, introduced us to this wonderful space where complete rest and rejuvenation would be possible.

Two independent stone houses, Lantana and Oleander, set within this meandering garden are available to rent through both Booking.com and Airbnb.

Ever a gracious host, Marcelina is multilingual in Greek, English, German and Polish and delights in explaining the history of the village, highlights local walks, and offers her homemade jams, lemonade, and baked goodies.

What makes Marcelina’s stone houses even more appealing to the wine lover is the proximity of Tsangarides Winery, literally around the corner in Lemona village, making white, red and rosé wines from indigenous grapes, Xinisteri, Mataro and Maratheftiko as well as the noble grape varieties of Cabernet Sauvignon, Shiraz and Chardonnay,     Tsangarides is always a favourite winery of mine for their consistency and high quality.

I have met with Angelos Tsangarides, who with his sister are fourth generation proprietors of the winery and I have previously written about their wines in 2016 and 2018.  Since then, in addition to its traditional vineyards, the winery has cultivated organic vineyards and produce a series of organic wines as part of its overall portfolio of wines.

 

This painting excursion to Lemona reminds me to visit the Tsangarides winery again, and soon!

Creative endeavours have helped many people get through the challenges of the past pandemic year and I am grateful to Marcelina for the opportunity to paint in her hillside garden and to be reminded of the beauty of Lemona, including Tsangarides Winery and the surrounding countryside.

🍷🌸

References

Oleander Stone House. https://www.airbnb.com/rooms/21159835?adults=2&translate_ugc=false&federated_search_id=48cd5f40-d787-41a1-a5aa-848c0b530033&source_impression_id=p3_1622369311_KbLQG9pu4Xzc9%2FkC&guests=1

Lantana Stone House

https://www.airbnb.com/rooms/21167741?adults=2&translate_ugc=false&federated_search_id=48cd5f40-d787-41a1-a5aa-848c0b530033&source_impression_id=p3_1622369362_9girLWMM56POoMgD&guests=1

Tsangarides Winery,   http://www.Tsangarides winery.com

Sarah D’Oyly, 1725 – 1821 and her wine cellar

Let us raise a glass to commemorate the bicentenary of the deaths of both Napoleon Bonaparte and Mrs Sarah D’Oyly with a glass of Port, a fortified wine popular in their days.

Mrs. D’Oyly of Curzon Street, London and Twickenham died 200 years ago this year.   She might be surprised to know that she is being written about so long after her death and nearly 300 years after her birth in 1725.

Napoleon Bonaparte also died 200 years ago – it’s the bicentenary of his death this month of May and much will undoubtedly be commented upon regarding his considerable legacy.

Mrs. D’Oyly’s legacy, by virtue of the auction of her wine cellar contents in 1822, provides a window into a 19th century collection of Choice Old Wines – a gift to anyone interested in the history of wine and its context.

Sarah D’Oyly was a child of the Enlightenment Period in the 18th and 19th centuries, whose three principle concepts were: use of reason, scientific enquiry and progress.   It was a time of intellectual and scientific advancement to improve human life and a time of prominent thinkers like Voltaire, Diderot, Montesquieu, Adam Smith and Kant.

I recall reading Candide by Voltaire in my A level French studies at school and enjoyed the debates between Candide and the philosopher Pangloss and Candide’s encouragement that, “we must cultivate our garden”.

We now talk about the great changes in our lifetime and yet so much change happened during Mrs. D’Oyly’s lifetime.  For starters, the American War of Independence 1775 – 1783, the French Revolution 1789 – 1799 and the Industrial Revolution 1760 – 1840.

So who was Sarah D’Oyly?    She was the widow of Christopher D’Oyly, a barrister and administrator.   They lived in Mayfair in London and also had a villa in Twickenham, 10.5 miles from their London home.   Twickenham was first recorded in AD 700 as Tuick Hom and is mentioned in the Domesday Book of 1086 following the Norman Conquest in 1066.   In fact, D’Oyly is an old Norman name.

Upon the death of her husband in 1795, Mrs D’Oyly remained both at Twickenham and their Curzon Street house in London until her own death in 1821 at the age of 96, a considerable age at any time and in particular 200 years ago.   She was buried at Walton on Thames beside her husband and her memorial reads:

“In memory of Mrs Sarah D’Oyly,
grand daughter of Sir Hans Sloane, Bart
and widow of the late Christopher D’Oyly, Esq
who departed this life on the eighth day of September 1821,
in the ninety seventh year of her life”

 Sarah D’Oyly was the granddaughter of Sir Hans Sloane, (1660 – 1753), an Ango-Irish physician, naturalist, collector and prominent figure in 18th century London.     Sir Hans Sloane’s collection of 71,000 objects from around the world were bequeathed by him to the British Nation on his death and were the foundation of the British Museum, the British Library and the Natural History Museum.     Currently, this and other collections are being evaluated in the context of how these significant collections from the Enlightenment Period contributed to the development of knowledge and understanding with an attempt to understand the world in which the collectors lived.

 

The collection of Choice Old Wines for auction by Mr. Christie in 1822 highlights the taste for sweet fortified wines in that era.   The practice of fortifying wines with grape spirit also reflects the long voyages required to bring the wines to England in a drinkable state.   Additionally, with fortified wines, there was the advantage that the wines kept longer once the bottles were opened.

A typical cellar of the period could also have included Claret from Bordeaux and Champagne, at that time usually a still red wine.

The 18th and 19th centuries saw considerable innovation in grape and wine production in various parts of Europe, permitting a number of distinctive wines such as Madeira, Port, Sherry, Claret and Champagne to be marketed.   However, there were high import duties so wine was a luxury.

The main market in Britain at that time for alcoholic beverages was beer and spirits and even by 1815, the annual consumption of wine was low due to the high cost.

Between 1816 and 1820, Portuguese wines were the highest percentage of available wines for home consumption in Britain, as in Madeira and Port, and Sherry and Port accounted for approximately ¾ of all British imports of wines before 1860.   Port became firmly established in the lifestyle and habits of a section of the British public.

Another 19th century wine cellar inventory that I am aware of corroborates that fortified wines were the mainstay of a wine cellar at that time.

Perhaps these differences in wine taste between then and now illustrate one measure of changes over the centuries.   A more significant difference between the lifetime of Mrs. D’Oyly and now, relates to transportation.       The railway reached Twickenham in 1848.   Throughout Sarah D’Oyly’s long life, she would have used horses and horse drawn vehicles to move between her homes in Mayfair and Twickenham. This contrast speaks volumes about the difference in lifestyle then and now.

Over the past few blog posts, I have reflected upon the Choice Old Wines in Mrs. D’Oyly’s wine cellar that were auctioned in 1822 and tried to put them in perspective from a historical viewpoint.   As a visual cue, the wines have been beautifully illustrated by a photo-montage of historic enamel wine labels from the collection of Dr. Richard Wells.

I like to think that Sarah D’Oyly, following her long life, would be amused by this interest in her wine cellar.

Reference:   Twickenham Museum  www.twickenham-museum.org

Addendum:

I’ve been asked if Mrs. D’Oyly was a relative of the D’Oyly Carte family of Gilbert and Sullivan musical fame.   My conclusion is probably not.   Apparently, the word D’Oyly was used by Richard D’Oyly Carte and his sons as a forename, not part of a double surname.   If anyone knows of a connection between the families, I would be interested to hear more.

A Wine Auction Sale in February 1822 in London and the ‘back’ story of the wines.

When a story hooks you,  you go deeper…at least I do with topics like wine, history, geography…  This post is another look at the wines listed for sale by Mr. Christie in 1822, as illustrated by these beautiful enamel labels, which would have adorned decanters to identify and serve the wines.

This is my second post about this intriguing Mr. Christie sale advertisement, which put me on the path of discovery. That is, discovering more about the wines listed for sale nearly two hundred years ago.

In my last post, the focus was on Frontiniac, Sack, Calcavella.

This post is about Malaga, Cape, Paquaret/Pacaret and Lisbon wines. These wine names are beautifully illustrated in this photo-collage of enamel labels that are in the collection of enamel expert, Dr Richard Wells.   Richard kindly put together this grouping to reflect the wines from the cellar of Mrs. D’Oyly and I greatly appreciate his generosity in doing so.

 

Several of these label names, like Malaga, Cape and Lisbon are generic in nature for the particular geographic regions.

Malaga, for example, is the term that was applied generically to any variety of heavy sweet, usually red fortified wines that originated in the Malaga area in southern Spain, including certain kosher wines served at Jewish celebrations.   Spanish Malaga is made from Muscat grapes, and from a variety known as Pedro-Ximenez and these grapes are usually sun-dried to concentrate sweetness. Vineyards are in the Malaga Mountain Range and in the Ronda Mountain Range.     These are liqueur wines with a fairly high sugar content.

This area with its Mediterranean climate is one of the oldest wine regions in the world, since the arrival of Phoenicians almost 3,000 years ago.

Its not surprising that Mrs. D’Oyly’s 19th century cellar contained Malaga wines as they were at their greatest quality around that time before the phylloxera louse so badly affected vineyards in Europe.

Dr Wells tells me that the Malaga enamel wine label is French from the second half of the 18th Century.

Pacaret, Paquaret (also spelled as Paxarete)

This is another Spanish dessert wine.     It’s a wine of the deep south of Spain, like Sherry, from the Andalusia area. It was made in different styles, both dry and sweet and was also made from the Pedra Ximenez grape.

A note of interest: in the 17th and 18th centuries, Sherry was known in England as Sack and this is described in my last post.

In the 18th and 19th Centuries, Pacaret was generally considered to be a “ladies” wine, and suited to the American custom of drinking wines mainly after dinner.

Pacaret is listed in Thomas Jefferson’s Paris Wine Cellar list of 1787 and he continued to order Spanish wine, including Pacaret after he became the third President of the United States in 1801.

The Paquaret enamel label is English from the late 18th/early 19th centuries.

The Pacaret enamel label is French from the same period.

Lisbon.

The reference to Lisbon on the auction sale poster refers to the historic Denominaçâo de Origem Controlada, (DOC) wine region west of Lisbon, or Estremadura as it used to be known, and can include wines such as Carcavelos, Colares and Bucelas.     This area was known for fortified wine production; off dry topaz coloured wines that have nutty aromas and flavours. The grape varieties appear to have been Arinto and Ramisco.   When fortified, using distilled grape spirit,  the wines were world renowned in the 19th Century. Again, it’s not surprising that these wines would have been in Mrs. D’Oyly’s cellar. While similar to Port, these wines are not Port, which is only produced in the Douro river valley area and according to present law is only shipped from Oporto.

The manner in which wine names change over time is worth noting and the name of Carcavelos is a good example. Wine labels from the 18th and 19th centuries would be made for Calcavallo or Calcavello wine, which is the older name for Carcavellhos or Carcavelos wine as it is presently called. The change was to move away from Spanish spelling, which was a hold over from the Spanish occupation of what is now Portugal in the 17th century.

In a letter dated May 26, 1819, Thomas Jefferson, 3rd President of the United States of America (1801 – 1809), wrote to his wine agent in Marseilles referring to sweet wines including Frontignan from France and Calcavallo from Portugal.   He clearly appreciated wine and designated both wine and friendship as a, “True restorative cordial”.

Another quote from Thomas Jefferson about Calcavella wine is in my previous post.

Moving to the 21st century, the name for the wine area around Lisbon was changed in 2009 from Estremadura to Lisboa VR (Vinho Regional), again to focus on the Portuguese language.

In the modern era, the wine areas of Carcavelos, Colares and Bucelas have been affected  by real estate development in the suburbs of Lisbon and the coastal town of Estoril.   There is apparently some interest and activity in reviving the historic legacy and indigenous grapes of the area. We will wait and see.

The Lisbon enamel label in the photo collage is English, again from the late 18th/early 19th centuries.

Many people will have visited these areas of southern Spain and the Lisbon area of Portugal and not necessarily known anything about the 19th century history of these wine areas.    I’ve flown into Malaga and driven up the coastal mountain highway to Ronda, little knowing this history.   I stayed in the area 20 years ago and did some early morning runs as I prepared for the BC Arthritis Society Marathon in Hawaii!

Similarly, as a child my family spent many holidays in the Portuguese coastal areas of Cascais and Estoril at a time when Cascais was still a fishing village and the area was on the cusp of real estate development.   Little could I imagine then that years later I would be commenting on the wine history of the areas in the context of a George 1V era sale of Lisbon wines!

Cape: this is the generic term for the geographic area around Cape Town and the Cape of Good Hope in South Africa.

 

A noteworthy three-century viticulture tradition exists in the area originating when the Dutch arrived and South Africa became an important staging post for both Holland and England for trade with the East.

At the end of 1654, the first cuttings of vines arrived at the Cape from Holland and were probably young vines from the Rhineland. Wine was pressed for the first time in 1659.   In 1688, French Huguenots arrived in the Cape and extended the vineyards and improved the quality of the wine. By 1711, South African wines were becoming known and travellers spoke of the ‘world famous Constantia wines”, which were sweet wines.   In 1805, as a result of the Napoleonic Wars, Great Britain took possession of the Cape.  Around the time that Mrs. D’Oyly’s wine cellar was developed probably from the late 1700s on, the export of Cape wine to Great Britain flourished.

In the 18th and 19th Centuries, the Constantia Valley was known for its legendary dessert wines.   These were the halcyon days of these wines, which were fortified for overseas patrons in order to survive the long voyage and generally unfortified for local consumption. The original grape varieties were probably Muscat, Pontac and maybe Chenin Blanc.

The Groot Constantia winery dates from 1685 and has a museum section on their website, which provides the chronology of their history.

These Cape wines took on a fame of their own as they were mentioned in at least two books that we might know.     In Jane Austen’s novel, Sense and Sensibility, Cape wine was mentioned as a cure for a broken heart!   Charles Dickens referred to it as a way to lift a character’s spirit in The Mystery of Edward Drood.   Were they writing from experience?  Perhaps tips worth noting!

The next post in this series about the Mr. Christie 1822 wine auction poster will be to share some history of Mrs. D’Oyly, whose generous wine cellar prompted these discoveries.

 

References:    Alexis Lichine’s Encylopaedia of Wines and Spirits and various references.

Thomas Jefferson:  Monticello.org

Groot Constantia:  grootconstantia.co.za

Dr. Richard Wells – enamel wine labels: http://www.drrwells.com

 

18th and 19th Century wine labels tell a story…

Last month, the fascinating poster for the sale of choice old wines on February 7, 1822, together with the images of the Cyprus enamel labels sparked interest.

Dr Richard Wells, my collaborator in identifying enamel wine labels, has kindly created this montage of labels from his collection, that represent the wines listed on the sale poster.

Most of the wines represented by these labels, with the exception of Rum,  are no longer consumed or popular, as they once were, so it’s interesting to know a bit more about them.   Apart from knowing more about the wines, the shapes and designs of the individual labels are really worth further examination for the colours, the floral motifs and in some cases grapes! and the shapes:  beautiful craftsmanship from another era.

All these wines were sweetish, a style of wine popular in Paris and London in the 18th and 19th Centuries.   Some of the labels and the wines are described below, more will be noted in the next blog.

Frontiniac label:  this is an English late 18th/early 19th century enamel label.    Frontiniac is a sweet muscadine wine made in Frontignac, France.      A reference to this wine in a collection of old plays refers to Frontiniac in this way:  ” One more Frontiniac and then a walk”.  With difficulty perhaps!

Sack label:  this is an English late 18th /early 19th century enamel label.  Sack is an antiquated wine term referring to white fortified wine imported from mainland Spain or the Canary Islands.  Most Sack was predominantly sweet.  Sack is commonly but not quite correctly quoted as an old synonym for sherry.  In modern terms, typical sack may have resembled cheaper versions of medium Oloroso sherry.  As a literary reference,  William Shakespeare’s character Sir John Falstaff, introduced in 1597, was fond of sack, and the Falstaff character said, “If I had a thousand sons, the first humane principle I would teach them should be, to forswear thin potations and to addict themselves to sack”.

Calcavella label: this is probably an English label, again late 18th/early 19th century and unusually made from Mother of Pearl.    Calcavella is a Portuguese sweet wine that was noted in a wine sale in 1769.   Calcavella was noticed by Thomas Jefferson ( 1743 – 1826 and 3rd US President) when he was the US Ambassador to France from 1784 – 1789, right at the time of the French Revolution.  Later on, he would order Calcavella several times while living in the United States. When writing about wine, Thomas Jefferson said, ” I would prefer good Lisbon; next to that Sherry, next to that Calcavallo: but still a good quality of the latter would be preferable to an indifferent quality of the former”.

The remaining labels will be commented on in my next blog, together with an insight into the life and times of Mrs. D’Oyly, the widow highlighted in the sale poster and the late owner of these wines.

More to come…

Reference:   Dr. Richard Wells  www.drrwells.com

Various references to the wines and to Thomas Jefferson.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cyprus’ Commanderia wine and social history

Last month’s blog featuring the beautiful 18th Century Cyprus enamel wine labels generated more fascinating information.   It is so interesting when wine intersects with social history!

Dr. Richard Wells, whose labels I included in my last post, kindly forwarded a photograph of this La Comenderie enamel label from his collection.  This is a late 18th Century English label, made possibly for the French market or to use the French translation of the word.  This label demonstrates how broadly the Cyprus fortified wine Commanderia was exported over the centuries and in this case in the late 1700’s.

Following the publication of my last blog post, a friend kindly sent me a photo of this fascinating poster that they have had for many years, of a wine auction to be held on Thursday, February 7th, 1822  to be conducted by Mr. Christie in Pall Mall, London.   Yes! 199 years ago next week!   Careful review of the list of,  “excellent and well-flavoured Old Port” to be auctioned, identifies Cyprus among the 125 dozens to be sold, even though Commanderia isn’t technically a Port, but a fortified wine.     It’s also worth noting that the wines are sold in Pint quantities, as that was the measure for wine at the time.   A pint is 0.5 litres.   The decanters used to serve these wines in the 19th Century would have been much smaller than those made today.

In the 18th and 19th centuries Port was a very popular drink.  This was influenced by the Treaty of Methuen in 1703, which was a military and commercial agreement between Portugal and England, resulting in the import of various wines from Portugal including several listed on the auction poster, for example: Madeira, Lisbon, Calcavella.

During this period, Port became known as a drink with medicinal virtues, in particular for gout.    Presumably, similar fortified wine was swept up in this popularity and Cyprus’s Commanderia wine benefitted from this fashion.

It was common at the time to drink these wines heavily every day and people became known as a ‘Three Bottle Man’ or a ‘Four Bottle Man’.  A bottle contained 350 millilitres.  Therefore, a Three Bottle Man drank slightly less than 2 pints of Port a day, or just over 1 litre in today’s terms.

An example of a Three Bottle Man in British history is William Pitt the Younger, who was the youngest Prime Minister of Great Britain in 1783.   He suffered from poor health and to address this problem, his physician recommended that he drink three bottles of Port a day!

Commanderia has been recognized as a popular wine since mediaeval times.   Today, sadly,the market for Cyprus’ Commandaria wine has diminished, whereas Port continues to be widely enjoyed, even if far less than in the days of Three Bottle Men!

The beautiful La Comenderie enamel label together with the intriguing wine auction poster provide a fascinating glimpse into the past.

References:    Thanks to Dr. R. Wells,  drrwells.com  Enamel Wine Labels

With thanks to Suekatunda for permission to include the photo of the Christie’s poster.

Beautiful enamel wine labels link wine history with the present and future: Happy New Year!

These beautiful late 18th Century enamel labels for Cyprus wine illustrate that the wine industry has a long and elegant history.

The four enamel labels most likely are for Commandaria wine, which is a Cyprus sweet dessert wine, sometimes fortified but always with a high alcohol level.    The label marked Malvoisie de Chipre refers to ancient grape varieties, known as malvoisie, used for dessert wines.    Commandaria wine dates back to approximately 800 BC and was popular during the time of the Crusades in the 11th and 12th centuries and subsequently exported widely within Europe.  

I wrote about Commandaria wine in a 2013 blog and described it as follows:

‘As a fortified wine, Commandaria travelled well and was exported throughout Europe.    It was popular in England, for example, not only in the 13th century but later and was a favourite of the Tudor Kings including King Henry V111.

Commandaria is made only in a defined region of 14 wine producing villages in the Troodos foothills about 20 miles north of Limassol. The wine production for Commandaria has remained true to traditional methods.   The production is small and it maintains its ranking among the world’s classic wines.  In 1993, the European Union registered     Commandaria as a protected name and geographic origin.

Commandaria is regarded as an eastern mediterranean equivalent of its western mediterranean cousins, Port and Sherry.   We found it had both similar and different characteristics and was more refreshing and lighter with higher acidity. ‘

For a fuller description of this fortified wine please look at my earlier blog post:

https://elizabethsvines.com/2013/02/04/cyprus-wine-maki…century-part-two/

The various spellings of Cyprus on the four enamels in the photograph suggest a robust export of Cyprus wines in the late 18th and 19th centuries.   Chypre is the french spelling for Cyprus and this label is early French in origin and the Chipre and Malvoisie de Chipre are early English.  The Cyprus label is more recent.   

2020 will surely be remembered as an extraordinarily difficult year for wine makers.  From my conversations with several over the years, including members of Confrèries, I realize that they are used to overcoming a variety of challenges including weather, soil and pest conditions as well as market changes.   This year they have again demonstrated their ability to tackle a new challenge with innovation and creativity.

These exquisite and historic Cyprus enamel labels, shown courtesy of Dr. Richard Wells, help to remind us of the longevity and resilience of the wine making industry and the pleasure it brings to so many people: past, present and future.

I wish all wine makers and their families everywhere a successful year in 2021.

Happy New Year!

elizabethsvines

 

Reference:   http://www.drrwells.com   Enamel Wine Labels:  refer to Dr Well’s blog for a full description of enamel labels.

Christmas Clementines send Season’s Greetings!

There’s something about oranges, clementines, and mandarins that always me think of winter and the Christmas holidays.

Perhaps it’s remembering mediterranean holidays and city streets lined with fruit trees covered with oranges that resemble vibrant holiday decorations.    Sweet memories in lockdown times.

All these thoughts of clementines inspire me to consider an orange cake to start the holiday celebrations.   When a friend sends a recipe for Nigella Lawson’s Clementine Cake the culinary decision is easy!  It’s a great recipe for anyone watching their gluten intake, as it calls for almond flour.    I limit the amount of sugar in any cooking I do and so substitute stevia for the sugar in the recipe.    (A quick google check suggests the ratio of 8:1 sugar to stevia.)       Another adjustment is to make mini cakes rather than a loaf cake.   This makes it so easy to have a just a small taste of something sweet to finish a meal.

These mini cakes are moist and have the flavour of orange.   I still want more orange flavour and decide an orange syrup is essential!    I combine a couple of recipes to make this syrup which is essentially:  juice of 4 oranges and 1 lemon,  Agave syrup to taste instead of sugar.   I simmer that combination and allow it to reduce in volume and add a tablespoon of Grand Marnier –  the aromatic cognac and orange liqueur combination – and some candied orange peel.  Result: yummy combination of mini clementine cake and orange syrup!

In wine and food pairing terms, a glass of Sauternes or another late harvest wine would be excellent or to start the celebrations, maybe continue with the taste of Grand Marnier Liqueur!

Happy Holidays and Season’s Greetings to all.

elizabethsvines

References:   Clementine Cake – Nigella Lawson   http://www.nigella.com

Elizabethsvines blogpost #101! Celebrating with photos

Where does the time go? I have been writing Elizabethsvines since 2012 and have now written 100 posts! A big Thank You to everyone who has ever read my blogs and encouraged me in this endeavour! I appreciate the support!

Floral love art by the Heartman, West Vancouver

In particular, I would like to dedicate this post to my wine friend and mentor, CC, who is bravely recovering from a stroke earlier this year. Bon Courage et Bon Rétablissement!

Here follows a selection of photos from blog post # 01 to #100!

Snowman in PINEUILH parking lot. December 2012. Blog #1!
Château Margaux, Medoc
Line drawing of Château Monestier La Tour with the Rodin quote
Line drawing of Château Monestier La Tour with the Rodin quote
This caroon says: drinking directly from the barrel, I’m reducing the impact of packaging on the environment!
This cartoon says: drinking directly from the barrel, I’m reducing the impact of packaging on the environment!
Victoria International Wine Festival 2018
Route to Saussignac village
Chateau Haut-Brion, looking out to the vines, Pessac, Bordeaux
Quintus Dragon
The Quintus Dragon, Château Quintus, Saint-Emilion.
Burrowing Owl Winery, Oliver, BC
La Cité du Vin
La Cité du Vin, Bordeaux
Apple tart in Sigoulès
The flag of the Confrérie du Raisin d’Or de Sigoulès
Late 2nd/early 3rd century A.D. This panel represents the story of Icarios. Dionysos and Acme are depicted to the left of the panel. In the centre, Icarios is seen holding the reins of an ox-driven double wheeled cart, filled with sacks of wine. Further to the right, there are two shepherds in a state of inebriation. A sign identifies them as, ” The First Wine Drinkers.”
Mini-meze with pâté of sardines, anchovies and almonds Blog #100!

Now starting the next 100 posts! More wine stories and pairings to come!

elizabethsvines

Mini-meze and wine: entertaining friends and supporting wine-growers

Entertaining friends, one or two at a time in a responsible social distancing way, is still something we enjoy hosting on the patio.   Offering what I call a mini-meze feels like an easy, no fuss option.

A meze in eastern Mediterranean countries involves quite a few different and delicious dishes.   I prepare an abbreviated version with roasted vegetables, slices of local feta with olive oil drizzled over and chopped herbs, either oregano or fresh basil from the garden, sliced tomatoes and various cheeses including the greek cheese, Kefalotyri. I add some form of protein, sometimes smoked salmon, or as in the photo above, a paté of sardines, anchovies and almonds – quite delicious with toasted black bread or crackers.

A photo of the rapidly growing Basil and Cilantro (Coriander) is included.   The planter is covered to protect it from a neighbourhood cat!

This mini-meze Is served in the context of enjoying a chilled white wine, usually an indigenous Cyprus white grape called Xinisteri, which is similar to Sauvignon Blanc or Pinot Gris – in that continuum of freshness but not too acidic.   As mentioned previously, a favourite of ours is the Zambartas Xynisteri.

I read in a French wine publication that a gloomy autumn, ‘ un automne morose’ is anticipated, in which bad news about the financial health of organizations is starting to become a reality and could affect the whole wine sector including sales for the upcoming festive season.  It’s probably a time to look out for great prices of choice still and sparkling wines.

Offering a mini-meze with wine is one way to continue to support our local/and or favourite winegrowers during these challenging times.

Reference:  Zambartas Wineries. http://www.zambartaswineries.com

More Covid culinary moments: salsa and rosé!

My favourite culinary endeavour right now is making salsa, in particular mango salsa.  

Just the name feels festive and so does the taste with the combination of sweet and contrasting flavours from the spring onion, red pepper, lemon juice and cilantro together with the mango.   Chopping all the ingredients up into small pieces and mixing with the lemon or lime juice makes this a really easy summer garnish.

There are many recipes on the internet but this is the combination I have been making with success and I really like it.   In consideration of friends who may not like cilantro, I serve that separately so people can add it to their taste.   We enjoy this salsa with prosciutto, cheeses, smoked salmon, roasted vegetables and the list goes on.   I have tried making the salsa with nectarines as that fruit has less natural sugar than mangoes but it didn’t really measure up from my perspective.

Rosé seems to be the perfect wine match and we have recently tried two that are new to us:    Zambartas Wineries 2018 Rosé from Lefkada, a Greek grape and Cabernet Franc, and Vouni Panayia Winery 2019 Rosé from local grapes, Mavro and Xinisteri.  

The Zambartas Rosé won a gold medal in the 2019 International Rosé Championship and is a darker rosé colour from the Cabernet Franc grape, similar in colour to the rosés from South West France.  13% ALC by volume.

The Vouni Panayia Rosé from the local grapes of Mavro (black) and Xinisteri is paler, more similar to the rosés from the South of France.  13.5 % ALC by volume.

Both wines offer red fruit flavours including pomegranate and are refreshing, good as a summer aperitif as well as with seafood or Asian style food.  We enjoy them both but in balance my favourite is the paler rosé from local grapes.

It’s time to enjoy the last few weeks of summer, with socially distanced outdoor eating and fresh and refreshing flavours.

Covid Culinary Moments: meat loaf with a difference and wine!

Lamb and feta cheese seems an unusual combination when I first hear of this a few years ago from Swiss/Austrian friends who serve us delicious lamb and feta burgers.

In a Covid culinary moment, I decide to see if I can replicate this combination and search for a recipe for a meatloaf with lamb and feta.   To my amazement, I discover a January 1997 recipe for Lamb Meat Loaf with Feta Cheese on the Southern Living website, a magazine I haven’t seen for many years in Vancouver but I see is still very active and interesting.

I made this meatloaf twice, the second time with great success. The first time, it does a belly flop when I turn it out of the pan.

Here’s how I modify the recipe to my taste: replace the green bell pepper with red pepper, added more fresh herbs, particularly rosemary, add chopped black olives and make a fresh tomato sauce, ‘Classic Tomato Sauce’ from the Epicurious site, rather than a bought sauce as suggested.   Additionally, to avoid the belly-flop routine, I make the full recipe, which is for 8 servings and put all the ingredients including the toasted pine nuts but not the feta cheese and olives, in the food processor for two spins to fully integrate all the ingredients before I layer the pan with the mixture and the feta cheese and olives.     A big bonus with this recipe is that it freezes really well, so I slice the meatloaf and individually pack slices for the freezer.

The big decision, of course, is what wine to serve with it.

My thoughts turn to a Nebbiolo wine from Greece that we enjoy in Nicosia, Cyprus earlier in the year. This delicious Nebbiolo from the organic vineyards of Ktima Karipidis in Thessalia, Greece with its full body tannins, high acidity and distinctive scent of fruit and liquorice would be a good match with the lamb and feta meatloaf with its tomato sauce. In my mind’s eye, I see myself enjoying this Greek Nebbiolo with my newly discovered meatloaf!.  Fantastic!

I have not been to the Thessaly area of Greece but I read that the area is bordered by Greek Macedonia and the Aegean Sea and has a thriving viticulture industry.   The wine waiter at Beba Restaurant, Nicosia, recommends this wine to us. It was a good recommendation, which we thoroughly enjoy.     The Nebbiolo grape is usually associated with high quality wines from the Piedmont area of Italy.

Closer to home here on the West Coast, we enjoy the meatloaf with our house Pinot Noir, which is from the Meyer Family Vineyard in Okanagan Falls, B.C:   also a good choice with the lamb and feta.

Taking time to discover new recipes and imagining wine pairings is enjoyable and creative in these unusual times and brings a smile to my face.

Perhaps the Heartman says it best with his inspiring ♥️ heart creations.

References:

Southern Living magazine: www.southernliving.com

(Search their recipes: Lamb Meat Loaf with Feta Cheese).

Classic Tomato Sauce   www.epicurious.com

Beba Restaurant, Nicosia, Cyprus.   bebarestaurant@gmail.com

Ktima Karipidis   www.karipidi.gr

Meyer Family Vineyards       www.mfvwines.com

Winery visits in the Time of Covid

Today, I saw the Heartman as I was walking along the seawall in Vancouver.

The Heartman, as we call him, creates beautiful arrangements of flower petals on the earth or grass, always in the shape of a heart.     He radiates calm and peace and his delightful work inevitably brings a smile or a photo opportunity moment to passers-by.

This heart symbol seems particularly appropriate as we all do our best to: “Be Kind, Be Calm and Be Safe”; the affirmation that British Columbians have taken to heart, literally, coined by Dr. Bonnie Henry, Provincial Health Officer of British Columbia.

The focus on compassion and safety is reflected in the approaches to winery visits this summer where social distancing and safety are paramount for visitors to be encouraged to venture into winery tastings.

The key message for people planning to visit wineries during their summer holidays, whether here in BC or in other wine growing areas, is to anticipate the need to make an appointment for a wine tasting.     For now, drop in wine tastings are a thing of the past.       Additionally, the numbers of people tasting at any one time is sharply reduced, so check out how many people can be in the tasting party.   And, ask about the guidelines on spitting wine at the tasting area: some wineries provide a disposable spit cup, so a good idea to clarify this before the tasting begins!

Each winery creates their own wine tasting procedures as long as they keep to the guidelines around social distancing and sanitation.   This affects where the wine tastings take place, indoors or increasingly in outdoor spaces.  A point of enquiry is the definition of social distancing.   Here in British Columbia, we are operating with a 2 metre social distance.   In France, the social distance is 1 metre.   Figure out what that distance looks like, so you can conform to the expectation or leave more space.   Its important everywhere to know the guidelines, so you can: “respecter la distance de 1 mètre” or 2 metres, whichever is relevant.

Winery visitors can expect highly professional levels of sanitation for everything from counter tops to wine stemware to pour spouts on wine bottles with visitors being discouraged from touching bottles of wine for sale, unless buying them!

I visited the websites of two award wining wineries I know well in SW France to see what is on offer in these Covid times.   Both these wineries have 5 stars with Trip Advisor for their winery visits.

Chateau Lestevenie has clear instructions on their home page about phoning to arrange wine tastings.   They indicate that wine tastings are strictly by appointment to one household group per time in order to maintain social distancing.   Chateau Lestevenie is a beautiful countryside winery offering a wonderful visit and opportunity to learn with Humphrey and Sue Temperley and admire the work they have also done to promote the flora and fauna on their property.

Website: chateau-lestevenie.com         email: temperley@gmail.com

These comments above assume that the winery visit will be in person.   A growing element in wine tourism now is the advent of the virtual wine tour and tasting.

Another local winery in the Dordogne is Chateau Feely where Caro Feely has been busy launching a range of virtual experiences to enable people to experience Chateau Feely from anywhere.

Caro says: “We have been working flat out days, nights, weekends to get these new products developed and the response has been great.   We had started developing ideas for online courses as part of our wine school the last couple of years and the coronavirus offered the push and the ‘time space’ we needed to get the first products done.”

Caro has produced several videos on their website describing the biodynamic vineyard of Caro and her husband, Sean, including a one minute video produced about their new Virtual Discovery Wine Course.

Website: chateaufeely.com      email: caro.feely@chateaufeely.com

‘Down the road’ from these country wineries, in Ste Emilion and the areas around Bordeaux another approach to wine tasting takes place.   This year, many of the most famous chateaux in the wine world are conducting their wine tastings with merchants using video conferencing platforms like Zoom, Microsoft teams etc.   Samples of wines are shipped to the merchants in advance and then the tastings take place virtually with the chateaux technical directors discussing the wines and answering enquires from the merchants.   This is how the 2019 en primeur wine sale to merchants is taking place for many chateaux.  The good news is that it appears 2019 was a year producing a high quality vintage.

Economically speaking 2020 looks like a tough year for winemakers. At the en primeur level of wine sales, many chateaux are discounting their 2019 vintage prices to encourage sales. Inevitably, this price challenge will ripple down through the industry and affect all the wine-makers.

In the time of Covid, let’s be kind to our wine-makers and support them through an unforgettable year, which is bringing many challenges as well as opportunities for change.

Supporting the wine industry with wine and food pairing

We’re all spending so much more time at home these days.   It’s inevitable that someone will ask, “How are you spending your time?”     That is, in addition to whatever work one might be doing at home and/or looking after children.

 

 

 

For myself, in addition to observing all the social distancing rules here in British Columbia and usual responsibilities at home, I am painting, gardening and growing lettuce and chives, walking in nature and cooking!

Cooking seems to be the main preoccupation for people I talk to. Not just the every day stuff but getting creative.   As a friend said to me, “…after years of not bothering much with cooking, I’ve got all my old recipe books out and I am enjoying making good meals.   It fills some time and I eat well!”

Other friends have said they are enjoying watching reruns of the charismatic American cook, Julia Child (1912 – 2004) and her cooking shows; great entertainment!   Julia Child is recognized for bringing French cuisine to the American public with her cookbook, Mastering the Art of French Cooking.   Her television programs were and clearly are, very popular.

One way that we can support the wine industry is through buying more wine! How about exploring new combinations of wine and food or selecting great wine by itself that we haven’t tried before?.

If we live in wine growing areas, we have the opportunity to support our local wineries through their wine-clubs and/or buying local wines at our local wine stores.   It all helps the industry that has been through tough times for a few years.

Here in British Columbia, the wine growers in the Okanagan Valley struggled with fierce wild fires two years ago and now are facing loss of wine tourism and loss of sales to restaurants and bars.

Wherever we live, whether in North America or Europe, or elsewhere, it’s important that we support the local agricultural wine-growing sector if they are to survive.

In the spirit of practicing more wine and food pairing, here are some tips:

  • Think about the component parts of both the dish and the wine. When considering the food dish, consider whether or not there is a sauce with the food.   This can make a big difference as to which wine is chosen.   For example, chicken prepared with a creamy sauce would pair well with a chardonnay, which fuses with the creaminess of the cream sauce.   Chicken prepared with a spicy sauce would pair better with a Gewurztraminer.
  • Balance the power of the food dish and power of the wine.   Be careful not to kill the wine or dish with too powerful a wine or dish.    If big red wines appeal, then drink with roast meats or stews.
  • Consider the complexity of the food, i.e. the number of ingredients – this can make selecting an appropriate wine more challenging. Considerations would be the level of acidity, the spices/herbs in the dish, whether there is saltiness or sweetness.   Having considered these elements, decide which aspect of a multi ingredient dish is to be “activated’ with the wine choice.
  • Consider that specific regional menus often pair well with corresponding regional wines.   After all, they’ve grown up together! For example, Italian dishes often contain tomatoes and olive oil.   Tomatoes are very acidic. A characteristic of Italian wine is noticeable acidity. If you are preparing an Italian dish, select a wine with acidity.  If you choose a regional dish from another area, see if you can find a suitable wine to complement that particular regional food.
  • If some old sweet wines appear in your wine storage area, enjoy with aged, strong cheeses.

The idea is to experiment and keep good notes, so the successful and not so successful pairings can be noted!

The most important objective for wine and food pairing in these challenging times is to bring enjoyment to the table.   Sometimes, a really good bottle of wine is best enjoyed on its own before or after the meal, if an obvious pairing doesn’t come to mind.

Let’s do what we can to support our local wine industry, our local wine growers and local wine shops!

Finally, to quote Julia Child:

This is my invariable advice to people: Learn how to cook – try new recipes, learn from your mistakes,

BE FEARLESS,

And above all have fun”.

 This sounds like perfect advice for experimenting with wine and food pairing.

Bon Appétit et Bonne Continuation!

____________________

Reference:   Julia Child 1912-2004. Lots of information and YouTube material on the web.

Wines for Self-Isolation in challenging times…

This is day 14 of the 14-day self-quarantine period in Vancouver, British Columbia following our return here earlier in the month.     We now continue with the self-isolation and social distancing practices in place here in British Columbia and elsewhere in Canada.

Other people we know are in various stages of their mandatory self–quarantine following their return to Canada from travels overseas and it’s interesting how we are all dealing with this time on our hands.

The pursuits are across the spectrum from creative activities like painting, playing piano or other instruments, sewing/needlework, gardening, baking, which seems very popular!, and exercising; to stimulating the little grey cells with language learning, reading, studying, writing; plus catching up on all those projects and chores we have put off for as long as possible; and to communicating with family, friends, colleagues past and present, members of groups and clubs.   This adds up to lots of communicating and especially face-to-face talking going on via various media, which is wonderful and comforting.

Perhaps this ‘reaching out to others’ may well be the biggest communication trend as we support friends, family, neighbours and strangers stay safe and healthy.

So where does wine fit into this equation?

For wine-lovers, having a glass of wine in hand when connecting with people over the airwaves to say hello and exchange news is a great way to salute and toast each other.

Imagine my delight last week when my quarterly supply of wine from Meyer Family Vineyards, Okanagan Falls in the Okanagan Valley, British Columbia was delivered as part of my wine club membership.   After carefully sanitizing the box, removing the wine bottles and wiping them down, they were safely stored away (and the box sorted for recycling).   In addition, Meyer Family Vineyards gave us a gift of two Riedel Pinot Noir glasses in gratitude for our 3-year wine club membership.  (Meyer Family Vineyards are now offering various delivery/curbside pick up options identified on their website)

Perfect gift, perfect timing!

For a Zoom call with friends, I opened a bottle of Meyer 2018 Pinot Noir Okanagan Valley and enjoyed a glass in my new Pinot Noir Riedel while chatting with friends.

Small pleasures in difficult times help lift our heart and spirits!

Spare a thought for wine makers and vineyard owners around the world. Many of them are small family owned businesses and will acutely feel the economic uncertainty of the current situation.   Most of them are also adapting to getting the wine to the consumer even if the consumer can’t get to them.

An example of this came into my email today from Chateau Lestevenie, a small family owned vineyard in the community of Gageac et Rouillac in the Dordogne in SW France. Sue and Humphrey Temperley, who I have written about before, identify the delivery arrangements they are able to make under the current lock down business rules for both their clients in France and also in the UK.   All the details are on their website.

We can help our favourite wineries, wherever we live, get through these challenging times by checking out their wine delivery options and purchasing on-line where we can.

People are amazing at demonstrating their resilience and adaptability in times of crisis.   I have great respect for First Responders, medical staff, and people working in many sectors and industries to help find solutions and to those people supporting the vulnerable among our communities.   A big thank you!

In closing, here’s an encouraging last comment from Sue and Humphrey at Chateau Lestevenie:

We wish all our customers the very best at this stressful time.  It is hard being separated from family and friends. Despite all the human trauma, of course; the vines are in bud, the birds are nesting and the hares are dashing about. It does give hope. “

Stay safe and healthy…and reach out!

elizabethsvines

References:    Meyer Family Vineyards    www.mfvwines.com

Chateau Lestevenie   http://www.chateau-lestevenie.com

 

Cyprus mosaics – the cultural tradition continues…

“ To carry on the cultural heritage of mosaic making in modern materials”, is the vision of Sharen Taylor, mosaic artist in Paphos, Cyprus.

Mosaics, particularly antique mosaics, always fascinate me.

Here are some reasons:

  • The sense of wonder I feel when I look at antique mosaics made in Roman times;  around the 2nd Century AD or about 1,800 years ago, and that they have survived,
  • The artistry in the designs, whether geometric, non figurative or figurative – which still appeal to the modern viewer and are influential in today’s decorative styles,
  • The craftsmanship in making polychromatic illustrations from tiny cubes – 1 cm each side – of natural stone (called tesserae); usually limestone or marble of different colours which remain as vibrant today as the day the stones were laid.   In particular, the skill in applying the stones to the mosaic design in such a way as to provide perspective, texture, and nuance of colour, size and scale,
  • The size of either floor or wall mosaics, which provide the opportunity to tell a story in stone; reflecting contemporary interests in nature, flora and fauna, spectacle, myths, gods and goddesses,
  • The way in which mosaics inform us about the lifestyle, the social and economic standing of the people who lived so long ago  in houses and communities decorated in such beautiful ways; where beauty was a value they appreciated.

In other words, antique mosaics are masterpieces of the ancient world.

In today’s world, Sharen Taylor is inspired to help people appreciate the mosaic art form and also create mosaics with modern materials.   While this is her focus, her creative approach is grounded in the depth and breadth of her knowledge and experience of art history and archeological conservation that she brings to her modern expression of an ancient art.

Sharen graduated from Exeter University with a BA in Fine Arts with a specialty in sculpture.   An interest in antiquities and conservation work led her to a job with the British Museum in London.   While working there, she was sponsored for a Diploma in Archeological Conservation at the Institute of Archeology, London University.

Coming to Cyprus in 1987, she worked on the excavation work at Lemba, near Paphos.   She conducted the conservation work on the cult bowl and figurines found at Kissonerga, which are on permanent display at the Archeological Museum in Nicosia.   During a recent visit to that museum, I took this photograph, thinking how fortunate I am to know the person who did the conservation work on these important artifacts dating back over 4,000 years.

Following this exciting work, Sharen stayed on in Cyprus and worked for the Department of Antiquities as a consultant, including with the Leventis Museum, focusing on metal work and mediaeval pottery.   She also worked for various foreign missions coming to Cyprus on archeological expeditions.   Through this work, Sharen joined the Getty Conservation Institute as a Consultant and Coordinator for Site Conservation training, which focused on conservation on site; important for the integrity of archeological expeditions.   Because of Cyprus’s location at the centre of the Eastern Mediterranean with major archeological finds throughout this geographic area, site conservation training was centred in Cyprus.

Sharen’s professional interest shifted to mosaics when she was asked to conduct a historical survey of the wine harvest mosaic in the atrium of the House of Dionysius at the Nea Pafos Archeological Site, a World Heritage Site, adjacent to the Paphos old Port.  She analyzed each stone in that mosaic! In this photo, she shows her detailed mapping and analysis of those mosaics.

Sharen presented her findings at a conference of the International Committee for the Conservation of Mosaics in Arles, France in 1999.

She started her mosaic workshop in 2000 and moved to the beautiful, light and airy new building in the Hani Ibrahim Khan Centre near the Municipal Market in Paphos in 2018.   As soon as we entered to workshop to meet with Sharen, I could feel the good energy there.  She focuses on commissions for organizations and private individuals and also teaches children and adults mosaic making, which is how I first became aware of her work.

Coincidentally, in 2013, I wrote about the wine harvest mosaics in a series of 5 posts about Cyprus in which I made the connection between my interest in wine expressed through my wine blog and the wine harvest mosaics!   ( See: Cyprus Wine Making – the ancient world meets the 21st Century: Part One)

Cyprus wine making – the ancient world meets the 21st century – part one

Earlier in this post, I outlined the main reasons that ancient mosaics fascinate me.

A visit to the Nea Pafos Archeological Site illustrates all these aspects.   Each time I visit Cyprus, I take time to enjoy these mosaics, both those in the open air and those in the various excavated houses, including the House of Dionysius, where the wine harvest mosaics pave the atrium.

Imagine welcoming guests to your house if you were the prosperous citizen of Paphos living in this Roman villa.     Your guests would admire these and other mosaic illustrations as they walked across the floor.

Sometimes, I wish I could be a time traveller to quietly observe these scenes!

Any visitor to the Nea Pafos Archeological Site is privileged to be able to see these world heritage mosaics in situ.

Prior to the 1960’s, geometric and non-figurative mosaics were frequently considered of little importance.     Generally, there has been ongoing deterioration and loss of mosaics.   There was a view that there are so many antique mosaics in the Mediterranean region where mosaics are numerous that conservation wasn’t important.

Now there is recognition that cultural heritage is increasingly threatened by rapidly changing physical and geopolitical currents around the world and this emphasizes the need to protect antique sites.

Under the authority of the Department of Antiquities, Republic of Cyprus, systematic excavations started at Neo Pafos in 1962.   In 1980, it was inscribed on the World Heritage List of UNESCO.  Nea Pafos continues as a centre of excavation and research by many foreign archeological missions from universities and schools.

As mentioned previously, Sharen presented her paper on the Paphos wine harvest mosaics at The International Committee for the Conservation of Mosaics (ICCM) Conference in 1999, entitled: Mosaics, Conserve to Display.     The ICCM, founded in Rome in 1977, is a voluntary organization registered in Cyprus as a legal entity.   Their role and objectives are, “promoting the broader evolution in the philosophy and practice of heritage conservation in the field of mosaics”.       It is an organization that brings together conservators, archeologists, art historians and architects.       I am grateful to Sharen for making me aware of this organization and its work.

Experiencing antique mosaics connects us to the ancient past at various levels: physical, emotional and at the level of beliefs and values through the stories they tell and the designs they illustrate.

Sharen Taylor, through her knowledge, experience and creativity pays that cultural heritage forward by teaching children to appreciate and create mosaics.     The Hani Ibrahim Khan colourful and imaginative wall mosaic created by children with aged 7 – 11 is a great illustration of this.

Past, present and future:  the cultural tradition of mosaics continues…

References:

Sharen Taylor Mosaics, 15 To Hani Ibraham Khan, 40 Konstantinou Kanari Paphos

Accessible Website via Facebook  Google Sharen Taylor Mosaics.

Department of Antiquities, Republic of Cyprus www.mcw.gov.cy see this site for lots of relevant information including the Neo Paphos Archeological Park

International Committee for Conservation of Mosaics (ICCM)

http://www.iccm-mosaics.org

Getty Conservation Institute   http://www.getty.edu

Bergerac Wine Region, SW France: Lessons in Wine Tourism

Caro Feely walks through the Marche de Noel in Saussignac with her usual friendly and confident air.

We smile and greet each other.  I congratulate Caro on her recent important win in the world of wine tourism.   Chateau Feely, of which she is Co-Proprietor with her husband Sean, is one of the 9 Gold Trophy winners in the first French National Wine Tourism Awards: Trophées de l’Oenotourisme.  Chateau Feely won Gold for the Category: Education and Valorization/Recognition and Valuing the Environment.

This trophy award is significant as it puts the achievements of Caro and Sean at Chateau Feely on the national scene.   With their January 2020 inclusion in the Forbes Travel Magazine list of 5 best places to learn about wine, they are now on the international map.    This is tremendous recognition for their hard work and commitment.

In addition to the sale of their organic and now biodynamic wines, Chateau Feely situated in the village of Saussignac, part of the Bergerac Wine Region, offers the visitor a broad repertoire of activities and events.   Wine and Spirit Education Trust wine courses, the organic/biodynamic learning and education trail through the vineyard, ecologically built holiday accommodation are available.   Wine tours and events such as wine harvesting days, the wine club and recently added yoga lessons taught by Caro, a qualified yoga teacher, round out the vacation experiences.   There are also Caro’s three books providing a personal and entertaining insight into their experiences at Chateau Feely over the years.

I ask Caro if I can take her photo and write about what Chateau Feely has achieved in my blog.   She is happy with both suggestions.

I’ve known Caro since about 2007.   When we first met Caro and Sean, with their two young daughters, they were starting to make their way in the wine world in this beautiful part of SW France with their wine farm on the edge of the small village of Saussignac, about 20 mins from Bergerac.

Sean focuses on the farming side of the enterprise and Caro, with her background in marketing in the world of technology, moved the business forward in terms of visibility.   Her leadership skills of focus, strategic thinking, perseverance, entrepreneurship and commitment to action have all contributed to where they are today.

Saussignac, this small village of about 420 residents, resting in the shadow of the 17th Century Chateau with 12th Century and earlier roots, is very much a part of the local wine community, having its own Saussignac Appellation for a late harvest delicious wine made by various wine makers in the area.

The village of Saussignac plays a leading role in wine tourism in the area and highlights the importance of community engagement and collaboration.   Led by a dynamic group of local people, the village hosts weekly wine tastings on Monday evenings in July and August presented by a different wine chateau each week. The Confrérie du Raison d’Or de Sigoulès organizes weekly walks in the surrounding countryside during July and August.   The village supports periodic Art Shows, theatre and music productions.   A new restaurant in the village, Le 1500, with its welcoming courtyard, offers delicious and interesting meals.   Le 1500 and Chateau Le Tap, an organic winery adjoining Chateau Feely offer excellent accommodation.

The Bergerac Wine Region has seen a steady growth in organic and biodynamic wineries, certified or following organic farming principles.   I have written about several of them in the past: Chateau Le Tap, Chateau Lestevenie, Chateau Court les Muts, Chateau Monestier La Tour, Chateau Grinou, Chateau Hauts de Caillevel, Chateau Moulin Caresse, Chateau Les Plaguettes, Chateau Tour des Gendres, Vignobles des Verdots and Chateau Feely.

So what does wine tourism mean?   In France, it is interpreted to encompass the countryside, heritage, history, culture, wine of course and all the people involved. It’s a broad perspective.

The objective of the Trophées de l’Oenotourisme is to shed light on initiatives taken by these winning wine chateaux and their proprietors, who like everyone in the wine industry, work hard every day to put in place strong and attractive wine tourism offerings to suit the changing demands of clients and to encourage others through these examples.

The opportunity to share wine tourism ideas is particularly important as the market for wine changes due to various issues including a gradual change in consumption, the effects of climate change on the grape varieties grown in wine growing areas and the positive focus on quality not quantity.  It’s a sector under pressure and the sands of the wine industry are shifting.

This first national award scheme of Trophées de l’Oenotourisme for wine tourism is a collaborative initiative of the French wine and lifestyle magazine, Terre de Vins and Atout France, France’s national tourism development agency.

The list of the 9 Gold Trophy winners is noted at the end of this article.   I have looked at the websites of each of the winning chateaux and found that exercise interesting and informative.  In addition to these 9 chateaux, there are many others throughout France pushing the envelope on wine tourism.

When considering how people choose to spend their discretionary money, it is interesting to look at the world of retail.   It appears people are buying fewer ‘things’ and spending their money on experiences.   This seems to be a trend in vacation planning.   As Caro says: “Our clients are looking for more, that extra something, when they go on vacation, and we provide that through our educational and environmental approach”.

We live in an age of increasing stress with the many diverse demands place on individuals and families.   Mental health is a significant workplace safety and wellness consideration for individuals and organizations.   A vacation in the countryside where one can have enjoyable experiences learning about nature, the environment, benefit from exercise, fresh air, good fresh food and excellent wine sounds like a healing proposition.

What are the lessons one can take away from observing what is happening in the world of wine tourism?   These include:

  • Keeping up to date on trends, particularly about the evolution of the mature wine market.
  •  Learning new skills and expanding knowledge of relevant topics
  • Using technology effectively to communicate with potential visitors
  •  Investing time, energy and money (sourcing development funds where possible) to remain current
  •  Adaptability. **
  • Collaboration and networking
  • Community engagement

To benefit from this awards initiative, one way of looking at these Wine Tourism Trophies and their 9 categories is to see them as case studies of success and adaptability.   In this way, they offer value to students and observers of wine tourism. One new idea can have far reaching results.  In an era of change in the wine industry, these learning opportunities take on greater significance.

Congratulations, Caro!

References:

Here’s the list of the 9 Gold Trophy winners:

Les lauréats des premiers Trophées de l’Œnotourisme:

Catégorie Architecture & paysages –Château de Pennautier (11610 Pennautier), 
Catégorie Art & culture – Maison Ackerman (49400 Saumur), 
 Catégorie Initiatives créatives & originalités – Château Vénus (33720 Illats)
, Catégorie Œnotourisme d’affaires & événements privés – Champagne Pannier (02400 Château-Thierry)
, Catégorie Pédagogie & valorisation de l’environnement – Château Feely (24240 Saussignac)
, Catégorie Restauration dans le Vignoble –Château Guiraud (32210 Sauternes)
, Catégorie Séjour à la propriété – Château de Mercuès (46000 Cahors)
, Catégorie Valorisation des appellations & institutions – Cité du Champagne Collet (51160 Aÿ-Champagne)
, Catégorie Le vignoble en famille – La Chablisienne (89800 Chablis). I googled the chateau names to look at the websites.

 

Chateau Feely                                              www.chateaufeely.com

Chateau Le Tap                                           www.chateauletap.fr

Chateau Lestevenie                                               www.chateau-lestevenie.com

Chateau Courts les Muts                           www.court-les-muts.com

Chateau Monestier La Tour                      www.chateaumonestierlatour.com

Chateau Moulin Caresse                          www.moulincaresse.com

Chateau Hauts de Caillevel                      www.chateauleshautsdecaillevel.com

Chateau Tour des Gendres                      www.chateautourdesgendres.com

Vignobles des Verdots                               www.verdots.com

Le 1500                     https://www.le1500.rocks     (restaurant and accommodation)

Terre de Vins   www.terredevins.com

Atout France     www.atout-france.fr

Forbes Travel Magazine                             stories.forbestravelguide.com

Magnums and Jeroboams: what’s in a name?

Walking in central London, I see the sign for Hedonism Wines. I’ve read the name of this shop in a magazine article and decide to drop in to have a look.   I am greeted with a cornucopia of wines and spirits in a modern, dynamic environment. It’s a great find for anyone interested in wine.

The large format wine bottles really attract my attention!

The bottle with the gold coloured label  (bottom left) contains 15000 milliliters of Chateau Palmer 2010, Margaux, Bordeaux.   It’s the equivalent of 20 bottles, called a Nebuchadnezzar.

The use of large format wine bottles interests me for several reasons: the names given to these outsize bottles, the impact of large format bottles on the wine ageing process, and the trends in their use.

To help remember the names and dimensions, here’s a chart I prepared.

With the exception of Magnum, the names used for these large format bottles all refer to kings in the Bible’s Old Testament.   After some research into this, it seems the reason that biblical names are used has been lost in the mists of time, other than that the names relate to powerful kings. For example, Nebuchadnezzar is the Babylonian king famous for the hanging gardens of Babylon, who lived approximately between 605 BC and 562 BC.

It is thought that the use of these biblical names originates in the 1700s.   I don’t know if the use of these names originated in France or elsewhere.   Assuming the use may have originated in France, a link to the notion of powerful kings is that the early years of the 1700s were the latter years of the reign of an absolute monarch, Louise X1V.     French historians generally regard the Age of Enlightenment (think Voltaire and Rousseau with their revolutionary ideas) as commencing with the death of Louise X1V in 1715 and ending with the outbreak of the French Revolution in 1789. This ended the Ancien Regime, however, the biblical names have stuck!

The wine ageing process is complex based on a variety of chemical reactions in the wine as it ages.   It is also somewhat controversial.

Wine ageing pays tribute to the skills of the vine grower and the wine maker.   The vine grower’s responsibilities in the vineyard with respect to managing the terroir, soils, weather and grape varieties form the platform for the wine maker’s approaches to producing quality wine.   The appellation rules apply by region in terms of blends of allowable varieties and length of time for winemaking processes.

The value of ageing wine beyond the typical period of 12 – 24 months for red wines is often a factor of the grape varieties in the wine.   For example, Cabernet Sauvignon and Syrah red grape varieties, which have high levels of flavour compounds or phenolics such as tannins, can benefit from further bottle ageing.  Various grape varieties have recognized ageing potential.   For example, Cabernet Sauvignon has from 4 – 20 years, Merlot 2 – 10 years.

So, if some wines can benefit from further bottle ageing, what is the advantage of using large format bottles, such as Magnums or Jeroboams or even Nebuchadnezzars?

It’s about the rate of ageing.   In all large format wine bottles, wine ages more slowly than in a smaller-size container.   The wine generally retains fresher aromas for a longer period of time as less oxygen enters the bottle through the cork relative to the volume of wine in the bottle.   Oxidization, light and temperature can all degrade a wine if not managed carefully.     It also means that if you buy a half bottle of wine, enjoy it and don’t keep it for a rainy day!

The controversy around wine ageing is that some authorities suggest that wine is consumed older than is preferable.   Ageing changes wine but whether it improves it or worsens it varies.    Certainly, ageing will not improve a poor quality wine.

An economic factor that impacts the winemaking choices around ageing wine is the cost of storage. It certainly is only economical to age quality wine and many varieties of wine do not appreciably benefit from ageing regardless of quality.

Personally, as a general practice, we don’t keep white wine longer than two years beyond the vintage and drink it within one year by preference.   We buy red wine that we can cellar for another 2 – 5 years and that is as far out time-wise as we select.   All this affects our purchasing approach, as we have learnt from experience that buying beyond one’s capacity to enjoy the wine is not a good idea!

Factoring in the economics means that the current trend is to make wine that can be enjoyed in the shorter term.     Added to this is the fact that less wine is consumed these days due to health considerations including driving restrictions.

When discussing large format bottles recently with a wine maker in the Pécharmant area of the Bergerac Wine Region, I was told that the demand for large format bottles is declining.   Apart from the decline in consumption, people live in smaller homes and entertain differently. The benefit of having that large Jeroboam or Nebuchadnezzar on hand is less evident!   Today, these large format bottles are used more commonly for celebrations and gifts.   Magnums of champagne are commonly bought for weddings and other celebrations.   Magnums, Jeroboams, Salamanzars and even Nebuchadnezzars of fine wine are used as gifts and are generally specially ordered from the relevant chateau or winery.

A friend recently sent me this photo of a Jeroboam of Merlot 2014 from Burrowing Owl winery in the Okanagan Valley in British Columbia. This was a gift from a client.   Another great example of a fine wine in a large format bottle.

Its good to see old traditions continue in the spirit of generosity. I like to think that those old kings would be amused.

Best wishes for 2020.

 

References:  various sources,
Hedonism Wines:  hedonism.co.uk

Merry Christmas and Happy Holidays 2019

My Twelve images for Christmas and the Holidays!

Best wishes for a very Merry Christmas and Happy Holidays with good cheer, wonderful wines and delicious food to bring warmth and happiness to you at this special time of year, and to share peace and goodwill with others.

Elizabethsvines

Lest We Forget: The Fallen of Canada

By chance, I am at Westminster Abbey in London on Saturday, November 9th around noon, meeting some school friends.     We come across all the small cross memorials for the individual fallen service men and women from British, Commonwealth and Allied forces.   We follow the long line of people  and hear many languages spoken softly as everyone quietly absorbs the reality of loss of life and reads the names and messages on the crosses.   In particular, I look for the Fallen of Canada.

An open air service takes place and when it ends, I notice the number of young men and women wearing their service medals.  Overhearing snippets of conversation, I hear people remember their colleagues who died in service and how they will soon go and raise a glass in their honour and memory.

Words feel inadequate.   It’s a solemn and important occasion that touches the heart.

References:  Lest we forget   Phrase used in an 1897 poem by Rudyard Kipling called “Recessional”.

 

It’s a small world where wine and art connect: Bergerac wine region

Thinking about small worlds reminds me of the time my late mother met Long John Silver.

Mum had a great sense of fun and enjoyed every moment of this encounter.

It’s 1980 and we’re in Disneyland.   Aside from meeting Long John Silver and other characters, we go on the rides including the one where we all end up singing,  ‘It’s a small, small, small, small world’.

This is the refrain I remember every time I experience a small world story!

A small world story happened this summer, which seems like a long time ago now.    We had the opportunity to attend Masterpiece, the art event held in London in the grounds of the Royal Hospital Chelsea, the same area where the Chelsea Flower Show is held.

We heard about Masterpiece during a serendipitous visit to the Kallos Gallery in Mayfair on the recommendation of a friend, who knows of our interest in the classical history and mosaics of Cyprus.   The Kallos Gallery specializes in classical antiquities and is a supporter of archeological research.

We decide to visit Masterpiece and discover a treasure trove of paintings, antiques, jewellery, sculpture and much more.

We are interested to discover that the watchmaker and jeweller, Chopard, is   sponsoring the educational program at this event.   Interested not only to know that Chopard is supporting the learning and development of knowledge and appreciation of art for collectors at all levels but also to see that this approach is consistent with the ownership philosophy at Château Monestier La Tour in the Dordogne, where the family is engaged in organic wine making.    I wrote about my visit to Château Monestier La Tour earlier this year.  See:

Philosopher, watchmaker, winemaker: Château Monestier La Tour, Monestier, Bergerac Wine Region, France

That Disneyland famous refrain about small worlds written by Robert B and Richard M Sherman for Walt Disney in the 1960’s never seems to go out of date!  It gave my mother a great deal of pleasure all those years ago in Disneyland.    I’ll hum the tune the next time I enjoy a glass of wine from Château Monestier La Tour in the Bergerac wine region.

References:

Walt Disney Music Company

Chopard    Chopard.com

Kallos Gallery   kallosgallery.com

Chateau Monestier La Tour, Dordogne, France.
chateaumonestierlatour.com

 

Beautiful British Columbia and my summer sipping picks

The summer on the coast of British Columbia (BC) has been great this year.  Lots of sunshine and temperatures in the mid to high 20s.

It’s hot but not too hot with refreshing periods of rain for the gardens and forests to cool off.  Perfect weather for enjoying the sea, beaches and mountains around Vancouver.

There is a collective sigh of relief and appreciation expressed by residents here that this year BC hasn’t suffered the forest fires of the last couple of years.

We enjoy picnic suppers on the beach nearby and watch the marine life from commercial shipping and pleasure boats going in and out of the port to individual stand up paddle boarders confidently navigating the busy waters, as well as birds and seals going about their business.

My menu for beach picnics consists of different ways of preparing chicken thighs, which then get placed in individual foil parcels and taken to the beach together with individual parcels of roasted vegetables.  Easy to empty onto a plate and easy to clean up; important considerations for beach picnics!

A really easy preparation is to roll chunks of Greek feta cheese in dried oregano and stuff them under the skin of the chicken thighs, which I then bake til cooked in the oven.  Sometimes, I add some fruit to bake as well, and on this occasion, fresh peach sections from the Okanagan Valley.

A delicious combination.

A variation is to combine Prosciutto di Parma with the feta in stuffing the chicken thighs.   Also popular!

My summer sipping picks for patio entertaining this year are a Rosé from British Columbia and an Italian White.

My rosé choice is from Quails Gate Winery in the Okanagan Valley here in BC.  Quails Gate have a reputation for reliable quality and they don’t disappoint with their 2018 Rosé: a blend of Gamay, Pinot Noir and Pinot Gris.  Herbal, dry. refreshing wine at 14% Alc./Vol. and reasonably priced at C$17.99.

My white wine choice is Italian:  Ruffino Orvieto Classico.   For me, the blend of Trebbiano, Malvasia and Verdelho from the Umbria area of Italy is excellent value at C$13.99 and 12%Alc./Vol.   This dry, crisp light bodied wine with tones of citrus and green apple is perfect on a hot day.

September is here already, the summer holidays are over, children go back to school this week and the days of beach picnics are almost over…but not quite!!

 

Exploring the Isle of Wight, UK and enjoying Rosé wine!

The Isle of Wight (IOW) s one of my favourite places in Great Britain.  I love being by the sea and there’s lots of opportunity for that on this island off the south coast of England.

We arrive by ferry from Lymington.  After a 40 minute mini cruise during which we meander past the Lymington Yatch Haven with the many sailboat masts gently swaying in the breeze, we cross the strait and reach the Isle of Wight.

We dock at Yarmouth, where we visit the 16th Century Yarmouth Castle, one of King Henry V111’s defensive castles built to protect England from invasions from the Continent (!)

We’ve come to spend a few restful days on the Island and have no expectations other than chilling out in the relaxed atmosphere of a place that seems moored to an earlier, less frenetic era.  Part of the chilling out process is to enjoy seafood at The Hut at Colwell Bay and also to explore Isle of Wight history by visiting Queen Victoria’s seaside home at Osborne House in East Cowes.

The Hut at Colwell Bay is our gastronomic beachside destination located right on the edge of the sea.  We visit several times!   Sitting out on the deck enjoying the view is all part of the pleasure of the place.    Lobster, sea bass, crayfish, prawn, hake: it’s all freshly available.

The Hut features rosé wine, which they like to offer in large bottles such as magnums and jeroboams!

If Miraval Rosé Côtés de Provence rings a bell, it may be because it is owned by Brad Pitt and Angelina Jolie in partnership with the Perrin family.  It’s not clear if this ownership structure is still the case.   It’s a crisp and dry wine with a good rating among the top 10 rosés from the area.    Côtes de Provence is the largest appellation of Provence wine in south-eastern France.    80% of Côtés de Provence wine is rosé and the relevant grapes are Grenache and Cinsaut, standard for the area.

Domaine de Saint Mitre Rosé Côteaux Varois is highly rated as a dry rosé and is a blend of Syrah which gives the wine structure and colour with Grenache and Cinsaut which add the aromatics.  This is a classic Provençal blend of grape varieties that work well together.  Côteaux Varois is a key Provençal appellation in the far south eastern area of France.

Rosé is now such a cool and crisp characteristic of summer gatherings of families and friends and seems more popular than ever.

To follow up on our interest in local history, one day we drive to East Cowes to explore Island royal history.

Queen Victoria, on the British throne from 1837 to 1901, made Osborne House in East Cowes her seaside home with Prince Albert and their children.   Prince Albert died in 1861 and Queen Victoria continued to visit Osborne for the rest of her reign and died there in 1901.

Osborne House was built for Queen Victoria and Prince Albert between 1845 and 1851 by the famous British builder Thomas Cubitt, whose company also built the main façade of Buckingham Palace in 1847.    The grand design of the house in the style of an Italian Renaissance Palazzo was the brainchild of Prince Albert.

Visitors can tour the house, walled garden and other parts of the property.    I enjoy seeing the private sitting room which the Queen shared with Prince Albert with adjoining desks and from where she wrote her diary and much of her voluminous correspondence.    The walled garden also celebrates their relationship with entwined initials part of the garden trellis.  

There’s a lot to explore! 

We leave the Isle of Wight after a few days feeling refreshed by the sea air and slower pace of life.  Perfect for a summer pause.

References:    The Hut at Colwell Bay  reservations@thehutcolwell.co.uk

Osborne House, East Cowes, IOW   Managed as a tourist venue by English Heritage:      english-heritage.org.uk/osborne

RHS Chelsea Flower Show 2019 …with Champagne!

Chelsea Flower Show!  This show in London is an annual and powerful magnet that attracts gardeners, garden designers and all the associated businesses and artisans.

Great excitement for me as I manage to buy an evening ticket to ‘Chelsea’, having almost given up on the possibility of going this year.  Tickets are like gold dust!    My preferred time slot is 5.30 pm to 8.00 pm, when it is cooler and less crowded around the popular gardens and exhibits.

Once in through the gates, I decide to focus on three gardens as well as the Great Pavilion and to treat myself to a glass of champagne!

First up is the Harmonious Garden of Life designed by French designer, Laurélie de la Salle.  This garden appeals to me for two reasons.  Laurélie uses her knowledge and experience to create environmentally friendly gardens.   Secondly, the gardens she designs are primarily in hot and dry areas where water conservation is important, which in turn influences her choice of plants and garden materials.  One small example is that instead of a traditional lawn, a clove meadow is featured which provides blooms for pollinators and enriches the soil as clover is rich in nitrogen.

Next on my list is the Campaign for Female Education (CAMFED)’s garden: Giving Girls in Africa a Space to Grow designed by Jilayne Rickards.  Created on a restricted budget, the garden demonstrates some techniques for gardening sustainability such as inexpensively constructed growing beds.  It particularly highlights the CAMFED focus on helping girls in rural Africa stay in education and teaching them sustainable agricultural techniques to help them and their families thrive.   All the plants grown provide food.  Apart from appreciating the goals of this garden, I really like the energy and vibrancy of the design and colours.

To mix it up a bit I then visit the Great Pavilion to get my Chelsea ‘fix’ of roses, hydrangeas and clematis.    I look at many of the exhibits and am always drawn to these dramatic, mood enhancing displays.   Who can resist walking among the roses:  it feels like walking into a parallel world of different fragrances, colours and textures.

Coming towards the end of my tour of the Royal Horticultural Society (RHS) Chelsea this year,  I head to the champagne bar!

Fortnum and Mason of Piccadilly are the official supplier of champagne to the RHS Chelsea Flower Show.   I select a glass of their Brut Reserve, made by Louis Roederer, which is a blend of Pinot Noir, Chardonnay and Pinot Meunier.    Also on offer is the Fortnum and Mason Rosé NV, made by Billecart Salmon, which is again the blend of Pinot Noir, Chardonnay and Pinot Meunier but this time rosé.   Fortnum and Mason also offer a Blanc de Blancs which is 100% Chardonnay and made by Laurent Hostomme.

Happy with my champagne choice of Brut Reserve, I wander off to join the queue for my last but not least garden choice.

This is the RHS Back to Nature Garden, co-designed by The Duchess of Cambridge and landscape architects Davies White.  The brochure and accompanying plant list states that the objective of this garden is: “to highlight the benefits of the great outdoors on our physical and mental wellbeing and inspire children, families and communities to connect with and enjoy nature – which is core to the charitable work of the RHS (Royal Horticultural Society).”

I enjoy the stroll through this compact, choreographed garden.    The use of a winding path through the predominantly green landscape featuring fun places, like the wooden tent, the tree house and the great ball of string swing, provides that magical mix of adventure and calm that would interest the child in us all.

There are so many wonderful exhibits at ‘Chelsea’ and I appreciate all the hard work, time and effort put in by the many exhibitors.  Thousands of people come each day to the show, which is spread over 11 acres (4.45 ha). I am writing about a very small percentage of what can be seen and enjoyed there.

Experience has taught me that less is more when visiting such a magnificent flower show as ‘Chelsea’ and my feet thank me for this approach.   The experience is always enhanced by a glass of champagne!

References:     The Harmonious Garden of Life      Laulérie de la Salle

http://www.laureliedelasalle-paysages.com

CAMFED Giving Girls in Africa a Place to Grow     http://www.camfed.org  www.jilaynerickards.com

RHS Back to Nature Garden  www.davieswhite.co.uk

Fortnum & Mason   http://www.fortnumandmason.com

Royal Horticultural Society.  www.rhs.org.uk

Exploring London

Walking through Green Park in central London, between Piccadilly and the Mall – think Buckingham Palace – I discover an elegant, powerful yet somber memorial to Canadians and Newfoundlanders who fought alongside their British compatriots in the First and Second World Wars.

I’ve walked through Green Park many times over the years.   For whatever reason I have not discovered this memorial before made of Canadian Shields granite, water and bronze maple leaves.  It radiates a sense of calm underneath a canopy of horse chestnut trees.

The description of the memorial says:

Designed by Canadian sculptor, Pierre Grenache and unveiled by Her Majesty The Queen in 1994, this memorial pays tribute to the nearly one million Canadian and Newfoundland men and women who came to the United Kingdom to serve during the First and Second World Wars.  In particular it honours the more than 100,000 brave Canadians and Newfoundlanders who made the ultimate sacrifice for peace and freedom.

The monument, made of polished red granite from the Canadian Shield is inset with bronze maple leaves arranged in a windswept pattern.  Set at an incline.”

A quick catch up on Canadian history explains why the description differentiates between Canadians and Newfoundlanders.   Newfoundland joined the Canadian Federation in 1949, four years after the end of World War 11. As the description also states,  the military forces going to join the two world wars left from the port of Halifax in Newfoundland.

The easiest way to find this monument which hugs the ground, is to locate the Canada Gate, which is marked on London maps showing Green Park.  If you are facing Buckingham Palace, the Canada Gate is on your right towards Piccadilly.   The monument is ahead.

I find this memorial very moving, particularly as we approach the 75th anniversary of the Normandy Landings, centred around the date of invasion, 6 June,  known as D-Day.

Another opportunity to walk through Green Park presents itself when I stand in line outside Buckingham Palace to photograph the formal announcement of the Duke and Duchess of Sussex’s baby.    Lots of young people are queuing, excited to be in London outside the gates of the Palace and connecting in some way to Prince Harry and Megan’s baby.  On this particular day, it is a public holiday that day, so schools are out!

We take advantage of this time in London to catch up with some friends for lunch at one of the Côte Restaurants;  known for good value and convenient locations. The one we eat  at being near Trafalgar Square.    Imagine our delight at discovering a Bergerac Region wine on their list!    Needless to say this is what we order and all enjoy.    It is a classic Bergerac white wine blend made from mainly Sauvignon Blanc with Semillon grapes. Both varieties well established in South West France.   The refreshing acidity and citrus flavours makes this aromatic dry wine an excellent pairing with our fish entrée.  Château Laulerie, part of the Vignobles Dubard operation started in 1977, is situated in the Montravel area of the Bergerac Wine Region.  In London, this is competitively priced at an average price of £9 (15.37 C$ or 10.21 Euro).

One of the many things I enjoy about visiting London is the mix of culture,  history, food, wine, and events.   Always something to engage the spirit and imagination.

References:   Chateau Laulerie,   vignoblesdubard.com

Canada Memorial  – Green Park – The Royal Parks  www.royalparks.org.uk

Photographs tell the story: remembering Châteaux and winery visits.

Photographs can be a great distraction:  enjoyable, sometimes surprising and inevitably stacked with memories.   When recently ‘decluttering’ an attic full of memorabilia and photos it was difficult not to be become absorbed in looking  at the old photos.   Subsequently, I looked at my blog photo collection and found myself reminiscing about various Châteaux and wine related visits.   Here are several photos that remind me of those times.

Every photo represents a story to me and I am grateful to many people for making these wine related visits possible.

Happy Spring!   Vancouver is looking beautiful in warm, sunny, springtime weather.    I hope it’s similar wherever you are!

Enjoying Nature, Wine and Walking: holiday ideas in the Bergerac Wine area, SW France

Much is written these days about the benefits of spending time in Nature.   As an example, this year the Duchess of Cambridge’s Nature Garden will be a highlight of the Royal Horticultural Society Chelsea Flower Show in London (May 21-25, 2019). http://www.rhs.org.uk

What better way to spend time in Nature than to have a wine-tasting and walking holiday in the French countryside, in the Dordogne Valley near the small town of Bergerac?   For time-out from the hurley-burley of city and work life, it would be difficult to find a better refuge for rejuvenating personal and family time.

Within a defined radius around the communities of Saussignac, Monestier, Sigoules and Pomport, all within an easy drive of Bergerac Airport, there are many wineries where a visitor can happily indulge all three interests of Nature, Wine and Walking, or Randonnées as the French call walks in the countryside.

Holidays in the French countryside often involve staying in self-catering Gites often attached to wineries.      I’ve written in my blog about most of the wineries I am going to mention and will highlight the relevant blog posts.   All the wineries offer wine tastings.   In cases where I know the wineries offer accommodation I am mentioning this but not making any recommendations.

Walking maps are available in the villages, usually in the Mairies (Mayor’s office) or on a notice board in public areas.     Another resource is Walking in the Dordogne: Over 30 walks in Southwest France by Janette Norton, available on Amazon.

The Confrerie du Raisin D’Or, an association which supports wine tourism in the area, organizes walks every Monday and Thursday in July and August. These walks always finish with a Vin d’honneur – wine tasting of local wines.   At this time of writing, the Confrérie’s Randonnées program hasn’t yet been finalized for 2019 but will be available on their website: www.confrerieduraisindor.com

Also available from March through November are jazz evenings offered in different wineries.   The next concert will be held April 12 and in June, the jazz evening will be in Pomport. Check out the 2019 Jazz en Chais program:  http://www.jazzpourpre.com

SAUSSIGNAC    (4 km from Monestier and 12 km from Pomport and 12 km from Sigoules,  19.6 km from Bergerac Airport)

Chateau Feely and Chateau Le Tap are adjoining wineries in this village.   Both are organic wineries and both offer Gite accommodation.

Chateau Feely and associated business French Wine Adventures offers wine courses, walks and talks in the vineyard.     Chateau Feely has been listed in the Top 100 wine estates in France, once for education and valorization of ecological practices and a second time for accommodation. Caro and Sean Feely have been pioneers in the area.   www.facebook.com/chateaufeely

Chateau Le Tap wine information and Gite accommodation offered by Olivier and Mireille Roche is available on their website.    Most recently, I mentioned Chateau Le Tap in the December 2018 post, Soirée Vigneronne.     www.chateauletap.fr

Chateau Court Les Muts is also in Saussignac and offers wine tastings.    We have been to a jazz evening offered in their winery in previous years.     See elizabethsvines archive: December 2017 “Bred in the Bone: Vigneron of the Year 2018, Chateau Court Les Mûts.   Jeweller Annabelle Degroote offers her creative and hand made jewellery on site.   The creative pieces are made from vine tendrils, pearls and stones.   www.court-les-muts.com

Local accommodation is also available at Le 1500, a Chambre d’Hôtes (B&B) and Café offering tapas, lunch and dinner located in the centre of Saussignac village opposite Chateau Saussignac.  Contact Mike or Lee:   saussignac@yahoo.com

MONESTIER

Three wine chateaux and a restaurant come to mind with respect to Monestier.

Chateau Monestier La Tour, which I wrote about in January 2019 with their herbarium and biodynamic agricultural practices.  See my last blog post: “Philosopher, watchmaker, winemaker: Chateau Monestier La Tour, Monestier”.   I recommend phoning to book an appointment for a visit.   www.chateaumonestierlatour.com

Chateau Lestevenie, which I have mentioned several times in various blog posts, most recently in the December 2018, Soirée Vigneronne post.   Chateau Lestevenie offer fun pop up dinners in the vineyard during the summer months.   Sue and Humphrey Temperley can show you the variety of beautiful orchids growing on their property.       It’s important to phone and book ahead for the popular (and delicious) pop up dinners.

www.chateau-lestevenie.com

Chateau Grinou – one of the early adopters of organic wine making practices in the area is located between Chateau Lestevenie and Chateau Monestier La Tour.   I have not yet visited the winery but have met the co-proprietor Gabriel Cuisset and sampled their 2018 wine at the December 2018, Soirée Vigneronne.     www.chateaugrinou.com

We have enjoyed many lunches at the Relais de Monestier restaurant, located in the centre of Monestier very near to the Chateau Monestier La Tour.     Le Relais de Monestier is on Facebook.

POMPORT

We have visited two wineries in this community, which is between Saussignac and Monbazillac.

Chateau Ladesvignes.       I wrote about this winery in 2013, which seems a long time ago now!     Apart from delicious white wines at this winery, the views from here over the Dordogne Valley looking towards Bergerac town are spectacular.     www.ladesvignes.com

Another nearby location to experience this amazing view is the restaurant near Monbazillac: La Tour des Vents, one star Michelin restaurant and adjoining brasserie. We have enjoyed several meals here over the years.   Important to reserve in advance.   www.tourdesvents.com

Chateau Les Hauts de Cailleval:  see elizabethsvines archive, December 2017 “Living the Dream, Chateau les Hauts de Caillevel.     I have good memories of sitting by a wood burning stove on a cold December day, drinking hot coffee and listening to the proprietor tell his story about wine making.   www.leshautsdecaillevel.com

SIGOULES

In the nearby village of Sigoules, the annual wine fair (Foire aux Vins de Sigoules) has been held here on the third weekend in July for over 40 years.   It’s organized together with the annual gathering of the Confrerie du Raisin D’Or, which attracts many Confreries from all over France.   The confrerie members officially parade through the village on the Saturday morning in their charming and creative costumes symbolizing the gastronomique culture they represent.     It’s a colourful and happy occasion held in the market square, near the Code-Bar and bistro frequented by many locals.   Le Code Bar, Sigoules is on Facebook.

There’s much more that can be written about the pleasures of this area: its proximity to the city of Bordeaux, the great wine areas of the Medoc and St. Emilion, the nearby route of the Santiago de Compostela pilgrimage, the historic sites of the 14th/ 15th Century 100 years war.    There are the many food markets to tempt the visitor with local delicacies and kayaking on the Dordogne River to burn off calories.    The list goes on and on.

My focus here is about the opportunity for tranquility, for relaxing in nature, enjoying excellent local wine presented to the visitors by the wine-makers themselves in most situations and for walking among the vineyards and lanes of this peaceful, rural area; and, without doubt, rejoicing in the experience and having fun.

Philosopher, watchmaker, winemaker: Château Monestier La Tour, Monestier, Bergerac Wine Region, France

In the first few moments of visiting Chateau Monestier La Tour, in Monestier, SW France near the town of Bergerac, I discover that the motto chosen by the proprietor, Karl-Friedrich Scheufele, is a quotation from Auguste Rodin (1840 – 1917), the eminent 20th French sculptor.

Rodin said that: “However you use time, time will respect that”.   The exact quotation is: “Ce que l’on fait avec le temps, le temps le respecte”.     In other words, the decision of how to spend time is up to us; time itself is neutral.

I remember seeing Rodin’s great sculpture: “The Thinker”: the seated man with elbow on knee, fist on his chin, deep in thought.   Rodin is still famous for this sculpture, which is often used to represent philosophy.

This quotation and the remembered image sets the tone for the visit.

We can probably all remember our parents saying things like: “Don’t you have anything better to do with your time!” or words to that effect, while we, as teenagers, lollygagged around!

At Chateau Monestier La Tour, one of the ways in which time is figuratively measured is by the illustration of the sundial, or Cadran, over the entrance to the winery office and chai, showing the subdivision of time and the changing of the seasons. This illustrates another aspect of time; the time and patience required for goals and aspirations to manifest once set in motion.    These symbols reflect the career expertise of Karl-Friedrich Scheufele as a watchmaker and Co-President of Chopard, famous Swiss watchmakers.

A way in which time is literally measured at Chateau Monestier La Tour is in the development and execution of short and long-term plans.   A long-term strategic plan relates to the winery restructuring program to be completed by 2025.  This has included the redevelopment of the vat room and barrel cellar, all ‘state-of-the-art’ and designed for quality results, effectiveness and the convenience of the winery employees.

In the shorter term, the quest has been for Chateau Monestier to become certified as an organic farm.   This, after several years’ effort and hard work regenerating the land, the vines, the farming processes and transitioning to an organic framework, has been achieved in 2018 from Ecocert.

When the Scheufele family became owners of Chateau Monestier in 2012 they made the decision to improve the existing domaine and its winemaking and pursue biodynamic viticulture. These improvements included grubbing up some of the plots and replanting vines.

One key initiative has been the planting of a specific garden with herbs to nourish and support the soil and vines.   The herbarium contains drying and storage facilities for the plants as well as to make the tissanes or teas with which to treat the soil and vines.

Stéphane Derenoncourt, consultant and his team, who have biodynamic viticulture expertise, oversee the vineyards and wine making at Chateau Monestier La Tour.  They use this expertise for making the tissanes from the different herbs, which require different temperatures to release their oils.

It’s this focus on using herbs to treat plants and soil as part of the biodynamic agricultural practices at Chateau Monestier La Tour that fascinates me.   The opportunity to see where the plants are dried and the description of their uses is of particular interest. By way of example, I have described below three commonly known plants from the nine listed in the herbarium,  the description of their uses, as well as the description of biodynamic compost.

Dandelion, known as Pissenlit in French (a very descriptive reference to its diuretic qualities) is used to support the vines in resisting diseases by strengthening the cellular structure of the plants.

Nettle, known as Ortie in French, (yes, those nettles that sting aggressively if you brush by them) full of nitrogen and iron is used to stimulate plant growth.   Nettles are used to prevent mildew.

Comfrey, known as Consoude in French, full of potassium and iron is used as an insect repellent.

Biodynamic Compost.  Use of quality compost to fertilize the soil is key to biodynamic agriculture. Composting works with manure from organic farms and is used usually with six specific mineral elements supplied by plants.

As a side bar comment, all this sounds reminiscent of the work of Nicholas Culpeper, (1616 – 1654), botanist, herbalist, physician and astrologer.   He was the best-known astrological botanist of his time, pairing plants and diseases with planetary influences.     I was brought up with the idea of acknowledging the power of plants and a copy of “Culpeper” was readily available in our home for reference.

I feel on familiar ground here.

Back to winemaking and the impact of these practices on the wine produced within this regime. These practices are regarded as homeopathy for plants, preventative not curative and the impact takes time so that the wine produced shifts over time as the biodynamic practices create beneficial change.

Five wines are produced using 6 grape varieties in the various blends. Two levels of red blends of Cabernet Franc and Merlot; white wine blend of Sauvignon and Sémillon, a rosé which is a blend of Cabernet Sauvignon and Merlot, and the special late harvest wine particular to the area, Saussignac AOC which is a blend of Sémillon, Muscadel and Sauvignon. As a fan of red wines, their grand vin, Chateau Monestier La Tour, Côtes de Bergerac AOC, a blend of Cabernet Franc, Merlot, particularly catches my attention.   I immediately appreciate the fine quality of this wine, which is full bodied but not heavy with good structure and with the Cabernet Franc will age well.

I have visited Chateau Monestier La Tour twice now and each time I am conscious of the timeless nature of the place. It feels very grounded. Each time, I have felt a sense of calm and peacefulness here.   I feel this especially in the barrel cellar room, where I can almost feel the wines breathing and in the herbarium with the subtle fragrances of the herbs. The warm welcome from the Administrator at the Chateau is very much appreciated.   I will be returning to look at the herb garden in bloom and thinking about what ideas I can use in our garden!

Chateau Monestier La Tour and the Scheufele family are making a significant values-driven investment in money and time in this small village in the Dordogne.

“A rising tide lifts all boats”.

 

References:   Chateau Monestier La Tour   http://www.chateaumonestierlatour.com     Contact details are on the website to arrange a visit.

Stéphane Derenoncourt Consultant     http://www.dereroncourtconsultants.com

Nicholas Culpeper:   www. famousscientists.org    Copies of his book are available on Amazon

New Wine for a New Year: Soirée Vigneronne, Bergerac Wine Region, France

The low barrel ceiling of the cellar area of the old Château in Saussignac in South West France is home to the 2018 New Wine presentation by local winemakers.

We walk beside the dark stone exterior wall of the Château, using a powerful torch to prevent us slipping into muddy pot holes or against large rocks or tree roots.   We open the outer door and are greeted by a burst of yellow light and the sound of cheerful chatter as we step down onto the old stone-flagged floor of this cavernous area.

An informal gathering of over 100 people of all ages, from grandparents to grandchildren, is here to sample some new wines.  It’s a casual opportunity to meet neighbours and friends in this small village nestled in the vineyards of the Bergerac Wine Region near the town of Bergerac on the Dordogne River.

Stretched along the middle length of the long, narrow room are picnic tables, the sort that get stacked in village halls for events, joined end to end to accommodate the community meal this evening.   It’s organized as an “Auberge Espagnole” which for the uninitiated is a gathering in which every person or family bring their own food, drink and utensils and generally share what they bring.  It’s basically Bring Your Own and Clear Up Afterwards!  A fantastic, civilized and practical way for communities to socialize and share a meal together.     After all, food, and in this case wine, is at the heart of most convivial community initiatives all over the world.    So forewarned is forearmed: if you see a poster for an “Auberge Espagnole”, don’t try to reserve a room, start cooking and pack up your picnic basket!

Circulating around the room, we talk to three local winemakers who offered some of their new wines for tasting:

Gabriel Grinou from Château Grinou in nearby Monestier

Sue and Humphrey Temperley from Château Lestevenie, also in Monestier

Olivier Roche from Château Le Tap in Saussignac

Each winemaker mentioned that 2018 has been a challenging year due to the weather and the mildew.   There was a wet spring followed by a hot summer that turned into the hottest summer in France since 1947.   Mildew is a fungal disease that can affect the grapes and needs to be managed very carefully throughout the growing season and around harvesting time.  For farmers such as these, who practise organic or near organic farming methods, there are bigger challenges dealing with mildew, as there are fewer options for fighting diseases.

in spite of the inherent challenges in farming, which vary year to year, the winemakers are overall positive about the 2018 harvest with better grapes and higher yield in general than in 2017, which was a very difficult year.   I certainly see smiling faces among the group!

What we tasted:

Sue and Humphrey Temperley from award-winning Château Lestevenie offered their 2018 Bergerac Rosé.  A blend of Merlot and Cabernet Sauvignon providing strawberry flavour with a hint of spice, Humphrey says ”…their best ever”.    In the photo below, the bottle is empty!  And as Sue says,  “…unfortunately, you can’t see the amazing colour”.    You can check out their website at: http://www.chateau-lestevenie.com

Olivier Roche from Château Le Tap, certified organic in 2010, offered his 2018 Bergerac White Sec.  Consistently a good quality wine, this is our “go to” white wine.    Olivier and Mireille Roche also offer gîte accommodation at their vineyard for wine tasting holidays!   http://www.chateauletap.fr

Gabriel Grinou from certified organic vineyard Château Grinou generously offered a basket of new wines for tasting.  The team of father and two sons are known for their high quality wines.    I tasted several from the wine basket and found their new and still developing red to be sunny and rich with lots of potential.   http://www.chateaugrinou.com

Farming and wine making are challenging endeavours at the best of times.    We greatly enjoyed the Soirée Vigneronne organized by the Cafe Associatif in Saussignac and wish all the winemakers a successful New Year with their New Wines.

In closing our last post for this year,  we extend best wishes to all for a healthy, happy and peaceful New Year!  See you in 2019.

elizabethsvines

Merry Christmas and Happy Holidays 2018

Wishing all readers and followers of elizabethsvines a very merry time sharing good food and fine wine with loved ones over the holiday season,

Here are three other views of celebrations


Best wishes from elizabethsvines

 

History and Hospitality: wine and food stories told in silver. Part 2.

Looking at these beautiful silver condiment labels, I wonder about their history.    “What is their history?”;   ” Who used them and where?  “Tell me more…”

These sauce labels are part of a wine and sauce label collection managed by the Hampshire Cultural Trust in collaboration with the Allen Gallery in Alton in Hampshire  and were viewed  in October.  I wrote the story of the Bronte wine Label in my last post.

Silver labels for sauces, herbs and spices such as those illustrated for Tarragon, Oude, Cherokee, Cayenne, Anchovy  were made by silversmiths in the 18th and 19th centuries in England to be used to identify the contents of glass condiment bottles on the dining tables of the growing middle class in Britain.

Of those shown, the Tarragon label was made in1798, the Cherokee label made in 1780 and the Oude label made in 1841.   We know this because the hallmarks on each label identify the date in recognized and regulated letter code.

 

Apart from the craftsmanship demonstrated in the making of these single pieces of silver, these sauce, herb and spice labels represent different approaches to cuisine in this period of history and the diversity that came from their origins.

Herbs such as Tarragon, one of the four herbs named as “fine herbes” (parsley, chervil, tarragon and chives) was home grown and was, and is, used in classical French cuisine. Spices were more exotic and imported from many areas of the world and brought different culinary inspiration.    Both approaches to cuisine represent the march of history, global exploration and the corresponding impact on cuisine.

The history goes back a long way, including ancient times.   More recently Marco Polo, the great Venetian 13th century explorer mentions spices in his travel memoirs.     He wrote about sesame oil in Afghanistan, he described plantings of pepper, nutmegs, cloves in Java and cinnamon, pepper and ginger on the coastal area of India.

When Christopher Columbus set out on his second voyage in 1493, he revisited the West Indes and Americas, still hoping to go on to China, and brought back red pepper spices and allspice.

All the sea-faring exploration, military actions and colonization around the world over many centuries affected food tastes and cooking styles when people returned to their home countries with their new found food and flavour experiences..

The availability and access to spices in particular was often a function of economic wealth.   For example, the price of pepper served as a barometer for European business well being in general.

As is always the case, language reflects culture and how people live.  The phrase “peppercorn rent’, an expression used today to indicate a nominal amount, reflects the fact that pepper was used as a currency to pay taxes, tolls and rent. Similarly, in 1393, a German price list identified that a pound weight of nutmeg was worth seven fat oxen!

Researching sauce names reveals some interesting information!   I found Cherokee recipes from the southern United States referring to chicken recipes with chilies.   Béarnaise Sauce, the famous tarragon flavoured derivative sauce of Hollandaise, was referenced in 1836 culinary materials.

Oude was more difficult to track down. I did find a reference to a Crosse and Blackwell’s Oude Sauce used in a sausage pudding recipe from the 1800s.   Crosse and Blackwell, a British company making sauces since 1706, no longer make this sauce although they continue to make other condiment products.

Oude sauce has also been referred to as King of Oude sauce.    For example, an 1861 list of supplies included Crosse and Blackwell sauces: Essence of Anchovies, and King of Oude sauce, as well as Lee and Perrin’s Worcestershire Sauce, Mushroom Catsup etc.

Looking further into the Oude reference, my research indicates that the Oudh State (also known as Kingdom of Oudh, or Awadh State) was a princely state in the Awadh region of North India until 1858. Oudh, the now obsolete but once official English-language name of the state, also written historically as Oude, derived from the name of Ayodhya.

Joining the dots, I assume then that Oude Sauce would be spicy in a Northern Indian cuisine style, possibly with spices such as chilies, cumin, turmeric, garlic, ginger, coriander.

Sauce recipes, then as now, are typically not divulged..   While the ingredients for the generic Worcestershire sauce are known and include such items as barley malt vinegar, molasses, anchovies, tamarind extract, garlic, spices, which may include cloves, soy, lemons, the precise recipe for Lee and Perrin’s Worcestershire Sauce from 1835 is still a closely guarded secret after more than 200 years.   Tabasco Sauce, another well-loved spicy condiment, has been made in Louisiana in the United States since 1868 by the same family business.  The spice business and extraction of flavours from herbs and spices has been commercially active since the 18th century in line with the illustrated sauce labels.

McCormick is another maker of condiments in the United States that has been in this business since 1889.   The company has established a McCormick Science Institute (MSI).   “The MSI research program sponsors research which is focussed on advancing the scientific study of the health enhancing properties of culinary herbs and spices in areas which are considered to have the potential to impact public health.  MSI released a research paper in March 2018 identifying how herbs and spices increase the liking and preference for vegetables among rural high school students.”  Marco Polo and other early explorers would be pleased!

Thinking about the silver sauce labels on the condiment bottles on the 18th and 19th century dining tables, I wonder about the wine selection in those days to accompany foods using these sauces, especially the spicy ones.

No doubt the advice would be similar to that offered today.   For example, with a curry dish, I might consider a chilled white wine such as pinot gris or perhaps a gewürztraminer:  among rosé wines, I might consider a lightly chilled wine, but not too floral, a Côte de Province appellation comes to mind.   Among red wine choices, considering a lighter red wine and staying away from too tannic a wine would be a good idea to complement the spicy notes of the food.   Côte du rhône, Gigondas come to mind or perhaps an Alsace Pinot Noir.   I could apply these considerations to wines from other parts of the world in making a choice of wine to accompany a spicy food dish.

Viewing these 18th and 19th century silver sauce labels opened up a Pandora’s box of questions for me,  as the unknown name of Oude particularly caught my eye.  So much history and information evoked by a small, beautiful example of silver craftsmanship from over 200 years ago.

References:  websites for:  McCormick and the McCormick Science Institute, Hampshire Cultural Trust/Allen Gallery,  British Library.  Christopher-Columbus.eu, Lee and Perrin, Crosse and Blackwell, Tabasco.

History and Hospitality: wine and food stories told in silver. Part 1

 

I love a good story, especially one that involves wine!  Who would have thought I would stumble across a story that involves not only wine but Sicily and the British naval hero, Vice Admiral Horatio Nelson when visiting the Allen Gallery in Alton, Hampshire a couple of weeks ago.

It all began as I looked at a silver wine label marked “Bronte”…

This label is part of a wine and sauce label collection managed by Hampshire Cultural Trust in collaboration with the Allen Gallery.

Silver and enamel wine and sauce labels were used in the 18th and 19th centuries by the growing middle class in England when wine was decanted from barrels into glass decanters and the identity of the wine was described by a silver label.    Condiments or sauces for food were also served in glass jars or bottles and similarly labelled.

So what is the connection between this Bronte silver wine label, Sicily and Vice Admiral Horatio Nelson?

The latter part of the 17th century and early 18th century was the time of the Napoleonic Wars (1793 – 1815) between Britain and France and involving many other nations in Europe.   It was a time of major land and sea battles, which are still commemorated.

The Napoleonic Wars ended with the great victory of Wellington at the battle of Waterloo in 1815.   The Napoleonic Wars include the mighty naval battles of the Nile (Aboukir Bay) and Trafalgar under the leadership of Admiral Nelson.     It is the history of Nelson that relates to our Bronte wine label.

As part of the naval battles in the Mediterranean, Nelson protected Naples from the French. At the time, Naples was incorporated into the Kingdom of the Two Sicilies of which Ferdinand 1st was King.     In 1799, King Ferdinand rewarded Nelson’s services to his kingdom by granting him a title of Sicilian nobility, the Duke of Bronte together with an estate in Bronte, an agricultural area in the shadow of the volcanic Mount Etna.

A famous wine from Sicily is Marsala, a fortified wine similar to sherry which became popular in Britain in the 18th century.     This popularity was partly due to the trading activities of the 18th Century importer John Woodhouse and the British Royal Navy, which became a big consumer of Marsala wine.   Vice Admiral Lord Nelson used Marsala as the official wine ration for sailors under his command.   A manuscript exists, dated March 19, 1800, and carrying the signature of the importer John Woodhouse and the Duke of Bronte, Nelson’s Sicilian title, stipulating the supply of 500 barrels, each with a capacity of the equivalent of 500 litres for the fleet stationed in Malta.

After Nelson’s victories, especially at Trafalgar and his death there, Nelson was held in great esteem by the British people for saving Britain from possible invasion. Many landmarks were created in his name, including Nelson’s Column and Trafalgar Square in London.

The British people were keen to taste the wine that had so fortified Nelson and his sailors’ spirits in battle and this added to its popularity.

Back to the wine label marked “Bronte”.     This fine piece of craftsmanship was made in London by the silver makers Reilly and Storer in 1830.  It was just fifteen years after the end of the Napoleonic Wars.    The label would have been used on a decanter of Marsala wine, possibly produced on the Bronte estate in Sicily or elsewhere on the Island but called Bronte in recognition of Nelson’s Sicilian title.

The Bronte estate remained in Nelson’s line of descendants, now called Nelson-Hood until 1981 when the last remaining lots of land were sold to the Municipality of Bronte.    There remains a Nelson Museum in the town of Bronte, which is now known for its pistachio nut harvests and the delicacies made from them..

Marsala wine is grown in the region DOC Marsala in Sicily and produced from three white wine varieties.     It is a fortified wine usually containing around 17 % ALC – alcohol by volume.   The ‘in perpetuum’ process used to make the fortified wine is similar to the solera process used for Sherry produced in Jerez, Spain, in which old wines are blended with new wines and the barrels never emptied. Marsala wines are classified on an eight-point scale according to their colour, sweetness and duration of their ageing.      Usually served as an aperitif, Marsala can also be served with a cheese course.     It is often used in cooking and this is how I remember it being used by my Mother.  Dry Marsala is used in savoury cooking. One of the most popular savoury Marsala recipes is chicken Marsala.   Sweet Marsala is used in the preparation of delicious desserts such as tiramisu and zabaglione.

Every story has an ending.   Our story about the Bronte wine label ends with our visit later that same day to Jane Austen’s house in Chawton, about two miles from Alton.

For most of Jane Austen’s ( 1775 – 1817 ) life, Britain was at war with many countries including America, France, Spain, and others, including the Napoleonic Wars.    Many of her books include characters with a naval or army background.   While jokingly hoping to see Elizabeth Bennett and Mr. Darcy of Pride and Prejudice fame walk through the garden in Chawton, we did in all seriousness read the stories of Jane Austen’s brothers,  who both rose to a high rank in the Royal Navy and were contemporaries and admirers of Admiral Nelson.

 

A fitting end to our visit was to see on display in Jane Austen’s house, the Herculaneum Funerary Dish in memory of Admiral Lord Nelson, Duke of Bronte, immortalized for me in that silver Bronte wine label.

 

References:

British National Archives   http://www.nationalarchives.gov.uk

Various websites about Bronte, Italy and the Castello Nelson Museum

Hampshire Cultural Trust and Allen Gallery. http://www.hampshireculturaltrust.org.uk/allen-Gallery

Wine Label Circle   http://www.winelabelcircle.org

A case of Serendipity: Victoria International Wine Festival

Completely by chance, we are in Victoria, British Columbia at the time of their annual international wine festival.   This has to be a case of serendipity.

After seeing an advertising banner stretched above a main road into the city,  we decide at the last minute to book tickets.  On another sunny Autumn Victoria afternoon, we head off to explore the wine festival; the first time we have attended this event.     Our first impression is amazement at the large number of people there.   In a city known to attract retirees, it’s fantastic to see so many young people exploring and enjoying the adventures of wine.   It’s clearly party time!

The choice of available wines is extensive although we are surprised not to see more Vancouver Island wines.   We decide to focus on red wines, mainly Canadian with a couple of exceptions – it is an International Wine Festival after all!

Stand out wines for us at the festival are mainly Bordeaux style blends (typically Cabernet Sauvignon, Merlot, Cabernet Franc, Petit Verdot, Malbec in varying quantities and styles, sometimes referred to as Meritage) and include:  Gold Hill 2015 Meritage (winner of the Lt. Governor Award of Excellence),  Mission Hill Quatrain (for special occasions price-wise), Osoyoos Larose Le Grand Vin and Sunrock Vineyards Cabernet Sauvignon.

On the International side, we enjoy an italian Sangiovese, La Mora Morellino di Scansano and particularly enjoyed the spanish rioja, Baron de Ley series, especially Baron de Ley Rioja Maturana, both good valu

What really caught my eye are innovative artisan wine products made in the Okanagan Valley from the wine crush.  Grape seeds and grape skins are dehydrated, ground and added to such products as cheese and sea salt, which are infused with the rich flavours from the wine grapes.  We tasted The Winecrush Gamay Goat Cheese, and the Malbec and Herb Sea Salt:  both are delicious. The Gamay Goat Cheese has been nominated for a Canadian cheese award.   I can imagine serving the Malbec and Herb Sea Salt with quails eggs, as one example.   It’s exciting to see new concepts and value added wine products being made by BC entrepreneurs.

We also discovered a new bistro to try on another visit to the Island:  Artisan Bistro in Broadmead Village, which is on the outskirts of Victoria.

We are big fans of Vancouver Island and the capital city, Victoria with its colourful gardens, cheerful water taxis ferrying people around the harbour communities and interesting local history well described and highlighted throughout the city.   Our chance visit to the Victoria International Wine Festival was an added bonus.

References  :   Winecrush    www.winecrush.ca

Artisan Bistro.  www.artisanbistro.ca

 

 

Summer Wrap Up -wine, cocktails and crime fiction.

It’s a picture perfect, blue sky September day on the West Coast of Canada.

We’re in the ferry line-up returning from the Sunshine Coast to Horseshoe Bay, the ferry terminal on the North Shore of Vancouver. Schools are back and yet the ferries are a two-ferry wait unless you have a reservation, which we do fortunately.

The Sunshine Coast, aptly named for its sunnier climate, is a 40-minute ferry ride from Vancouver. It’s only accessible by ferry, boat or seaplane and is one of those places that support the province’s reputation as Beautiful British Columbia.

We visit friends here who make us Summer Pudding, the iconic late summer dessert with all the polyphenol-rich berries, including blackberries, blackcurrants, raspberries, and redcurrants.   Summer Delicious!

This summer we have tried two new BC wines: 2018 National Wine Awards of Canada gold medal winner, Averill Creek Pinot Noir from the Cowichan Valley on Vancouver Island and Liquidity Winery, Bistro and Gallery Pinot Gris from Okanagan Falls in the Okanagan Valley.     The choice of quality wines in British Columbia continues to expand. I believe there are now 280 wineries in B.C.   Who would have anticipated this 30 years ago?

Back home in Vancouver, we make a new summer cocktail, straight out of Donna Leon’s detective fiction novel: “Earthly Remains” set in Venice. The protagonist, Commissario Guido Brunetti creates a cocktail for his wife Paola from sparkling water, Campari and topped up with Prosecco.   We guess at the respective quantities by trial and error.    The resulting tall drink is definitely a popular and refreshing choice in the hot summer weather.

On the subject of crime fiction, Martin Walker, author of the popular Bruno Courrèges, Chief of Police series based in the Dordogne in SW France, was made an honourary member of the Confrérie du Raison D’Or de Sigoules at their annual event in July.  Police Chief Bruno, who enjoys good food and wine while solving local crimes, has a growing following in North America and has featured in my blog posts in the past, as has the Confrérie du Raison D’Or de Sigoules, of which I am delighted to be a member.

Finally, a comment about the Cherry Clafoutis I mentioned in my previous blog.   I made two: we ate one and froze the other. A reader asked me how the frozen one turned out when we finally served it. I am happy to report it was equally as good as the first one, maybe because it was carefully and purposefully thawed at room temperature over a couple of hours.

It’s been a tough late summer in British Columbia due to the number of wildfires. Fortunately,  with the arrival of autumnal weather, lower temperatures and even snow flurries in the north east of the province, the situation is much improved.   However, many people have been affected and our thoughts are with them.   Thanks and appreciation goes to the firefighters here in BC and to those who came from other parts of Canada, Mexico and Australia to help.

References:   Averill Creek winery: averillcreek.ca

Liquidity Winery, Bistro and Gallery, liquiditywines.com

Donna Leon, detective fiction writer of Commissario Brunetti series;    Donnaleon.net

Martin Walker, crime fiction writer of the series, Bruno, Chief of                                   Police.  www.brunochiefofpolice.com   Learn all about Bruno, his favourite music,  history etc.

and search for the following article in http://www.nytimes.com.

 

 

 

 

Xynisteri: Cyprus white wine for sunny days

Xynisteri, an indigenous grape in Cyprus makes one of my all time favourite white wines for the summer.    Refreshing, with lemon/lime, grapefruit and apple notes and balanced on the acidic side with flavours of tropical stone fruits; think mango and also apricots and peaches.  On the nose, there are floral and fruity tones.

It’s a great sipping wine for the patio, yet also perfect in food pairings such as fish, white meat and even salads with fruit.

I have my favourite four producers: their wines are similar yet with nuanced, discernable differences.

Here is the line-up of these four producers including the name of their Xynisteri wine,

Vouni Panayia Winery, Alina Xynisteri.   I  have written about Vouni Panayia before.  They were awarded Decanter Platinum Award as best value Cypriot White wine for their Alina Xynisteri 2016.

Vasilikon winery, Xynisteri

Tsangarides Winery, Xynisteri  – I have written about Tsangarides Winery previously as well.

Kolios Winery, Persephone Xynisteri

I should add that there are other producers of Xynisteri wines who I am not yet familiar with.

Xynisteri is a robust grape variety that grows well at high altitudes.  Xynisteri is the main white grape variety grown in Cyprus.  It is one of the two indigenous grape varieties used in the production of Commandaria, the amber-coloured sweet Cypriot dessert wine.    Commandaria’s heritage dates back to 800 BC and has the distinction of being the world’s oldest named wine still in production.  Xynisteri is also used for the production of the local spirit,  Zivania.

If you are in Cyprus as a visitor, or resident, I suggest you look for these Xynisteri wines on restaurant wine lists and try them all over time and see which you prefer.

This seems like a perfect occupation when enjoying sunny days in Cyprus.

 

References:   Vouni Panayia Winery  www.vounipanayiawinery.com

Vasilikon Winery,   http://www.vasilikon.com

Tsangarides Winery, Xnyisteri.   http://www.tsangarideswinery.com

Kolios Winery, Persephone.    www.kolioswinery.com

 

The Art of Springtime Inspiration: Dinton Folly English Sparkling Wine

 

Whenever I am in London and have a few hours to spare, I do the things I love the most here: walking and looking at art. I am always uplifted and inspired by these experiences.

Yesterday, I walked in Green Park and captured this daffodil laden view of Buckingham Palace.

Daffodils are one of my favourite flowers.  Partly because they are cheerful, yellow harbingers of spring and partly because they bring back my childhood memories of playing in a spring garden at dusk, inhaling their lovely scent.  Seeing them in full bloom in Green Park surfaced all these connections.

For my art fix, I came across a magical small exhibition of mainly pastels with some oils by the Impressionist artist, Degas (18 34- 1917) at the National Gallery.  This collection on loan from Glasgow in Scotland, features Degas’s well-known subjects of ballerinas, racehorses and women attending to their toilette.   If only one could draw or paint movement as he did!

I have also been inspired recently hearing about a new vineyard in Buckinghamshire:  Dinton Wines, which was started in 2013.

Dinton Folly, an English sparkling wine, is the brainchild of retired countryman Laurie Kimber, who planted 15 acres with the classic varieties of Pinot Noir, Chardonnay and Pinot Meunier on a south-facing slope with chalky soil and temperate climate.  The neighbours of Mr. Kimber, and his family including his children, grandchildren and even great grandchildren harvest the grapes.    The first harvest was ready in 2016.

Dinton Folly is so named because of its proximity to the ruins of a nearby castle and also refers to the idea of taking on such a challenging project later in life.     Dinton Wines is an inspiring testament to the fact that it’s never too late to start making wine!

Dinton in Buckinghamshire is close to the Chiltern Hills, a famous place for hiking in the English countryside with picturesque villages and friendly pubs!

Grape picking neighbours of Mr Kimber introduced me to this wine recently. I was delighted by the refreshing, dry, balanced, sparkling wine with its appealing lower range alcohol level of 11.5% ALC.

Perfect to enjoy on an English spring day:  Inspirational!

References

Dinton Wines       dintonwines.com

National Gallery:   Nationalgallery.org.uk

Maps courtesy of Dinton Wines and local tourist information.

 

Dragons, Pirates and Wine: Château Quintus, Saint Emilion, France

I’ve seen a dragon in Saint Emilion.

Yes, really. I’m not kidding.

It’s about 3.30 p.m. on a sunny, warm autumn afternoon in November. We walk uphill into a bosky, oak wood with sunlight filtering through the leaves. The ground is covered in acorns that crunch noisily under our feet in this quiet space.

There before us with wings spread wide is the Quintus Dragon

All two tons of bronze on a stone plinth.

“Why is there a dragon here?” we ask our host, François Capdemourlin, the Estate Manager at Château Quintus.

He tell us that, in mythology, dragons protect treasure or special places.   The proprietors of Chateau Quintus in Saint Emilion consider that their 28 hectares of wine growing slopes are special. Hence the protective presence of the dragon, he says.

Commissioned by Prince Robert of Luxembourg, President and CEO, Domaine Clarence Dillon and created by Mark Coreth, a world renowned British sculptor, who specializes in large scale, dynamic animal and wildlife sculptures, the Quintus Dragon is spectacular.

The view from this wine property is also spectacular.   On a clear day such as we enjoy, its possible to see not only famous Saint Emilion chateaux, such as Chateau Angelus before us across the vineyards but also the areas of Pomerol and Fronsac, great wine areas in the distance.

Chateau Quintus is owned by Domaine Clarence Dillon, which owns Chateau Haut Brion and Chateau La Mission Haut Brion in Pessac Leognan in the Bordeaux Wine Region.   I wrote about Chateau Haut Brion in January: see the Whisper of History.

Chateau Quintus represents a relatively new venture for Domaine Clarence Dillon as it  extends into creating the more merlot-centric wines of the Right Bank of the Bordeaux wine area through the acquisition of two existing but separate wine properties.  Merlot, as the predominant variety in Saint Emilion wines, is the grape variety that gives softer tannins to wines.

As we talk about Merlot based wines, we smile as we reminisce about the 2004 film ‘Sideways’ featuring proponents of Merlot and Pinot Noir and wonder how many people remember that film now.

Back at Château Quintus there is an aura of calm efficiency about the property. This is a working vineyard: no wine tourist shop or public tasting area in sight.   This is the norm in the Bordeaux wine area with only a few exceptions.   Visits are by appointment only.   Wine tourism centres for this area are located in the UNESCO heritage town of Saint Emilion.

We tour the new winemaking area in the renovated chai or vat room and then drive to the Chateau business centre in a different area of the property, where there is a small tasting room.   Behind the tasting area, we can look through the glass partition to the wine barrel ageing room where the wine is quietly and patiently ageing.

It’s in this tasting room that our host tells us the story about pirates!

Images of Pirates of the Caribbean and swashbuckling figures come to mind and I can’t wait to hear the tale.

This is what happened. On a diving expedition in the Indian Ocean, off the Island of Mayotte, some years ago, divers found a cache of treasure on the seabed.   In this cache, covered with the debris of years on the ocean bed, was a 19th century wine bottle, still intact. On the neck of the bottle was the raised seal of Chateau Haut Brion engraved on the glass, still visible after all these years. Inspired by this historic find, the wine bottles of Chateau Quintus are especially made in the same 19th century style, in this instance with the raised engraved seal of Chateau Quintus.

I’ve mentioned dragons and pirates, now its time to mention the wine!

Chateau Quintus focuses on red wines and these wines are part of the Saint Emilion appellation.   As mentioned, the grape variety grown is Merlot together with Cabernet Franc.    In terms of wine production, the vintage has been controlled by Chateau Quintus since 2011.

Out of interest, white wines made in the Saint Emilion wine region are characterized as Bordeaux Blanc.

We taste a Chateau Quintus 2014 and their second wine, Le Dragon de Quintus 2014.     2014 was a challenging year with a hot Indian summer in the area that saved the vintage after difficult summer conditions.

The Chateau Quintus 2014 is made from 69% Merlot and 31% Cabernet Franc.   This is a smooth wine with red fruit and spicy notes.   It is a wine to age and enjoy over the next decade or so.

Le Dragon de Quintus 2014 is made from 77% Merlot and 23% Cabernet Franc and is a wine with soft tannins and plum notes to fully enjoy now.

It is interesting to hear the Estate Manager talk about vineyard management and the wine making process used at Chateau Quintus as it benefits from the expertise of the teams at Chateau Haut Brion and Chateau La Mission Haut Brion, all part of the Domaine Clarence Dillon organization.

Several examples of this collaboration are discussed:

One example is that the vineyard workers have been specifically trained in the way that Domaine Clarence Dillon prefers to prune the vines.

Another is that Chateau Quintus benefits from the on site cooperage or barrel making service resident at Chateau Haut Brion.

Yet another example is that the staff from the three different chateaux gets together for the wine blending process to determine the percentages of varieties in the year’s vintage.  Team members share their expertise to arrive at the optimum blend. Once the blending has been determined the wine is put in oak barrels for ageing over approximately two years.

I am always interested to know about initiatives that develop talent and skill within an organization and enjoy hearing these examples given by François Capdemourlin, who is clearly enjoying his exciting role managing this integrated wine estate.    Chateau Quintus is a new name in the Saint Emilion wine world, finding its way and supported by the investment of resources from the Domaine Clarence Dillon.  Watch this space, as the pundits say.

We’ve enjoyed an interesting and informative visit to Chateau Quintus and its time to thank the Estate Manager for his time, find our car and drive off towards road D33..

D33 is the main road on the way from Bergerac to Libourne and the city of Bordeaux.   Up high on the right hand side sits the town of Saint Emilion with its vineyards spread over  the hillsides.   We frequently drive that road.

Now I know where the Quintus Dragon lives, in that bosky wood on the hill high above the road. I know where to look when driving by.

Next time, I will raise my hand in a silent salute.

References.

Château Quintus.   http://www.chateau-quintus.com

Mark Coreth:  Check his Facebook page.  There are several websites and galleries including Sladmore Gallery in London and Messums Wiltshire that refer to his work.

The whisper of history: Château Haut-Brion,Pessac-Leognan, Bordeaux,France

It’s mid November, on a cool yet hazy, sunny day when we navigate our way through Pessac on the outskirts of the city of Bordeaux to find the entrance gates of Chateau Haut-Brion.   We have a 3.00 p.m. appointment for a visit to the wine estate.

The whisper of history murmurs to us as we enter the Chateau Haut-Brion driveway. Saying nothing, we listen to the echoes of nearly five centuries since wine has been made at Chateau Haut-Brion. Wine has been produced on this land for centuries before that.   Before finding our way to the parking area, we stop and take photos of gnarled vines in their closely planted rows.

The whisper of history tell us that:

In 1533, Jean de Pontac, by purchasing an existing noble house in Haut Brion united it with the vine growing land, leading to the birth of the Chateau Haut-Brion.

In 1660 – 1661, the cellar records of King Charles the Second of England, who was known to be a bon-viveur extraordinaire, note 169 bottles of “ Vin de Hubriono” (sic) are held for guests at the royal table.

In 1663, Samuel Pepys, the famous English diarist, wrote that he had drunk at the Royal Oak Tavern in London: “…I drank a sort of French wine called Ho-Bryan (sic) which had an especially good taste that I had never encountered before. “

In the 17th century, writers were commenting on the nature of the soil in the area of “white sand with gravel” and the particulars of the terroir.

In 1787, the American Ambassador to the French Court, Thomas Jefferson, later the third President of the United States, visited Chateau Haut-Brion.   A wine connoisseur, he also commented on the nature of the gravelly terroir.   In his writings, he identified four great wine houses of the area including Chateau Haut-Brion. In this, he anticipated the identification of Chateau Haut-Brion, Chateau Lafite, Chateau LaTour and Chateau Margaux in the official classification system of 1855, as Premiers Grands Crus wines of the Gironde. Chateau Mouton-Rothschild was reclassified to Premier Grand Cru in 1973 and added to the prestigious list.

Chateau Haut-Brion changed hands several times during the centuries.   There is an apocryphal story about one of the owners in the Pontac family in the 17th Century.     It is said that he lived to over 100 years, an age almost unheard of at that time.   This gentleman attributed his longevity to his daily glass of Chateau Haut-Brion!

The present owners since 1935 are the Dillon family. The current head of the Domaine Dillon is Prince Robert of Luxembourg, who is a great grandson of Clarence Dillon, the New York financier and purchaser of the property. Since the purchase, the family has invested significantly in the property through a program of continuous renovation, innovation and improvement both to the historic chateau building and to the winery facilities.

On this particular November afternoon, after ringing the intercom bell at the visitor entrance, our guide, who was informative about the estate and interested in our visit, joins us.   Following an introduction to the past and present owners through the medium of their portraits, we are given a detailed look at the topography of the vineyard and its proximity to the neighbouring estate, also owned by the Dillon family, which is Chateau La Mission Haut-Brion; a story for another time.

During our visit, the wine making process is explained to us. At Haut-Brion, our guide explains, traditional approaches are employed while at the same time using modern and efficient equipment with a program of regular reinvestment and improvement. For any aspiring wine maker, an opportunity to work at Haut Brion would seem a great privilege.   My impression is that wine making at a wine estate with such a historical context would be more a vocation than an occupation.

One of the things that I appreciate at Chateau Haut-Brion is that it has its own cooperage service or barrel maker on site.   Supporting and fostering these artisanal skills such as barrel making in the wine industry is important for their continuation.   This on-site barrel-making workshop is “the fruit of a partnership between Haut-Brion and Séguin Moreau” and has been in place since 1991.

All wine starts with the soil in the vineyards, the selection and management of the vines and the choice of particular varieties for individual parcels of land.     The high standard of care of these vineyards to produce grand cru wines has been consistent over the centuries.

The conclusion of most wine tours is to taste the wines produced on the property and our afternoon at Haut-Brion is no different.   We are guided to the 18th century Orangerie, which was renovated in 2001 and is used as the tasting room.

We are offered the 2011 vintage wines, which our guide tells us, are just being opened now.   Haut-Brion records indicate that 2011 was a very good year for their wine.   It was the driest year registered since 1949. With enough rain in the summer to allow the vines to work their magic, the harvest took place from August 31 to September 27.   All this data and more are recorded by Chateau Haut-Brion and available for review.

The typical blend of grape varieties in the red wine at Haut-Brion is Cabernet Sauvignon 45%, Cabernet Franc 15% and Merlot 40%.   These wines are created for laying down and building a cellar for future enjoyment.   The Haut-Brion recommended life of the 2011 vintage is from 2020 to 2035.   In 2017, we are tasting this wine in its teenage years; in the process of ageing and developing its full expression of the terroir and all the wine making expertise that has gone into its production.

Standing in the Orangerie, tasting these magnificent wines and looking out at the garden and the old Chateau itself, has to be a memorable wine moment.   So much so that when I look back, I remember hearing the whisper of history and at the same time, tasting the richness of the red wine, the deep black fruit, the chocolate aromas with developing smoked tones and that sensation of enjoying a beautifully crafted wine.

A December 2017 article in the British weekly magazine, Spectator, written by their wine writer, Bruce Anderson, summed up this sentiment well when he wrote about “wines of a lifetime.”   Coincidentally, in that article he also refers to a Chateau Haut-Brion wine, in that case a 1959 vintage that he enjoyed with a friend.

In preparing to leave, we thank our guide for our visit.

For me, the visit to Chateau Haut-Brion will be up there in my list of chateaux visits of a lifetime.

References:

Chateau Haut Brion:   http://www.haut-brion.com

Note: A point of appellation detail: Chateau Haut-Brion retains its 1855 Premier Grand Cru classification although it is not in the Medoc area.   It is in the Pessac Leognan appellation, which was previously part of the Graves appellation. (See the attached map of Bordeaux and the Neighbouring Regions.)

Spectator magazine: http://www.spectator.co.uk

Inspired by Chelsea Flower Show, sustained by champagne

I am inspired by the magnificent displays of flowers and plants at the Chelsea Flower Show this year in London and sustained by a memorable glass of Louis Roederer Brut champagne.

Not just roses catch my eye but hostas, dahlias, alliums and succulent plants all attract attention.   Thoughts turn to where I can squeeze in another plant in my garden;  what about that Restless Sea hosta?

We spend three plus hours at Chelsea, looking at the model gardens, enquiring about various plants in the Pavillion and admiring the garden sculptures in stone and wood.   Such creativity and talent on display.

We are impressed by the Royal Bank of Canada model garden, inspired by the Boreal forests of northern Canada.   RBC wins a gold again this year.

On a hot afternoon, a visit of several hours is the best way to enjoy Chelsea Flower Show in my view.   In previous years, I have attended for the whole day and my feet have not appreciated my efforts.

In the last half hour before closing, we find our way to the champagne tents where both Louis Roederer and Billecart Salmon champagne are on offer.  I enjoy both and have visited each of these champagne houses in France.  In 2014,   I wrote a series about champagne and associated visits, which are listed in my archives. Here are a couple of photos from the 2014 elizabethsvines archives:

Today, we choose the Louis Roederer Brut.   The classic, dry, biscuity, refreshing flavour with subtle bubbles is just what we need to celebrate another Chelsea visit.   I even forgot to take a photo…

 

 

Cyprus: wild flowers and local markets

Enjoying a morning coffee at our regular coffee bar in the Port area of Paphos is one of our favourite Sunday morning pastimes when in Cyprus.

Needless to say, this is after a good walk along the roughly paved sea walk that surrounds the Paphos Archeological Park.

Buying fruit and vegetables from the friendly stall holders at the Saturday morning Paphos market is another pleasure.

We have been shopping here for years now and there is always a sense of mutual satisfaction when we return:  the same warm, comforting smiles and gestures reciprocated as we recognize each other.   “Ah, you are back/ Ah, you are still here”,  we collectively murmur from the heart.

This year during our visit I pay more attention to the wild flowers increasingly in bloom from February on.  The tall, spikey Asphodels that I see everywhere.   The anemone,  a loner elegant in lilac blue.   The mandrake, purple blue amid shiny leaves,  reminiscent of spooky stories.   The stately giant orchid. Perhaps above all I am drawn to the pink or white almond blossom buzzing with all manner of pollinators.  For me, the sweetly scented flowers are the harbinger of spring.

But what about wine?

Next time, I will write about a Cyprus wine we enjoy that I haven’t mentioned before.

Now back in Vancouver, with a rain-filled charcoal grey sky overhead, its good to bring these memories of Cyprus back to life.

 

 

 

 

 

 

.

 

St Valentine’s Day celebration

As I walk to the restaurant table at Minthis Hills Golf Club to enjoy a St Valentine’s Day lunch near Paphos in Cyprus, I am already anticipating having a glass of something sparkling.   I know I will be the only one at our table making this choice today, so I am pleased to see on offer a 200ml bottle of Familglia Zonin Prosecco.   This is a good start as I am a fan of small bottles of wine for individual consumption.

St Valentine's choice: Prosecco from Zonin

St Valentine’s Day choice: Prosecco  Zonin.

While I await the arrival of the flute glass and the mini bottle, I remind myself that I am quite cautious about Prosecco in general as I have experienced some overly sweet examples in the past.   Also, I have to admit to not being familiar with the Famiglia Zonin wines.

All reservations are set aside as I taste this dry, slightly almondy, fresh sparkling wine.   It was exactly what I was looking for to celebrate St Valentine’s Day.  Sparkling wines are so versatile with food selections that  I continue to drink this with my meal of ravioli filled with halloumi cheese, ground almonds and walnuts served with a mint pesto sauce.  An interesting menu selection which captures my eye and translates into a successful food and wine pairing.

St Valentine’s Day belated best wishes to the readers of elizabethsvines.

A rose for St Valentine's

A rose for St Valentine’s

 

Reference:   Casa Vinicola Zonin SPA –   Zonin Wines     zoninprosecco.com

Minthis Hills Golf Club.  www.minthishills.com

Wine and Architecture: La Cité du Vin, Bordeaux, SW France: a place for play and culture

I am looking at this exciting modern architecture on the banks of the Garonne river in Bordeaux and my imagination runs away with me.

La Cité du Vin

La Cité du Vin, Bordeaux

I can’t help thinking that this building reminds me of the Mother Goose children’s story of the Old Woman Who Lived in a Shoe, albeit a golden shoe when the sun shines upon it.   As in the nursery rhyme, there are even people in the “Shoe” as the building is a hive of activity of visitors engaging with the various exhibits about wine.

In all seriousness, it’s a building with a sense of liquidity, that reflects the curves in the river as the Garonne and then the Dordogne rivers join together as the Gironde estuary and empty into the Atlantic.  This waterway has been the key transportation link for centuries between the Bordeaux wines and their thirsty markets abroad, in particular the United Kingdom with its love of claret.

Architects Anouk Legendre and Nicholas Desmazières from XTU Architects in Paris have created this elegant building to showcase the international wine culture which celebrates and explores the place of wine in culture from the time of the Egyptians to the modern day.     It is said that not only does the colour of the building change daily and hourly with the weather but also with the changing light of the seasons, in the same way that the leaves on a vine change colour to mirror the seasons.

The mission of La Cité du Vin is to promote and share the cultural, universal and living heritage that is wine with the broadest possible audience.

It’s an ambitious focus but achievable in this beautiful and elegant city of Bordeaux whose very name is synonymous with great wine.   Building upon the City’s legacy of greatness, this modern conceptual building reflects the future orientation of the City and its wine industry.

La Cité du Vin is the initiative of the Fondation Pour La Culture et Les Civilisations du Vin.  It is heralded as a place of play and exploration – no wonder I recognize the playfulness of a children’s nursery rhyme.    All the senses are engaged as a friend and I explore the exhibits on display.

The founding principles of La Cité du Vin are:  passing on knowledge interactively,  experiencing things at your own pace, learning according to your own wishes.   These principles are demonstrated in the accessible way the information is presented.

Progress and technology are demonstrated in the Hi-Tech/Hi-Touch systems used to animate and personalize displays about wine districts around the world.   I am delighted to see film footage of the Okanagan Valley In British Columbia as the film illustrates wine areas around the world.

There are many interesting and fun opportunities to learn about wine, wine aromas, wine history, wine in the arts,  history – even Thomas Jefferson is present in the name of the Auditorium –  and,  of course, to enjoy wine tastings, wine and food pairings and even cooking classes. I look forward to experiencing these latter offerings on a future visit.

Cité du Vin

Thomas Jefferson Auditorium

One of the many great things about visiting Bordeaux is that it is very easy and inexpensive to get around using the modern, clean and efficient, Canadian, tram system. Getting to La Cité du Vin is no exception as there is a special tram station just outside the entrance.   In addition, the higher speed TGV train service has started between Paris and Bordeaux, making the journey in just over two hours.

At the end of our tour, which took several hours as there are so many interesting things to see and play with, we headed up to the tasting bar, Latitude 20, which has a spectacular ceiling made of wine bottles.  While tasting wine from distant countries, visitors can look out over the city rooftops.

Wine tasting room, Belvedere, Cité du Vin

Spectacular Latitude 20 tasting room with views over Bordeaux

La Cité opened on June 1, 2016 and excited interest and articles around the world.   Writers haven’t been quite sure how to describe this endeavour.  It’s been called variously: a wine theme park for adults, a museum, a cultural facility, an exhibition park, a museum-theme park hybrid, the Guggenheim to Wine, a cultural centre of wine, a world-beating wine museum, an over-the-top mega project, a playground for wine lovers.

La Cité du Vin is young and offers many opportunities for learning, for fun and entertainment.   In a way, it is refreshing that it defies precise definition and labelling.   For me, for now,  it will just be La Cité du Vin.

La Cité du Vin - experiencing the scale and colours

La Cité du Vin – experiencing the scale and colours

La Cité du Vin has an ambitious agenda of showing wine in the context of history, social customs, geography, geology, food and agriculture, oenology and the arts.    In this way, La Cité emphasizes all the reasons I am interested in wine as it opens the door to these subjects.

To quote La Cité du Vin text:  “…whether mythical, sacred, religious or magical, experience the culture of wine as a formidable epic which has shaped mankind and the way we live, which as been a source of inspiration in both past and present”.

Exactly.

——————

References

La Cité du Vin, Bordeaux    http://www.laciteduvin

If you enjoyed this article, please tweet it, “like it” or leave a comment.   I would enjoy hearing from you.    The space for this is below.  Thank you.